Frederick Carl Frieseke, 1910 - ehihie - Ime ụlọ odo - ọmarịcha nka
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Kedu ụdị ngwaahịa anyị na-eweta?
Afternoon - Yellow Room was created by Frederick Carl Frieseke. The original version measures the size: 32 x 32 in and was painted with the Usoro of oil on canvas. Nowadays, this piece of art is in the the art collection of Analọ ihe nkiri nka nke Indianapolis. Site n'ikike nke Analọ ihe nkiri nka nke Indianapolis (ikikere: ngalaba ọha).: . Nhazi ahụ dị na square format ma nwee oke onyonyo nke 1: 1, meaning that the length is equal to the width. Frederick Carl Frieseke was a painter, whose artistic style was primarily Impressionism. The painter was born in 1874 in Owosso, Shiawassee county, Michigan, United States and passed away at the age of 65 in the year 1939.
Nweta ụdị ihe dị iche iche masịrị gị
Maka mbipụta nka ọ bụla dị mma anyị na-enye nha na ihe dị iche iche. Ka ị kwekọọ n'ihe ị chọrọ nke ọma, ị nwere ike họrọ n'ime nhọrọ nhazi ngwaahịa ndị a:
- Mbipụta kwaaji: The canvas direct print is a printed canvas stretched on a wood frame. A canvas produces a particular impression of three-dimensionality. Besides, canvas produces a nice, comfortable atmosphere. A canvas print has the advantage of being low in weight. That means, it is easy and straightforward to hang the Canvas print without additional wall-mounts. Because of thatcanvas prints are suited for all kinds of walls.
- Mbipụta enyo acrylic: The acrylic glass print, which is sometimes referred to as a UV print on plexiglass, will turn your favorite original artwork into amazing home decoration. Above all, the acrylic art print is a viable alternative option to canvas and aluminidum dibond fine art replicas. Your own version of the work of art is being made with modern UV direct print technology. This makes deep and vivid colors. With an acrylic glass fine art print contrasts as well as small details become identifiable with the help of the very fine gradation. Our real glass coating protects your selected fine art print against light and heat for several decades.
- Mbipụta nke aluminom: Aluminium Dibond prints are prints on metal with an outstanding effect of depth - for a modern look and non-reflective surface. The Direct Print on Aluminum Dibond is your ideal introduction to art reproductions manufactured on aluminum. The colors of the print are luminous in the highest definition, fine details appear very clear, and there’s a matte appearance you can literally feel. The UV print on Aluminum Dibond is one of the most popular entry-level products and is an extremely stylish way to showcase fine art prints, since it puts 100% of the viewer’s attention on the image.
- Mbipụta akwụkwọ mmado (ihe kwaaji): The Artprinta poster is a printed canvas with a slightly roughened structure on the surface, that resembles the actual work of art. It is used for putting the art copy with the help of a special frame. Please bear in mind, that depending on the size of the poster we add a white margin of approximately 2-6cm around the print to facilitate the framing with your custom frame.
Important legal note: We try all that we can to depict our art products with as many details as possible and to display them visually on the different product detail pages. Still, the tone of the print materials and the imprint may differ to a certain extent from the presentation on your device's monitor. Depending on your screen settings and the nature of the surface, not all colors can be printed one hundret percent realistically. Because our fine art prints are processed and printed manually, there may also be minor deviations in the exact position and the size of the motif.
Product nkọwa
Nkewa ngwaahịa: | ezi nka mmeputakwa |
Usoro mmeghari: | dijitalụ mmeputakwa |
Production usoro: | Mbipụta UV ozugbo |
Production: | Germany |
Ụdị ngwaahịa: | na mmepụta ihe |
Eji ngwaahịa emebere: | mgbidi mgbidi, nka mgbidi |
Ndozi onyonyo: | usoro square |
Njikwa oyiyi: | 1: 1 |
Ntụgharị nkọwa akụkụ onyonyo: | ogologo ya na obosara |
Nhọrọ dị: | Mbipụta kwaaji, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị) dị iche iche: | 20x20cm - 8x8 ", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39", 150x150cm - 59x59", 180-x180cm |
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: | 20x20cm - 8x8 ", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39", 150x150cm - 59x59", 180-x180cm |
Nhọrọ nha nke akwụkwọ mmado (akwụkwọ kwaaji): | 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39" |
Mbipụta aluminom (aluminium dibond ihe) nha dị iche iche: | 20x20cm - 8x8", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39" |
Nhazi mmeputa nka nka: | adịghị |
Data ndabere gbasara nka
Akụkụ nka: | "Afternoon - Yellow Room" |
Nhazi nka: | sere |
Category: | nkà nke oge a |
Narị afọ nka: | 20th narị afọ |
Emepụtara n'afọ: | 1910 |
Ogologo afọ nka nka: | ihe karịrị 110 afọ |
Ihe osise izizi: | mmanụ na kwaaji |
Nha nke ihe nka izizi: | 32 x 32 n’ime |
Ụlọ ihe ngosi nka: | Analọ ihe nkiri nka nke Indianapolis |
Ebe ngosi nka: | Indianapolis, Indiana, Njikota Obodo Amerika |
Weebụsaịtị nke ihe ngosi nka: | Analọ ihe nkiri nka nke Indianapolis |
Licensedị ikike: | ngalaba ọha |
Site n'aka: | Analọ ihe nkiri nka nke Indianapolis |
Banyere onye na-ese ihe
aha: | Frederick Carl Frieseke |
Aha ndị ọzọ: | friesecke, Frieseke Frederick C., Frieseke Frederick Carl, f.c. frieseke, Frieseke, Frederick C. Frieseke, Frederick Carl Frieseke, friesecke f.c. |
okike onye nka: | nwoke |
Obodo onye nka: | American |
Ọrụ onye na-ese ihe: | onye na-ese ihe |
Obodo obibi: | United States |
nhazi ọkwa: | omenkà nke oge a |
Ụdị nka: | Mmetụta |
Afọ ọnwụ: | 65 afọ |
Amụrụ n'afọ: | 1874 |
Ebe amụrụ onye: | Owosso, Shiawassee County, Michigan, Njikota Obodo Amerika |
Nwuru: | 1939 |
Obodo ọnwụ: | New York City, New York State, Njikota Obodo Amerika |
Edobere ederede a site na nwebisiinka © , www.artprinta.com (Artprinta)
Nkọwa ihe osise izizi sitere na Indianapolis Museum of Art (© Nwebiisinka - Ụlọ ihe ngosi nka nke Indianapolis - Analọ ihe nkiri nka nke Indianapolis)
Gallery label: The colorful patterns and glowing sunshine here are signature elements of Frieseke’s work. He painted his wife in this same room under various light effects that he used to heighten the sparkle of the patterning around her.
Look closely at the painting and you will see a ghostly image above the hand on the woman’s lap. This is called a pentimento, meaning “repentance” in Italian. These occur when the paint becomes more transparent with age and reveals changes made by the artist. To find out what was hidden, an infrared reflectogram (IRR) image of the painting was taken (shown below). The IRR shows that the woman was originally holding an open book. The artist painted it out and shifted the position of the woman’s hand.
Indianapolis Museum of Art American Painting and Sculpture to 1945 James E. Roberts Fund