Edmond Allouard, 1875 - Mkpọmkpọ ebe nke nnukwu ụlọ nke Saint-Cloud: Horseshoe Basin hụrụ site na mbara ihu mbụ nke ala. - ọmarịcha nka
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Nkọwa nke ihe osise, nke nwere aha "Ruins of the castle of Saint-Cloud: the Horseshoe Basin seen from the first floor balcony."
Nke a narị afọ nke 19 ọrụ nka aha Ruins of the castle of Saint-Cloud: the Horseshoe Basin seen from the first floor balcony. onye omenkà mere ya Edmond Allouard in 1875. E ji nha ya see nke mbụ - Ogologo: 28,8 cm, obosara: 40 cm. Signing of the running - Signed lower right: " Edm Allouard" was the artpiece's original inscription. It can be viewed in in the Ụlọ ihe nkiri Carnavalet Paris collection. The work of art, which is part of the public domain is being included with courtesy of Ụlọ ihe nkiri Carnavalet Paris.Ọzọkwa, ihe nka nwere akara kredit a: . N'elu nke ahụ, nhazi nke mmepụta dijitalụ bụ odida obodo ma nwee oke nke 1.4: 1, nke na-egosi na ogologo bụ 40% ogologo karịa obosara.
Supplementary description by Musée Carnavalet Paris (© - nke Musée Carnavalet Paris dere - www.carnavalet.paris.fr)
This work is part of a set of seven paintings purchased in 1911 to the artist. Three other paintings on the same subject: P.1057-1, P.1057-3 and P.1057-4.
Data nka ahaziri
Aha nka: | "Ruins of the castle of Saint-Cloud: the Horseshoe Basin seen from the first floor balcony." |
Nhazi nka: | sere |
Okwu mkpokọta: | nkà nke oge a |
Narị afọ nka: | 19th narị afọ |
Afọ nka: | 1875 |
Afọ nka: | 140 afọ |
Akụkụ ihe osise izizi: | Ogologo: 28,8 cm, obosara: 40 cm |
Akara aka na nka nka: | Signing of the running - Signed lower right: " Edm Allouard" |
Ụlọ ihe ngosi nka: | Ụlọ ihe nkiri Carnavalet Paris |
Ebe ebe ngosi nka: | Paris, France |
Ebe nrụọrụ weebụ ihe ngosi nka: | www.carnavalet.paris.fr |
License: | ngalaba ọha |
Site n'aka: | Ụlọ ihe nkiri Carnavalet Paris |
Banyere omenka
Aha onye nka: | Edmond Allouard |
Ọrụ nke onye na-ese ihe: | onye na-ese ihe |
nhazi ọkwa: | omenkà nke oge a |
Nwụrụ anwụ: | 43 afọ |
A mụrụ: | 1881 |
Ebe omuma: | Paris |
Afọ nwụrụ: | 1924 |
Nwụrụ na (ebe): | n'ebe |
Họrọ ihe kacha amasị gị
Na menu ndọpụta dị n'akụkụ ngwaahịa, ị nwere ike họrọ ihe na nha masịrị gị. Họrọ n'ime nhọrọ ngwaahịa ndị a ugbu a ka ị kwekọọ na mmasị gị na nha na akụrụngwa:
- Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): The print on acrylic glass, which is often named as a plexiglass print, transforms your favorite original work of art into great décor. Your artwork is manufactured with the help of state-of-the-art UV direct printing machines.
- Mbipụta ọla (aluminium dibbond): Aluminium Dibond prints are metal prints with an impressive effect of depth. A direct Aluminium Dibond Print is your excellent introduction to fine art reproductions on aluminum. The colors of the print are vivid and luminous, the fine details of the print are crisp and clear.
- Akwụkwọ mmado na ihe kwaaji: The poster print is a printed canvas with a nice surface texture. It is optimally appropriate for placing the art replica in a personal frame. Please keep in mind, that depending on the size of the poster we add a white margin between 2-6cm round about the print motif to facilitate the framing with your custom frame.
- Mbipụta kanvas: A printed canvas, which should not be confused with a painting on a canvas, is a digital image printed on an industrial printer. The advantage of canvas prints is that they are relatively low in weight. This means, it is easy to hang the Canvas print without any wall-mounts. A canvas print is suitable for all types of walls.
Nkọwa ngwaahịa
Ụdị ngwaahịa: | mmepụta nka |
Usoro mmeputakwa: | dijitalụ mmeputakwa |
Produzọ mmepụta: | Mbipụta UV ozugbo (mbipụta dijitalụ) |
Mmalite nke ngwaahịa a: | emere na Germany |
Ụdị ngwaahịa: | na mmepụta ihe |
Ihe eji eme atụmatụ: | ụlọ mmepụta ihe nka, mgbidi gallery |
Nhazi nke ihe nka: | nhazi odida obodo |
Njikwa oyiyi: | 1.4: 1 |
Nkọwa: | ogologo bụ 40% ogologo karịa obosara |
Nhọrọ ihe dị: | Mbipụta kwaaji, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Nhọrọ nha nke akwa akwa n'elu etiti ihe na-agbatị (mbipụta kwaaji): | 70x50cm - 28x20", 140x100cm - 55x39" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: | 70x50cm - 28x20", 140x100cm - 55x39" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: | 70x50cm - 28x20" |
Nhọrọ Dibond (ihe alumnium) nhọrọ: | 70x50cm - 28x20", 140x100cm - 55x39" |
Igwe onyonyo: | biko mara na ebipụta nka enweghị okpokolo agba |
Ederede iwu: We try whatever we can in order to describe our products as clearly as possible and to showcase them visually on the respective product detail pages. At the same time, the pigments of the print products, as well as the print result may vary marginally from the presentation on your monitor. Depending on the settings of your screen and the nature of the surface, color pigments might not be printed one hundret percent realistically. Because the art reproductions are processed and printed manually, there might as well be minor variations in the exact position and the size of the motif.
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