John Vanderlyn, 1818 - Panoramic View of the Palace and Gardens of Versailles - ọmarịcha akwụkwọ nka.

In 1818 John Vanderlyn painted the modern art work of art. The version of the painting measures the size - 12 x 165 ft, (3,6 x 49,5 m) e tekwara ya na ọkara mmanụ na kwaaji. Ọzọkwa, ihe osise a bụ akụkụ nke mkpokọta nka Museumlọ ihe ngosi nka nke Obodo. The nkà nke oge a artpiece, nke bụ akụkụ nke ngalaba ọha is provided with courtesy of The Metropolitan Museum of Art, New York, Gift of the Senate House Association, Kingston, N.Y., 1952. : Gift of the Senate House Association, Kingston, N.Y., 1952. Na mgbakwunye na nke a, nhazi nke mmepụta dijitalụ bụ odida obodo ya na oke nke 5: 2, nke pụtara na ogologo bụ ugboro abụọ na ọkara ogologo karịa obosara. The painter John Vanderlyn was a North American artist from United States, whose style can be attributed primarily to Romanticism. The artist was born in 1775 in Kingston, Ulster county, New York state, United States and died at the age of 77 in 1852.

Nkọwa ndị ọzọ sitere na The Metropolitan Museum of Art (© - Ụlọ ihe ngosi nka nke obodo ukwu - www.metmuseum.org)

This circular panoramic view of Versailles was painted at Kingston, New York, and New York City between 1818 and 1819. Vanderlyn used numerous sketches (Senate House Museum, Kingston, New York) that he had made at Versailles in 1814. The perspective was carefully adjusted to the circular shape. The painting was originally intended for display in the Rotunda built by Vanderlyn in 1818 at the northeast corner of City Hall Park in New York. Its showing there was not as successful as Vanderlyn had wished. In search of some profit, Vanderlyn toured intermittently with the panorama until his death. The artist depicted himself pointing out Czar Alexander I and King Frederick William II of Prussia to the right of the Basin de Latone.

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Anyị na-enye ihe dị iche iche dị iche iche na nha maka ngwaahịa ọ bụla. Ya mere, anyị na-enye gị ohere ịhọrọ n'ime nhọrọ ndị a:

• Aluminom dibond mbipụta (ọla): These are metal prints on aluminium dibond with an impressive depth effect - for a modern impression and non-reflective surface structure.
• Ebipụta akwụkwọ mmado na ihe akwa akwa: Our poster print is a printed sheet of canvas with a slightly rough surface structure, which reminds the original masterpiece. Please note, that depending on the size of the poster print we add a white margin of around 2-6 cm round about the work of art, which facilitates the framing.
• Kwaaji: A printed canvas, which shall not be confused with a canvas painting, is a digital copy printed directly on cotton canvas fabric. A canvas produces the particular impression of three-dimensionality. Your canvas print of this artpiece will allow you to transform your fine art print into a large work of art. Hanging a canvas print: Canvas prints are relatively low in weight, meaning that it is easy to hang the Canvas print without the help of extra wall-mounts. That is why, canvas prints are suited for all kinds of walls.
• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): An print on acrylic glass, which is sometimes described as a UV print on plexiglass, will transform the original artwork into marvellous décor. The work of art is being manufactured with the help of modern UV direct printing technology. The major upside of an acrylic glass art print is that contrasts and smaller artwork details become more identifiable thanks to the very subtle gradation of the picture.

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Ederede iwu: We try our utmost in order to depict our products as exact as possible and to showcase them visually in our shop. Please bear in mind that the colors of the print materials and the print result may differ somehwat from the representation on the device's monitor. Depending on the settings of your screen and the quality of the surface, color pigments can unfortunately not be printed 100% realistically. Because all the art prints are processed and printed manually, there might also be slight variations in the size and exact position of the motif.

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