Anthony Oberman, 1817 - Ndị na-agba ịnyịnya abụọ na mbara ala - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Nkọwa ngwaahịa
Two Riders in a Landscape was made by the painter Anthony Oberman in 1817. N'ịga n'ihu, enwere ike ilele ihe osise ahụ na nchịkọta dijitalụ nke Rijksmuseum, which is the largest museum for Dutch art and history from the Middle Ages to the present day. This work of art, which belongs to the public domain is provided with courtesy of Rijksmuseum.Ebe E Si Nweta nke ihe osise:. Kedu ihe ọzọ, nhazi ahụ dị na odida obodo format na nwere akụkụ ruru nke 1.2: 1, nke pụtara na ogologo bụ 20% ogologo karịa obosara.
Kedu ihe na-eme weebụsaịtị nke Rijksmuseum say about this 19th century artwork created by Anthony Oberman? (© - by Rijksmuseum - www.rijksmuseum.nl)
Two riders in a landscape. A woman waiting for her horse while the man standing next to his horse adjusts the bridle.
Iberibe nkọwa nka
Aha nka nka: | "Two Riders in a Landscape" |
Nhazi nka nka: | sere |
Nhazi nka: | nkà nke oge a |
Century: | 19th narị afọ |
Emepụtara n'afọ: | 1817 |
Afọ nka: | karịa afọ 200 |
Ụlọ ihe ngosi nka / ebe: | Rijksmuseum |
Ebe ebe ngosi nka: | Amsterdam, Netherlands |
Weebụsaịtị nke ihe ngosi nka: | Rijksmuseum |
Akwụkwọ ikike nka: | ngalaba ọha |
Site n'aka: | Rijksmuseum |
Banyere onye na-ese ihe
Ihe nkiri: | Anthony Oberman |
okike onye nka: | nwoke |
Ọrụ onye na-ese ihe: | onye na-ese ihe |
nhazi ọkwa: | omenkà nke oge a |
Họrọ ụdị ihe ebipụta nka
Anyị na-enye ụdị dị iche iche nha na ihe maka ngwaahịa ọ bụla. Ị nwere ike ịhọrọ n'ime nhọrọ nhazi ngwaahịa ndị a:
- Mbipụta kanvas: The UV printed canvas material stretched on a wooden frame. It makes a extra effect of three-dimensionality. Canvas prints are relatively low in weight. This means, it is easy and straightforward to hang your Canvas print without the use of any wall-mounts. Hence, a canvas print is suitable for any kind of wall.
- Aluminom dibond mbipụta (ọla): Aluminium Dibond prints are metal prints with an outstanding effect of depth - for a modern look and non-reflective surface. The bright parts of the artpiece shimmer with a silky gloss, however without any glare.
- Mbipụta akwụkwọ mmado (ihe kwaaji): The poster is a printed cotton canvas with a granular finish on the surface. The poster print is perfectly appropriate for putting your art copy in a custom frame. Please bear in mind, that depending on the size of the canvas poster print we add a white margin of something between 2-6cm round about the print motif to facilitate the framing.
- Bipụta na iko acrylic na-egbuke egbuke (nke nwere ezigbo mkpuchi iko): An acrylic glass print, which is sometimes described as a an art print on plexiglass, changes your favorite original artwork into lovely décor. Additionally, the acrylic art print forms a great alternative to dibond and canvas fine art replicas. The great advantage of an acrylic glass fine art copy is that contrasts and painting details will be more visible thanks to the fine tonal gradation of the print.
Ozi ihe ahaziri ahazi
Bipụta ụdị ngwaahịa: | ọrụ mgbidi |
Usoro mmeputakwa: | dijitalụ mmeputakwa |
Usoro mmepụta: | Mbipụta UV ozugbo (mbipụta dijitalụ) |
Mmalite nke ngwaahịa a: | emepụtara na Germany |
Stockdị ngwaahịa: | na mmepụta ihe |
Ojiji ngwaahịa: | mgbidi gallery, nka mgbidi |
Nhazi nka nka: | usoro odida obodo |
Oke akụkụ: | ogologo ruo obosara 1.2: 1 |
Nsonaazụ: | ogologo bụ 20% ogologo karịa obosara |
Akụrụngwa ị nwere ike ịhọrọ: | Mbipụta kwaaji, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibbond) |
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị): | 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59" |
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: | 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: | 60x50cm - 24x20", 120x100cm - 47x39" |
Nhọrọ ebipụta aluminom: | 60x50cm - 24x20", 120x100cm - 47x39" |
Igwe onyonyo: | enweghị etiti |
Ozi dị mkpa: We try everythig possible to depict our products as accurate as possible and to illustrate them visually. At the same time, the tone of the print materials and the print result can diverge somehwat from the representation on your device's monitor. Depending on your settings of your screen and the condition of the surface, not all colors are printed as realistically as the digital version. Bearing in mind that all the art reproductions are printed and processed manually, there may also be slight discrepancies in the motif's exact position and the size.
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