Louise Catherine Breslau, 1886 - Ernst Josephson, 1851-1906 - ọmarịcha akwụkwọ nka.

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This masterpiece was made by the painter Louise Catherine Breslau. The more than 130 year old original measures the size of Ogologo: 81,2 cm (31,9 ″); Obosara: 65,5 cm (25,7 ″) Ekebere: Elu: 94,5 cm (37,2 ″); Obosara: 79 cm (31,1 ″); Omimi: 5 cm (1,9 ″). Mmanụ na kwaaji was used by the painter as the medium of the piece of art. This artpiece is in the the collection of Nationalmuseum Stockholm, which is Sweden's museum of art and design, a Swedish government authority with a mandatet o preserve cultural heritage and promote art, interest in art and knowledge of art. With courtesy of - Nationalmuseum Stockholm na Wikimedia Commons (ngalaba ọha) .Njirimara nke ọrụ nka bụ: . Ọzọkwa, alignment bụ Eserese na akụkụ ruru nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara.

What does the curator team of the Nationalmuseum Stockholm write about this artwork from the painter Louise Catherine Breslau? (© - by Nationalmuseum Stockholm - National Museum nke Stockholm)

English: Despite the exceedingly informal style, Louise Breslau’s portrait of Ernst Josephson nevertheless resembles a role portrait. With his hat and carelessly tied cravat and the spirit glass standing in front of him, he appears to epitomise the Paris bohemian. The portrait is dated 1886 and may have been executed during a visit to the Swedish artist colleague Allan Österlind, who also lived in France and was a friend of Louise Breslau. Trots sin informella karaktär kan Louise Breslaus porträtt av Ernst Josephson upplevas som ett rollporträtt. Med hatten, den slarvigt knutna sjalen och spritglaset framför sig framstår han som en sinnebild för Parisbohemen. Porträttet är daterat 1886 och möjligen utfört under ett besök hos konstnärskollegan Allan Österlind som också vistades i Frankrike och umgicks med Louise Breslau.

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• Aluminom dibond mbipụta (ọla): These are metal prints on aluminium dibond with an impressive effect of depth. Its non-reflective surface make a modern look. A direct Direct Print on Aluminum Dibond is your ideal introduction to fine art prints on aluminum. For the Direct Aluminium Dibond print, we print the artwork on the aluminium composite surface. The colors of the print are luminous and bright, fine details of the print appear crisp. This direct print on Aluminum Dibond is one of the most demanded entry-level products and is a modern way to showcase fine art prints, as it draws focus on the whole artwork.
• Bipụta akwụkwọ mmado n'ihe kwaaji: Our poster print is a printed sheet of flat cotton canvas with a slight surface finish. Please note, that depending on the absolute size of the poster print we add a white margin of approximately 2-6 cm round about the artwork in order to facilitate the framing.
• Mbipụta kanvas: The UV printed canvas material applied on a wood stretcher frame. It makes the plastic impression of three dimensionality. Besides, printed canvas generates a lovely and positive ambience. Your canvas print of this artpiece will provide you with the unique chance to transform your custom into a large size collection piece. A canvas print has the advantage of being relatively low in weight, meaning that it is easy to hang the Canvas print without the use of any wall-mounts. Because of thata canvas print is suited for all kinds of walls.
• Glass acrylic e biri ebi (nwere ezigbo mkpuchi iko): An acrylic glass print, which is often referred to as a an art print on plexiglass, will change your favorite original work of art into great home decoration and makes a good alternative to aluminium or canvas fine art replicas. With a glossy acrylic glass art print sharp contrasts as well as image details become more recognizeable with the help of the precise gradation of the picture. Our real glass coating protects your chosen art replica against light and heat for many decades.

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Disclaimer: We try everythig possible to depict our art products in as much detail as possible and to exhibit them visually in our shop. Still, some pigments of the printed materials, as well as the print result may diverge to a certain extent from the representation on your monitor. Depending on the settings of your screen and the condition of the surface, color pigments can unfortunately not be printed as realistically as the digital version shown here. Given that all our are processed and printed by hand, there might as well be minor variations in the size and exact position of the motif.

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