Matthew Pratt, 1769 - Reynold Keen - mbipụta nka mara mma

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In the dropdown selection next to the product offering you can choose your prefered size and material. Thus, we allow you to choose among the following options:

• Mbipụta ọla (aluminium dibbond): These are metal prints on aluminium dibond material with an outstanding depth effect. Its non-reflective surface creates a modern look. For the Print On Aluminum Dibond, we print your chosen artpiece right onto the surface of the white-primed aluminum material. The white and bright parts of the work of art shine with a silk gloss but without any glow.
• Mbipụta akwụkwọ mmado (ihe kwaaji): The poster is a UV printed flat cotton canvas with a slightly roughened finish on the surface, that resembles the original artwork. Please note, that depending on the size of the poster print we add a white margin of something between 2-6cm around the artwork, which facilitates the framing with your custom frame.
• Kwaaji: The canvas direct print is a printed cotton canvas mounted on a wood frame. Your canvas of your favorite artwork will give you the chance to transform your fine art print into a large collection piece like you know from galleries. The advantage of canvas prints is that they are relatively low in weight, meaning that it is easy to hang up your Canvas print without the help of extra wall-mounts. Canvas prints are suitable for all types of walls.
• Mbipụta iko acrylic na-egbuke egbuke (ya na mkpuchi iko n'ezie): A glossy print on acrylic glass, which is sometimes referred to as a UV print on plexiglass, will transform your favorite original artwork into marvellous wall décor and offers a good alternative to canvas or aluminium dibond fine art prints. Your favorite artwork is printed with the help of modern UV direct printing technology. With a glossy acrylic glass art print contrasts and minor artwork details will be exposed due to the very fine gradation in the picture.

Nkwupụta iwu: We try our best in order to depict our art products with as many details as we can and to showcase them visually. At the same time, the pigments of the print products, as well as the imprint may vary somehwat from the representation on the device's screen. Depending on your settings of your screen and the condition of the surface, colors can unfortunately not be printed as exactly as the digital version. Considering that our are printed and processed by hand, there may also be slight discrepancies in the size and exact position of the motif.

Nkọwa ihe osise izizi sitere na The Metropolitan Museum of Art (© - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

Soon after his return from London, where he had studied under Benjamin West, Pratt painted the portraits of Reynold Keen (1738– 1800), a successful Philadelphia merchant, and his wife, Christiana Stille (1744–1777; 2008.243), a Philadelphia heiress. Their affable faces and luxurious surroundings describe their well-being, early in their married life.

Onye na-ese ihe kere ihe osise narị afọ nke 18 Matthew Pratt in 1769. The 250 year old version of the artwork was made with the following size: Sight: 30 x 25 in (76,2 x 63,5 cm). Mmanụ na kwaaji was used by the North American painter as the medium of the work of art. Besides, this artwork is part of the Ụlọ ihe ngosi nka nke Metropolitan digital art collection, nke bụ otu n'ime ụwa kasị na kasị mma art ngosi nka, nke na-agụnye ihe karịrị nde abụọ ọrụ nka nke gbasara puku afọ ise nke omenala ụwa, site na prehistory ruo ugbu a na site n'akụkụ ọ bụla nke ụwa .. Site n'ikike nke ụwa. : The Metropolitan Museum of Art, New York, Purchase, Morris K. Jesup Fund, 2008 (ikike ngalaba ọha). Besides, the artwork has the creditline: Purchase, Morris K. Jesup Fund, 2008. Besides, the alignment is Eserese na nwere akụkụ ruru nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara.

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