Hilaire Germain Edgar Degas, 1886 - Ụlọ ahịa Millinery - mbipụta nka mara mma

Description of this artwork from the French painter with the name Hilaire Germain Edgar Degas

Ihe osise na aha The Millinery Shop e sere ya nwoke artist Hilaire Germain Edgar Degas in 1886. The version of the artpiece has the size: 100 × 110,7 cm (39 3/8 × 43 9/16 in ) and was manufactured on the medium mmanụ na kwaaji. The artwork is in the the Art Institute Chicago's digital collection, which is one of the world’s great art museums, housing a collection that spans centuries and the globe. With courtesy of: Ụlọ ọrụ Art Chicago (ikike - ngalaba ọha). Ọzọkwa, ihe nkiri ahụ nwere kreditline: Mazị na Oriakụ Lewis Larned Coburn mkpokọta ncheta. E wezụga nke a, nhazi nke mmepụta dijitalụ dị na odida obodo format ma nwee oke nke 1.2: 1, nke pụtara na ogologo ya dị 20% ogologo karịa obosara.

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• Mpempe akwụkwọ ederede (akwa akwa akwa): Our poster print is a printed cotton canvas paper with a slightly rough texture on the surface. It is excellently used for placing the fine art print in a custom frame. Please keep in mind, that depending on the size of the canvas poster print we add a white margin between 2-6cm around the print to facilitate the framing with your custom frame.
• Mbipụta kwaaji: A canvas direct print is a printed cotton canvas mounted on a wood stretcher. A canvas creates a exclusive impression of three-dimensionality. Your printed canvas of your favorite masterpiece will provide you with the opportunity of turning your into a large size artpiece. How can I hang a canvas print on my wall? The advantage of canvas prints is that they are relatively low in weight, which implies that it is easy to hang up the Canvas print without the help of extra wall-mounts. A canvas print is suited for any type of wall.
• Bipụta na iko acrylic (nke nwere ezigbo mkpuchi iko): The acrylic glass print, often denoted as a UV print on plexiglass, will transform your favorite original work of art into amazing décor. The artwork will be printed with state-of-the-art UV print machines. It makes intense and stunning print colors. With an acrylic glass art print sharp contrasts and also details become recognizeable because of the precise tonal gradation in the print.
• Metal (aluminium debond mbipụta): This is a metal print made on aluminium dibond with an impressive effect of depth. A direct Aluminium Dibond Print is the best introduction to art reproductions with aluminum. Colors are luminous and vivid in the highest definition, fine details appear crisp and clear, and the print has a a matte look you can literally feel. The direct UV print on aluminium is the most popular entry-level product and is a truly modern way to display artworks, because it puts all of the viewer’s focus on the whole artwork.

Disclaimer: We try everythig possible to describe our art products in as much detail as possible and to display them visually in our shop. At the same time, the tone of the print materials and the printing might differ marginally from the representation on the monitor. Depending on your settings of your screen and the nature of the surface, not all colors can be printed as exactly as the digital version on this website. Since all the fine art prints are processed and printed by hand, there might also be slight discrepancies in the motif's size and exact position.

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Of at least fifteen pastels, drawings, and paintings that Edgar Degas created on this subject during the 1880s, The Millinery Shop is the largest and perhaps the most ambitious. As a result of its unusual cropping and tilted perspective, it seems to capture an unedited glimpse of the interior of a small nineteenth-century millinery shop. The identity of the young woman in the painting remains unclear: she may be a shop girl or a customer. In an early version of the composition, the woman is clearly intended to be a customer; she wears a fashionable dress, though her hat—a prerequisite token of bourgeois culture—is absent. In the final painting, however, the woman appears with her mouth pursed, as if around a pin, and her hands gloved, possibly to protect the delicate fabric of the hat she holds. Degas seems to have deliberately left her role as a creator or consumer ambiguous. She is totally absorbed in her activity and, like most of the women in Degas’s paintings, seems unaware of being watched. The bonnets that are displayed on the table next to her like a still life present an analogy to the artist’s creative process: where they are unfinished, so too is the painting.