Carl Larsson, 1885 - Ata! - ọmarịcha nka

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• Ebipụta akwụkwọ mmado na ihe akwa akwa: The Artprinta poster is a printed canvas with a granular structure on the surface. It is qualified for placing the art replica using a special frame. Please bear in mind, that depending on the absolute size of the poster print we add a white margin between 2-6cm round about the painting in order to facilitate the framing with your custom frame.
• Mbipụta kanvas: A canvas print is a printed canvas stretched on a wood frame. A canvas makes the exclusive effect of three dimensionality. Further, a printed canvas makes a cosy and positive look. Your canvas print of your favorite masterpiece will provide you with the chance of turning your personal fine art print into a large size work of art like you would see in a gallery. Canvas prints are relatively low in weight. This means, it is quite simple to hang your Canvas print without any wall-mounts. Hence, a canvas print is suited for all kinds of walls.
• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko n'elu): An acrylic glass print, which is often described as a an art print on plexiglass, transforms the original into brilliant home decoration. The acrylic glass protects your selected art print against sunlight and heat for between 40-60 years.
• Mbipụta ọla (aluminium dibbond): An Aluminium Dibond print is a print with a true effect of depth, which creates a modern look thanks to a surface , which is non-reflective. Colors are bright and luminous in the highest definition, the fine details of the print are crisp and clear, and you can really perceive the matte appearance of the art print surface. The print on Aluminum Dibond is the most popular entry-level product and is a truly modern way to display fine art prints, because it puts the viewer’s attention on the whole artwork.

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Artwork description from Nationalmuseum Stockholm (© - Nationalmuseum Stockholm - www.nationalmuseum.se)

English: A Bite is perhaps the oil painting where Carl Larsson’s brushwork is most like that of his watercolours. This work is an example of how imaginative Rococo pastiche and plein-air naturalism need not be mutually exclusive. Carl Larsson’s paintings in this genre should be seen in relation to his delight in the 18th century and his major undertaking to illustrate Anna Maria Lenngren’s Samlade skaldeförsök, which he was working on in Grez on behalf of Albert Bonnier in 1883–84. Napp är den av Carl Larssons oljemålningar från 1880-talet där penselföringen ligger närmast den i hans akvareller. Målningen är ett exempel på att den fantasifulla rokokopastischen och friluftsmåleriets naturtrohet inte uteslöt varandra. Man bör betrakta Carl Larssons bilder inom den här genren mot bakgrund av den vurm han kände inför 1700-talet och det stora arbete med illustrationer till Anna Maria Lenngrens Samlade skaldeförsök som han utförde i Grez på uppdrag av Albert Bonnier 1883–84.

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"A Bite!" was painted by the Swedish onye na-ese ihe Carl Larson. E ji nha ya see ihe osise ahụ. Ogologo: 32,5 cm (12,7 ″); Obosara: 41 cm (16,1 ″) Ekebere: Elu: 58 cm (22,8 ″); Obosara: 67 cm (26,3 ″); Omimi: 9 cm (3,5 ″). mmanụ was applied by the European painter as the medium of the artwork. Today, the piece of art is in the the art collection of Nationalmuseum Stockholm. The nkà nke oge a artwork, which belongs to the public domain is being provided with courtesy of Nationalmuseum Stockholm & Wikimedia Commons.Additionally, the artwork has the following creditline: . The alignment is odida obodo na nha onyonyo nke 4: 3, nke pụtara na ogologo bụ 33% ogologo karịa obosara.

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