Nils Forsberg, 1888 - Ọnwụ nke dike - mbipụta nka mara mma

The nkà nke oge a onye na-ese ihe kere nka Nils Forsberg. Ụdị nke masterpiece tụrụ nha: Ogologo: 300 cm (118,1 ″); Obosara: 450 cm (14,7 ft) Ekebere: Elu: 357 cm (11,7 ft); Obosara: 511 cm (16,7 ft); Omimi: 10 cm (3,9 ″) and was manufactured with the techinque oil on canvas. Today, this work of art is part of the art collection of Nationalmuseum Stockholm, which is Sweden's museum of art and design, a Swedish government authority with a mandatet o preserve cultural heritage and promote art, interest in art and knowledge of art. The nkà nke oge a artwork, nke bụ nke ngalaba ọha is supplied with courtesy of Nationalmuseum Stockholm & Wikimedia Commons.Creditline of the artwork: . Furthermore, alignment of the digital reproduction is odida obodo ya na oke akụkụ nke 3: 2, nke pụtara na ogologo bụ 50% ogologo karịa obosara.

Ozi nka nka izizi sitere na webụsaịtị ihe ngosi nka (© Nwebiisinka - nke Nationalmuseum Stockholm - National Museum nke Stockholm)

English: The scene with the dying soldier receiving the last rites was close at hand for Nils Forsberg. During the Franco-Prussian War in 1870–1871, he worked as a medic. The soldier was modelled on one of the many casualties Forsberg encountered in the siege of Paris. The scene is set in the Notre Dame, which served as a field hospital. The painting was a success at the Paris Salon of 1888 and made Forsberg famous. The merchant August Röhss bought the painting and toured it in Sweden before donating it to the Nationalmuseum in 1889. Motivet med den döende soldaten som får den sista smörjelsen låg nära tillhands för Nils Forsberg. Under det fransk-tyska kriget 1870–71 arbetade han som sjukvårdare. Modell till soldaten var en av alla skadade som Forsberg möte under belägringen av Paris. Scenen utspelas i kyrkan Notre Dame som fungerade som fältsjukhus. Målningen gjorde stor succé på Salongen i Paris 1888. Den gjorde Forsberg berömd. Grosshandlaren August Rhöss köpte målningen och lät den turnera Sverige runt till innan han skänkte den till Nationalmuseum 1889.

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• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): The print on acrylic glass, often denoted as a UV print on plexiglass, will change your favorite original into marvellous décor. Besides, the acrylic glass print is a good alternative option to canvas or dibond prints. Your own copy of the artwork is printed with state-of-the-art UV print technology. Our plexiglass with real glass coating protects your selected art replica against light and external influences for many years.
• Aluminom ihe eji eme ihe: Aluminium Dibond prints are metal prints with a true depth effect. A non-reflective surface make a modern look. A direct Direct Print on Aluminum Dibond is the excellent introduction to the sophisticated world of art reproductions manufactured on aluminum. For your Print On Aluminum Dibond, we print your selected work of art onto the surface of the white-primed aluminum composite.
• Mbipụta kwaaji: The canvas direct print is a printed cotton canvas mounted on a wooden frame. Your printed canvas of this masterpiece will give you the chance of turning your into a large work of art. The great advantage of canvas prints is that they are relatively low in weight, meaning that it is quite simple to hang your Canvas print without the use of additional wall-mounts. That is why, a canvas print is suited for all types of walls.
• Akwụkwọ mmado ebipụtara (akwa akwa akwa): Our poster is a printed canvas paper with a slight surface texture. A poster print is suited for putting your art print in a personal frame. Please note, that depending on the size of the poster we add a white margin of around 2-6cm around the print to facilitate the framing with a custom frame.

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Ederede iwu dị mkpa: We try all that we can in order to depict our products as accurately as possible and to illustrate them visually on the various product detail pages. Still, some tone of the printing material, as well as the print result can differ somehwat from the presentation on the device's monitor. Depending on the settings of your screen and the quality of the surface, colors may not be printed as realisitcally as the digital version shown here. Since all the fine art prints are processed and printed by hand, there may also be slight variations in the exact position and the size of the motif.

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