Frederic Edwin Church, 1857 - Nlele nke Cotopaxi - ọmarịcha akwụkwọ nka

Kedu ụdị ngwaahịa anyị na-enye gị?

N'elu 160 year old artwork "View of Cotopaxi" was painted by Frederic Edwin Church in 1857. Emere ụdị nke masterpiece na nha: 62,2 × 92,7 cm (24 1/2 × 36 1/2 na) e were kwa ihe-ọcha tee ya mmanụ na kwaaji. The original artpiece has the following text as inscrption: "signed, lower right: "F. E. Church '57"". Today, this artpiece is included in the Ụlọ ọrụ Art nke Chicago collection located in Chicago, Illinois, United States of America. We are happy to mention that the work of art, which belongs to the ngalaba ọha is being supplied with courtesy of Art Institute Chicago. The creditline of the artwork is the following: Gift of Jennette Hamlin in memory of Mr. and Mrs. Louis Dana Webster. Furthermore, alignment is in odida obodo format na nwere akụkụ ruru nke 3: 2, which means that the length is 50% longer than the width. The painter, art collector, landscape painter, traveller Frederic Edwin Church was an artist from United States, whose artistic style was mainly Romanticism. The Romanticist artist lived for a total of 74 years and was born in 1826 in Hartford, Hartford county, Connecticut, United States and deceased in the year 1900 in New York City, New York state, United States.

General specifications as provided from the museum's website (© Copyright - Art Institute Chicago - www.artic.edu)

Frederic Edwin Church produced at least ten finished paintings of the Ecuadorian volcano Cotopaxi. Completed in his studio just before his second visit to Latin America, View of Cotopaxi incorporates the scientific, religious, and political themes that preoccupied the artist. He ascribed to a religious view of the world that looked to nature and science as evidence of God’s role as creator. For Church and many 19th-century viewers, the lush rain forest of Latin America was likened to the Garden of Eden, and the volcano, because of its creative and destructive force, was understood in terms of divine power.

Nkọwa ahaziri nke ihe osise

Nchịkọta ihe nkiri

Nye iwu ihe ịchọrọ ịkwanye na mgbidi gị

Maka ngwaahịa ọ bụla anyị na-enye nha na ihe dị iche iche. Anyị na-ahapụ gị ka ịhọrọ n'ime ụdị ndị a:

• Glass acrylic ebipụtara nwere mmetụta na-egbuke egbuke (ya na mkpuchi iko n'ezie): A glossy print on acrylic glass, often referred to as a fine art print on plexiglass, makes your favorite original work of art into beautiful home decoration. With an acrylic glass fine art print contrasts plus small painting details become recognizeable with the help of the granular gradation in the print.
• Poster (akwa akwa akwa): A poster print is a printed sheet of canvas with a fine texture on the surface. It is qualified for putting the art print with the help of a customized frame. Please note, that depending on the absolute size of the canvas poster print we add a white margin of approximately 2-6cm round about the print to facilitate the framing with your custom frame.
• Aluminom ihe eji eme ihe: An Aluminium Dibond print is a material with an outstanding effect of depth - for a modern look and a non-reflective surface. A direct Aluminium Dibond Print is your ideal introduction to fine art replicas produced with aluminum. Colors are luminous, fine details appear clear and crisp, and there’s a matte appearance you can literally feel. The UV print on aluminium is the most popular entry-level product and is a truly stylish way to showcase art, since it draws focus on the image.
• Mbipụta kwaaji: The printed canvas applied on a wooden frame. A canvas makes a typical effect of three-dimensionality. A canvas print has the advantage of being relatively low in weight. This means, it is easy to hang up the Canvas print without additional wall-mounts. Canvas prints are suited for all kinds of walls.

Nkọwapụta ngwaahịa

Nkwupụta iwu: We try to depict the art products with as many details as possible and to exhibit them visually on the respective product detail pages. Nonetheless, the pigments of the printed materials and the imprint may diverge to a certain extent from the image on your device's monitor. Depending on your settings of your screen and the quality of the surface, colors might not be printed as realisitcally as the digital version depicted here. Given that our are printed and processed by hand, there may also be slight deviations in the motif's exact position and the size.

© nwebisiinka, Artprinta.com