John Henry Twachtman, 1889 - Icebound - mbipụta nka mara mma

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"Icebound" was created by the male American artist John Henry Twachtman n’afọ 1889. A na-ese ọrụ nka nke afọ 130 na nha: 64, 2 × 76,6 cm (25 1/4 × 30 1/8 in) e were kwa ihe-ọcha tee ya mmanụ na kwaaji. The artwork's inscription is the following: "signed, lower right : "J. H. Twachtman"". Today, the artwork can be viewed in in the digital art collection of Ụlọ ọrụ Art Chicago in Chicago, Illinois, Njikota Obodo Amerika. With courtesy of: Art Institute Chicago (public domain). : Ndị enyi nke mkpokọta nka America. In addition to this, the alignment is in landscape format and has a side ratio of 1.2 : 1, which implies that ogologo bụ 20% ogologo karịa obosara. The painter John Henry Twachtman was an artist from United States, whose style can be classified as Impressionism. The North American painter was born in the year 1853 in Cincinnati, Hamilton county, Ohio, United States and passed away at the age of 49 in the year 1902 in Gloucester, Essex county, Massachusetts, United States.

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• Aluminom ihe eji eme ihe: This is a metal print made on alu dibond material with an impressive depth. Colors are bright and luminous in the highest definition, details appear clear and crisp, and there’s a matte look you can literally feel.
• Akwụkwọ mmado ebipụtara (akwa akwa akwa): Our poster print is a UV printed canvas paper with a slightly rough surface finish, that resembles the original version of the work of art. A print poster is appropriate for framing your art replica with the help of a custom frame. Please keep in mind, that depending on the size of the poster we add a white margin of around 2-6cm around the work of art, which facilitates the framing with a custom frame.
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Additional artwork information from Art Institute Chicago (© Copyright - Art Institute Chicago - Ụlọ ọrụ Art Chicago)

During the last decade of his life, John Henry Twachtman frequently painted views of the landscape surrounding his home on Round Hill Road in Greenwich, Connecticut. In a departure from typically barren images of winter, he enjoyed depicting the beauty of the frozen terrain, believing that it was conducive to contemplation and regeneration. The dense, gradually built-up layers of paint in Icebound mimic the accumulation of snow on frozen ground, and the sinuous curves that define the snow and ice against the water suggest movement in an otherwise tranquil environment. Almost square in format, the painting’s harmonious composition exemplifies Twachtman’s opinion that “never is nature more lovely than when it is snowing.”