Albert Guillaume Démarest, 1889 - Kennybol na ụkpụrụ Stayper - ọmarịcha nka.

29,99 €

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In 1889 the painter Albert Guillaume Démarest created the 19th narị afọ masterpiece a na-akpọ Kennybol et patterned Stayper. E sere ụdị izizi ya na nha ya. Ogologo: 12,8 cm, obosara: 22,1 cm. Mmanụ, Canvas (ihe) was applied by the painter as the medium of the masterpiece. It belongs to the Maison de Victor Hugo - Ụlọ Hauteville nchịkọta na Paris, France. The modern art public domain piece of art is being supplied with courtesy of Maison de Victor Hugo - Ụlọ Hauteville.: . Na mgbakwunye na nke ahụ, nhazi nke mmepụta dijitalụ dị n'ime odida obodo usoro na oke nke 3: 2, nke pụtara na ogologo bụ 50% ogologo karịa obosara.

Artwork information by Maison de Victor Hugo - Hauteville House (© Nwebiisinka - Maison de Victor Hugo - Ụlọ Hauteville - Maison de Victor Hugo - Ụlọ Hauteville)

Illustration for the title banner of Chapter XXXVII of the Victor Hugo novel "Hans of Iceland." The scene shows the Kennybol and Guidon Stayper rebels entered the Black Pillar parade, while Kennybol just fired a shot that reveals their presence, and is the text: "The shot was fired before Guidon Stayper, who had thrown himself on the arm of the imprudent hunter, was able to stop. - It was not the complaint of a wild cat who answered the loud bang of the gun, it was a terrible tiger growl, followed by a burst of human laughter, even more awful. "

In the volume "A Novel," published in 1889, the complete works of Victor Hugo of the National Edition by Emile Testard and Co. Albert Demarest was given all of the illustration "Hans of Iceland" , or 50 thumbnail title for each chapter (with the exception of two for which the board inset serves as a frontispiece) and the conclusion and the 5 etchings inset in full screen. This study for the title banner of Chapter XXXVII, was engraved by Henri Lefort, p. [399] and pulled two states.

Han d'Islande (V.Hugo)

Ozi ahaziri na mpempe nka

Aha ọrụ nka: "Kennybol et patterned Stayper"
nhazi ọkwa: sere
Nhazi nka: nkà nke oge a
Time: 19th narị afọ
Emepụtara na: 1889
Ogologo afọ nka nka: gbara afọ 130
Usoro nka izizi: Mmanụ, Canvas (ihe)
Akụkụ nke ihe osise izizi: Ogologo: 12,8 cm, obosara: 22,1 cm
Ụlọ ihe ngosi nka: Maison de Victor Hugo - Ụlọ Hauteville
Ebe ngosi nka: Paris, France
Weebụsaịtị nke ihe ngosi nka: Maison de Victor Hugo - Ụlọ Hauteville
License: ngalaba ọha
Site n'aka: Maison de Victor Hugo - Ụlọ Hauteville

Tebụl nyocha nke onye na-ese ihe

aha: Albert Guillaume Démarest
Ọrụ: onye na-ese ihe
nhazi ọkwa: omenkà nke oge a
Oge ndu: 58 afọ
A mụrụ: 1848
Ebe omuma: Rouen
Afọ nwụrụ: 1906
Nwụrụ na (ebe): Paris

Nye iwu ihe ị ga-achọ inwe

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  • Bipụta na iko acrylic (nke nwere ezigbo mkpuchi iko): An acrylic glass print, often described as a print on plexiglass, will turn your favorite artwork into lovely wall decoration. Furthermore, it makes a good alternative to aluminium and canvas prints. The work of art will be printed with state-of-the-art UV printing technology. This makes rich and impressive print colors. With an acrylic glass fine art print contrasts and color details will be more visible thanks to the precise gradation. The plexiglass protects your chosen art print against light and external influences for many decades.
  • Kwaaji: The canvas direct print is a printed cotton canvas stretched on a wooden stretcher. It generates the extra effect of three dimensionality. A canvas print of your favorite artwork will let you turn your personal into a large artpiece. The advantage of canvas prints is that they are relatively low in weight, meaning that it is easy and straightforward to hang up the Canvas print without the help of additional wall-mounts. A canvas print is suited for any type of wall.
  • Mbipụta ọla (aluminium dibbond): These are metal prints on aluminium dibond material with an impressive depth effect. A non-reflective surface creates a fashionable look. The colors are luminous in the highest definition, the fine details appear clear and crisp. This direct print on Aluminum Dibond is one of the most popular entry-level products and is a sophisticated way to display art reproductions, as it draws focus on the whole artwork.

Banyere ihe a

Bipụta ngwaahịa: ọmarịcha nka
Usoro mmeghari: dijitalụ mmeputakwa
Production usoro: Mbipụta UV ozugbo
Mmalite ngwaahịa: arụpụtara na Germany
Stockdị ngwaahịa: na mmepụta ihe
Ojiji ngwaahịa: ihe ndozi mgbidi, mma mgbidi
Nhazi: usoro odida obodo
Oke akụkụ: 3: 2 (ogologo: obosara)
Mmetụta nke oke akụkụ: ogologo bụ 50% ogologo karịa obosara
Ngwa ngwaahịa dị: acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibond), mbipụta akwụkwọ.
Nhọrọ nke akwa akwa n'elu etiti ihe ndọtị (mbipụta akwa akwa): 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39"
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) dị iche iche: 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39"
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
Mpempe aluminom (aluminium dibond ihe) nha: 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
Nhazi nke nnomi nka: biko buru n'uche na ebipụta nka enweghi fremu

Ihe dị mkpa: We try everything to depict the art products in as much detail as possible and to showcase them visually in our shop. Although, the pigments of the print materials, as well as the imprint might vary slightly from the presentation on your device's monitor. Depending on the settings of your screen and the nature of the surface, color pigments may not be printed as realistically as the digital version shown here. Considering that all fine art prints are processed and printed by hand, there may as well be minor deviations in the size and exact position of the motif.

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