Sir Henry Raeburn, 1801 - William Fraser nke Reelig (1784–1835) - mbipụta nka mara mma.

Original information about the artwork by the museum's website (© Copyright - by The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)

In late March and early April 1801, the seventeen-year old son of Edward Satchwell Fraser and Jane Fraser of Reelig traveled to Edinburgh from his family home in Inverness-shire en route to London. It was the first of William Fraser’s numerous visits to the studio of Sir Henry Raeburn, where this dashing portrait was painted. The finished portrait was dispatched to the family dining room in northern Scotland while its sitter was relocated to Delhi as a colonial servant of the East India Company. William fell under the Mughal spell, fathering numerous children from his harem of five or six Muslim and Hindu wives. He never returned to Scotland, for he was assassinated while commissioner of Delhi in 1835.

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• Poster (akwa akwa akwa): Our poster is a printed cotton canvas with a slight finish on the surface. Please keep in mind, that depending on the absolute size of the poster we add a white margin between 2-6cm round about the artwork, which facilitates the framing with your custom frame.
• Aluminom ihe eji eme ihe: Aluminium Dibond prints are prints on metal with a true depth. The Aluminium Dibond Print is the best introduction to fine art prints with aluminum. For the Aluminium Dibond option, we print the selected artpiece right onto the aluminium composite white-primed surface. The white and bright parts of the original work of art shine with a silky gloss, however without the glare. Colors are luminous in the highest definition, the fine details are very clear.
• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy print on acrylic glass, often labelled as a UV print on plexiglass, makes your favorite original into beautiful home décor. Beyond that, the acrylic print is a viable alternative to aluminium or canvas art prints. With a glossy acrylic glass art print contrasts plus small details will be more recognizeable because of the very subtle tonal gradation in the picture. Our real glass coating protects your selected art print against light and heat for many years.
• Mbipụta kanvas: A UV printed canvas material stretched on a wood frame. Canvas Prints have the great advantage of being relatively low in weight, which implies that it is quite simple to hang the Canvas print without the use of additional wall-mounts. That is why, canvas prints are suitable for all types of walls.

N'elu 210 ọrụ nka afọ na aha ya William Fraser of Reelig (1784–1835) mere site na rococo master Sir Henry Raeburn. The original of the piece of art measures the size: 29 1/2 x 24 1/2 in (74,9 x 62,2 cm). Mmanụ na kwaaji was used by the artist as the medium of the artpiece. Moveover, this artwork can be viewed in in the Ụlọ ihe ngosi nka nke Metropolitan nchịkọta dijitalụ. Nkà ọgbara ọhụrụ a ngalaba ọha Ibé nka na-gụnyere na nkwanye ùgwù nke Ụlọ ihe ngosi nka nke Metropolitan, New York, mkpokọta Robert Lehman, 1975. Ihe kredit nke artpiece bụ: Nchịkọta Robert Lehman, 1975. Ọzọkwa, itinye n'usoro mmepụta dijitalụ dị Eserese usoro na akụkụ ruru nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. The painter Sir Henry Raeburn was an artist from Scotland, whose art style can mainly be classified as Rococo. The European painter lived for a total of 67 afọ, amuru na afo 1756 ma nwụọ na 1823.

Ihe dị mkpa: We try whatever we can in order to depict our products with as many details as possible and to demonstrate them visually. Nevertheless, the pigments of the print products, as well as the printing may vary to a certain extent from the representation on the device's screen. Depending on the settings of your screen and the condition of the surface, color pigments might not be printed as realistically as the digital version depicted here. Considering that our art reproductions are processed and printed manually, there may as well be minor variations in the motif's exact position and the size.

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