Ignaz Dullinger, 1836 - Nwanyị nwanyị di ya nwụrụ - mbipụta nka mara mma

59,99 €

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What does the website of the Belvedere say about this 19th century work of art from the painter Ignaz Dullinger? (© - Belvedere - www.belvedere.at)

Ignaz Dullinger illustrated in this painting a passage from the New Testament (Mark 12.41 to 44; Luke 21,1-4). In the right half of the Apostles of Jesus, pointing to the poor widow to the left surround. She throws just two lepta (the smallest coins of that money economy) into the offering box. In the relevant biblical passage Christ says that the poor widow had thereby sacrificed more than any other. Because the others would give of their abundance, the widow but everything they possessed. This contrast illustrates Dullinger examined by the representation of the rich man next to the woman of some coins from his bulging money bag. His behavior is exposed as avarice. The arrangement of the arcade arches reinforced the division of the two groups in the painting. [Lovecký 8/2010]

Ozi ahaziri na nka

Aha nke ihe nka: "The widow's mite"
Nhazi: sere
Otu sara mbara: nkà nke oge a
Time: 19th narị afọ
Emepụtara na: 1836
Ogologo afọ nka nka: karịa afọ 180
Usoro izizi: mmanụ na kwaaji
Nha izizi nka: 112,5 x 141 cm - nha etiti: 122 x 150 x 6 cm
Akara mbinye aka: signed and dated lower left: pinx I. Dullinger 1836th
Ụlọ ihe ngosi nka: Belvedere
Ebe ngosi nka: Vienna, Austria
Weebụsaịtị nke ihe ngosi nka: Belvedere
Ikikere nke ihe osise: ngalaba ọha
Site n'aka: © Belvedere, Vienna, nọmba ngwa ahịa: 7913
Ebe E Si Nweta: nyefee site na Kunsthistorisches Museum, Vienna na 1987

Nchịkọta nkenke nke onye na-ese ihe

Aha onye nka: Ignaz Dullinger
Ọrụ onye na-ese ihe: onye na-ese ihe
Otu nka: omenkà nke oge a
Ụdị nke onye na-ese ihe: Ihunanya
Oge ndu: 59 afọ
Amụrụ n'afọ: 1803
Obodo ọmụmụ: Münzkirchen, Upper Austria
Afọ ọnwụ: 1862

Ngwaahịa a

Nkewa bipụta: ọrụ mgbidi
Mmeputakwa: mmeputakwa n'ụdị dijitalụ
Usoro mmepụta: mbipụta dijitalụ
Mmalite nke ngwaahịa a: arụpụtara na Germany
Stockdị ngwaahịa: a na-achọ
Eji ngwaahịa emebere: ihe ndozi mgbidi, nka mgbidi
Nhazi: nhazi odida obodo
Oke akụkụ: 1.2: 1 ogologo ruo obosara
Ntụgharị nkọwa akụkụ akụkụ: ogologo bụ 20% ogologo karịa obosara
Nhọrọ akụrụngwa: mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kanvas, mbipụta iko acrylic (nwere ezigbo mkpuchi iko)
Kanvas n'elu etiti ihe ndọtị (mbipụta akwa akwa): 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59"
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): 60x50cm - 24x20", 120x100cm - 47x39"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: 60x50cm - 24x20", 120x100cm - 47x39"
Mbipụta aluminom (aluminium dibond ihe) nha dị iche iche: 60x50cm - 24x20", 120x100cm - 47x39"
ụba: adịghị

Họrọ ihe gị

N'ime menu ndọpụta ngwaahịa ị nwere ike ịhọrọ ngwa na nha dabere na mmasị gị. Ị nwere ike ịhọrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

  • Mbipụta kanvas: A printed canvas mounted on a wooden stretcher frame. Canvas prints are relatively low in weight. That means, it is easy and straightforward to hang up the Canvas print without additional wall-mounts. Because of thata canvas print is suitable for any type of wall.
  • Akwụkwọ mmado ebipụtara (ihe kwaaji): Our poster print is a printed cotton canvas with a fine surface structure. Please note, that depending on the size of the canvas poster print we add a white margin 2-6cm around the painting, which facilitates the framing with your custom frame.
  • Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): The print on acrylic glass, which is often referred to as a an art print on plexiglass, makes the original into wonderful wall décor. Beyond that, the acrylic fine art print offers a good alternative to aluminium or canvas art prints. With an acrylic glass fine art print contrasts as well as details will be recognizeable with the help of the very subtle gradation. Our real glass coating protects your chosen art print against light and external influences for many decades.
  • Aluminom dibond mbipụta (ọla): An Aluminium Dibond print is a print material with an impressive effect of depth. The non-reflective surface structure creates a contemporary impression. For our Print On Aluminum Dibond, we print the favorite artpiece onto the aluminium composite white-primed surface. The colors of the print are bright and vivid in the highest definition, the fine details of the print appear very clear, and the print has a a matte look that you can literally feel.

Mbipụta nka nkeonwe gị

Ihe nka The widow's mite kere site na onye ihunanya artist Ignaz Dullinger. The original measures the size: 112,5 x 141 cm - nha etiti: 122 x 150 x 6 cm e were kwa ihe-ọcha tee ya mmanụ na kwaaji. "Signed and dated lower left: pinx I. Dullinger 1836th" was the artwork's original inscription. Furthermore, this artwork forms part of the digital art collection of Belvedere, which is one of Europe's most famous museums with three locations that blends the experience of architecture and art in a unique way. With courtesy of - © Belvedere, Vienna, inventory number: 7913 (ọha na eze). Tụkwasị na nke ahụ, ihe osise ahụ nwere akara kredit: nyefee site na Kunsthistorisches Museum, Vienna na 1987. Kedu ihe ọzọ, nhazi nke mmepụta dijitalụ dị n'ime odida obodo format na a akụkụ ruru nke 1.2: 1, meaning that the length is 20% longer than the width. Ignaz Dullinger was a painter, whose style was primarily Romanticism. The artist lived for 59 afọ, amuru na afo 1803 in Münzkirchen, Upper Austria and died in the year 1862.

Ihe dị mkpa: We try everythig possible to depict our art products in as much detail as possible and to exhibit them visually on the respective product detail pages. Still, the pigments of the printing material and the printing may differ somehwat from the representation on your device's monitor. Depending on your screen settings and the quality of the surface, colors may not be printed as exactly as the digital version depicted here. Because all art reproductions are processed and printed manually, there may as well be slight discrepancies in the exact position and the size of the motif.

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