Johan Daniël Koelman, 1841 - Ọmụmụ ihe abụọ nke nwanyị na-agbagharị - ọmarịcha nka
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Akụrụngwa ndị ahịa anyị nwere ike ịhọrọ
In the product dropdown selection you can pick your prefered size and material. Pick your favorite size and material among the following options:
- Aluminom ihe eji eme ihe: An Aluminium Dibond print is a print with an impressive depth. The Aluminium Dibond Print is the excellent introduction to art replicas on aluminum. The colors are luminous, the fine details of the print are crisp and clear, and you can perceive the matte appearance of the art print surface. The UV print on aluminium is the most popular entry-level product and is a modern way to showcase fine art prints, as it draws attention on the whole artwork.
- Mpempe akwụkwọ mmado ebipụtara na akwa akwa: Our poster is a printed flat canvas with a slightly rough texture on the surface. It is excellently appropriate for putting your art replica with the help of a customized frame. Please note, that depending on the absolute size of the poster we add a white margin 2-6 cm round about the work of art, which facilitates the framing with your custom frame.
- Mbipụta kwaaji: A UV printed canvas stretched on a wood frame. The advantage of canvas prints is that they are relatively low in weight. That means, it is easy and straightforward to hang up your Canvas print without extra wall-mounts. A canvas print is suited for any type of wall.
- Ugogbe acrylic ebipụtara: An print on acrylic glass, often referred to as a plexiglass print, transforms the artwork into home décor.
Nkwupụta iwu: We try to depict our art products as closely as possible and to exhibit them visually in our shop. At the same time, the tone of the print products, as well as the imprint may vary slightly from the image on your screen. Depending on your settings of your screen and the condition of the surface, colors may not be printed as realisitcally as the digital version. In view of the fact that all the are processed and printed manually, there might also be minor deviations in the size and exact position of the motif.
"Two studies of a woman spinning"si Johan Daniel Koelman dị ka akwụkwọ nka nkeonwe gị
Nke a kariri 170 years old painting was made by the painter Johan Daniël Koelman in 1841. Kedu ihe ọzọ, a na-etinye ihe osise a na Rijksmuseum's nchịkọta dijitalụ dị na Amsterdam, Netherlands. Nkà ọgbara ọhụrụ a ngalaba ọha a na-enye artpiece site n'ikike nke Rijksmuseum.: . Moreover, alignment is landscape with a ratio of 1.2 : 1, meaning that ogologo bụ 20% ogologo karịa obosara.
Nkọwa ahaziri nke ihe osise
Aha eserese: | "Two studies of a woman spinning" |
Nhazi nka: | sere |
Okwu mkpokọta: | nkà nke oge a |
Narị afọ nka: | 19th narị afọ |
Ekepụtara: | 1841 |
Afọ nka: | karịa afọ 170 |
Ụlọ ihe ngosi nka: | Rijksmuseum |
Ebe ngosi nka: | Amsterdam, Netherlands |
Weebụsaịtị nke ihe ngosi nka: | Rijksmuseum |
Ikikere nke ihe osise: | ngalaba ọha |
Site n'aka: | Rijksmuseum |
Banyere ihe
Bipụta ngwaahịa: | ọmarịcha nka |
Usoro mmeputakwa: | mmeputakwa n'ụdị dijitalụ |
Produzọ mmepụta: | UV kpọmkwem obibi |
Nlụpụta: | Germany |
Stockdị ngwaahịa: | na mmepụta ihe |
Ngwaahịa were: | foto mgbidi, ụlọ ihe osise nka |
Ndozi onyonyo a: | nhazi odida obodo |
Oke akụkụ onyonyo: | 1.2: 1 |
Mmetụta akụkụ: | ogologo bụ 20% ogologo karịa obosara |
Akụrụngwa ị nwere ike ịhọrọ: | Mbipụta kwaaji, mbipụta ọla (aluminium dibond), mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị): | 60x50cm - 24x20", 120x100cm - 47x39" |
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) dị iche iche: | 60x50cm - 24x20", 120x100cm - 47x39" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: | 60x50cm - 24x20", 120x100cm - 47x39" |
Mbipụta aluminom: | 60x50cm - 24x20", 120x100cm - 47x39" |
Igwe onyonyo: | agunyeghi |
Ozi ndabere izugbe na onye na-ese ihe
Aha onye nka: | Johan Daniel Koelman |
okike onye nka: | nwoke |
Ọrụ nke onye na-ese ihe: | onye na-ese ihe |
nhazi ọkwa: | omenkà nke oge a |
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