Charles Ferdinand Wimar, 1854 - Chaja a dọọrọ n'agha - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Ihe nka The Captive Charger si Charles Ferdinand Wimar ka ọhụrụ nka oyiri
N’afọ 1854 Charles Ferdinand Wimar agba nke nkà nke oge a ọrụ nka "The Captive Charger". The more than 160 year-old original version measures the dimensions: 30 x 40 1/2 na (76,2 x 102,9 cm) emebere: 44 1/2 x 55 1/4 na (113 x 140,3 cm). Oil on canvas was applied by the American painter as the technique for the piece of art. What is more, the artwork is included in the art collection of Ụlọ ihe ngosi nka nke Saint Louis, which is a world renowned fine arts museum known for its outstanding and comprehensive collection spanning 5000 years of cultures and genres. This public domain piece of art is supplied with courtesy of Saint Louis Art Museum, Missouri, Gift of Miss Lillie B. Randell. : Gift of Miss Lillie B. Randell. N'elu nke ahụ, nhazi nke mmepụta dijitalụ bụ odida obodo ma nwee nha onyonyo nke 4: 3, nke pụtara na ogologo ya dị 33% ogologo karịa obosara.
Ozi ahaziri na mpempe nka
Aha eserese: | "The Captive Charger" |
Nhazi: | sere |
Otu sara mbara: | nkà nke oge a |
oge: | 19th narị afọ |
Year: | 1854 |
Ogologo afọ nka nka: | 160 afọ |
Ọkara nke ihe osise izizi: | mmanụ na kwaaji |
Nha ihe osise izizi: | 30 x 40 1/2 na (76,2 x 102,9 cm) emebere: 44 1/2 x 55 1/4 na (113 x 140,3 cm) |
Ụlọ ihe ngosi nka / mkpokọta: | Ụlọ ihe ngosi nka nke Saint Louis |
Ebe ebe ngosi nka: | Louis, Missouri, Njikota Obodo Amerika |
URL nke ihe ngosi nka: | Ụlọ ihe ngosi nka nke Saint Louis |
License: | ngalaba ọha |
Site n'aka: | Saint Louis Art Museum, Missouri, Gift of Miss Lillie B. Randell |
Ebe E Si Nweta: | Gift of Miss Lillie B. Randell |
Tebụl nyocha nke onye na-ese ihe
Aha onye nka: | Charles Ferdinand Wimar |
A makwaara dịka: | Carl Wimar, Wimar Carl, Wimer C. F., Wiman Charles Ferdinand, Wimer Charles Ferdinand, Charles Ferdinand Wimar, wimar c., Wimar Karl, Wimar Charles., Wimar Charles, Wimar Charles Ferdinand, Charles Wimar |
okike nke onye nka: | nwoke |
Obodo onye nka: | American |
Ọrụ: | onye na-ese ihe |
Mba onye si: | United States |
Otu nka: | omenkà nke oge a |
Afọ ọnwụ: | 34 afọ |
A mụrụ: | 1828 |
Nwụrụ n'afọ: | 1862 |
Họrọ ngwa ngwaahịa gị
Anyị na-enye ihe dị iche iche dị iche iche na nha maka ngwaahịa ọ bụla. Anyị na-ahapụ gị ka ịhọrọ nha na akụrụngwa ọkacha mmasị gị n'etiti nhọrọ nhazi ngwaahịa ndị a:
- Mbipụta nke aluminom: These are metal prints on alu dibond with an outstanding depth. A non-reflective surface structure make a contemporary look. The Direct Print on Aluminum Dibond is the ideal start to the sophisticated world of prints on aluminum. For our Print On Aluminum Dibond, we print your chosen work of art onto the surface of the white-primed aluminum.
- Akwụkwọ mmado ebipụtara (akwa akwa akwa): The Artprinta poster is a UV printed canvas with a slightly roughened texture on the surface. Please bear in mind, that depending on the size of the poster we add a white margin of something between 2-6 cm round about the print to facilitate the framing.
- Mbipụta kanvas: A printed canvas material mounted on a wooden stretcher frame. Canvas prints are relatively low in weight, meaning that it is quite simple to hang up the Canvas print without any wall-mounts. A canvas print is suited for all kinds of walls.
- Ugogbe acrylic ebipụtara: An acrylic glass print, often denoted as a plexiglass print, will convert the original artwork into wonderful décor and offers a viable alternative to canvas or aluminium dibond art prints. The major advantage of a plexiglass print is that contrasts and painting details become more identifiable with the help of the precise tonal gradation in the print.
Ozi ihe ahaziri ahazi
Bipụta ngwaahịa: | nka nka |
Usoro mmeputakwa: | dijitalụ mmeputakwa |
Usoro mmepụta: | mbipụta dijitalụ |
Production: | emere na Germany |
Stockdị ngwaahịa: | na mmepụta ihe |
Ihe eji eme atụmatụ: | ihe ndozi mgbidi, mkpokọta nka (mmeputakwa) |
Ndepụta: | usoro odida obodo |
Njikwa oyiyi: | 4: 3 - ( Ogologo: obosara) |
Akụkụ akụkụ pụtara: | ogologo bụ 33% ogologo karịa obosara |
Nhọrọ dị: | acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibond), mbipụta akwụkwọ. |
Ọdịiche dị n'okirikiri akwa akwa akwa (akwa akwa): | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Aluminium dibond ebipụta (ihe aluminium) dị iche iche: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
ụba: | mbipụta nka na-enweghị isi |
Ederede iwu dị mkpa: We try everythig possible in order to depict our products as accurately as we can and to display them visually. Still, some colors of the printing material, as well as the printing might differ slightly from the representation on your screen. Depending on the settings of your screen and the condition of the surface, color pigments might not be printed one hundret percent realistically. Because all our fine art prints are processed and printed by hand, there may also be slight variations in the motif's size and exact position.
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