Eugène Delacroix, 1843 - Ọnwụ nke Ophelia - ọmarịcha nka

The Death of Ophelia bụ onye na-ese ihe Eugene Delacroix n’afọ 1843. Ụdị ihe osise ahụ nwere nha ndị a: Image: 9 15/16 x 7 1/4 in (25,3 x 18,4 cm) Sheet: 11 x 8 9/16 in (28 x 21,8 cm). Lithograph; second state of four was applied by the European artist as the medium of the work of art. This work of art is included in the digital collection of The Metropolitan Museum of Art. With courtesy of Ụlọ ihe ngosi nka nke Metropolitan, New York, Rogers Fund, 1922 (nwere ikike - ngalaba ọha). : Rogers Fund, 1922. E wezụga nke a, alignment nke dijitalụ mmepụta bụ na. odida obodo usoro na nha onyonyo nke 4: 3, meaning that the length is 33% longer than the width. The painter Eugène Delacroix was an artist from France, whose artistic style was mainly Romanticism. The French artist was born in the year 1798 na Saint-Maurice, Val-de-Marne wee nwụọ mgbe ọ dị afọ 65 na 1863 na Paris.

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In 1834 Delacroix began a series of lithographs devoted to Hamlet, creating moody images that mirror the troubled psyche of the prince. Choosing key scenes and poetic passages, the artist's highly personal and dramatic images were unusual in France, where interest in Shakespeare developed only in the nineteenth century. Here, Ophelia, whose mind has become unhinged by the murder of her father Polonius, and rejection by Hamlet, has fallen into a stream while picking flowers, and her water-logged gown will soon drag her down to "muddy death." This sad event takes place offstage and is poetically described in act 4, scene 7 by Queen Gertrude. Gihaut frères published the artist's thirteen-print set in 1843, with a second expanded edition of sixteen issued by Bertauts in 1864. Cooly received at first, the prints eventually were recognized as one of the artist's most significant achievements.