Anne Vallayer-Coster, 1780 - Vase of Flowers na Conch Shell - ọmarịcha nka.
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Data ngwaahịa nka
Vase of Flowers and Conch Shell is an artwork made by Anne Vallayer-Coster in 1780. The painting measures the size: Oval, 19 3/4 x 15 inch (50,2 x 38,1 cm) e tekwara ya na ọkara mmanụ na kwaaji. Besides, the piece of art belongs to the The Metropolitan Museum of Art's digital collection located in New York City, New York, Njikota Obodo Amerika. Nke a artpiece, nke dị na ngalaba ọha a na-enye ya site n'ikike nke Ụlọ ihe ngosi nka nke Metropolitan, New York, Onyinye J. Pierpont Morgan, 1906. Ihe kredit nke ọrụ nka bụ: Onyinye nke J. Pierpont Morgan, 1906. Furthermore, alignment is in portrait format with a ratio of 3 : 4, which implies that the length is 25% shorter than the width. The painter Anne Vallayer-Coster was an artist, whose style can be attributed mainly to Rococo. The European painter lived for a total of 74 afọ - a mụrụ n'afọ 1744 na Paris, Ile-de-France, France wee nwụọ na 1818.
Nkọwa ihe osise izizi dị ka ewepụtara site na The Metropolitan Museum of Art (© Nwebiisinka - nke Ụlọ ihe ngosi nka nke Obodo ukwu - www.metmuseum.org)
A leading exponent of still life painting, Vallayer-Coster joined the French Academy in 1770. She was patronized before the revolution by Marie Antoinette and later by the Empress Josephine.This picture can perhaps be identified with one of "three small oval paintings of flowers and fruits" exhibited in the Salon of 1781. Diderot commented upon the truthfulness of her work. Notice the play of light on the porcelain and gilt of the vase and the iridescent sheen of the shell.
Nkọwa ahaziri nke mpempe nka
Aha nka: | "Vase of Flowers and Conch Shell" |
Nchịkọta nke ọrụ nka: | sere |
Otu sara mbara: | nka ochie |
Century: | 18th narị afọ |
Afọ okike: | 1780 |
Afọ nka: | 240 afọ |
Ihe osise izizi: | mmanụ na kwaaji |
Ogo nke ọrụ nka izizi: | Oval, 19 3/4 x 15 inch (50,2 x 38,1 cm) |
Ụlọ ihe ngosi nka / ebe: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
Weebụsaịtị nke ihe ngosi nka: | Museumlọ ihe ngosi nka nke Obodo |
License: | ngalaba ọha |
Site n'aka: | Ụlọ ihe ngosi nka nke Metropolitan, New York, Onyinye J. Pierpont Morgan, 1906 |
Ebe kredit nke ọrụ nka: | Onyinye nke J. Pierpont Morgan, 1906 |
Ose okwu
Aha onye nka: | Anne Vallayer-Coster |
Aha nka ndị ọzọ: | Madame Coster, Mlle Vallayer femme Coster, Valayer-Coster Anne, M.^Tlle^R Valayer Coster, Mme Coster Valayer, Mademoiselle Vallayer, Mad. Vallayer Costar, Vallayer-Coster, Vallayer-Coster Anne, Mademoiselle Valayer-Coster, Vallayer Anne, née Vallayer Anne, Valère Coster, Anne Vallayer-Coster, Madame Vallayer-Coster, Vallayer-Coster Dorothée Anne, Valayer Coster, Vallayer-Coster Anne, Vallayer Coster, Madame Vallayer Coster, Mademoiselle Valayer Coster, Mlle Vallayer, M.lle Vallayer, Mademoiselle Valayer, Coster Anne, M.^Tlle^R Vallayer, Mad. Coster, Valleyer Coster |
okike onye nka: | nwanyi |
Obodo onye nka: | French |
Ọrụ onye na-ese ihe: | onye na-ese ihe |
Obodo obibi: | France |
Nhazi nke onye nka: | nna ukwu ochie |
Ụdị nka: | Rococo |
Akwụsị: | 74 afọ |
Afọ amụrụ: | 1744 |
Ebe omuma: | Paris, Ile-de-France, France |
Afọ ọnwụ: | 1818 |
Obodo ọnwụ: | Paris, Ile-de-France, France |
Họrọ ụdị ihe ebipụta nka
Anyị na-enye ụdị nha na ihe dị iche iche maka ngwaahịa ọ bụla. Nha na ihe ndị a bụ nhọrọ anyị na-enye gị maka nkeonwe:
- Glass acrylic e biri ebi (nwere ezigbo mkpuchi iko): A glossy acrylic glass print, which is sometimes referenced as a plexiglass print, will change the original artwork into great home décor. Above all, it makes a good alternative to dibond or canvas fine art replicas. The artwork is being made with the help of state-of-the-art UV printing technology. It makes deep, intense print colors.
- Mbipụta kanvas: The canvas direct print is a printed canvas mounted on a wooden stretcher. It generates the distinctive look of three-dimensionality. Canvas prints are relatively low in weight, meaning that it is quite simple to hang up the Canvas print without any wall-mounts. A canvas print is suitable for any type of wall.
- Aluminom dibond (ọkpụkpụ ọla): This is a metal print made on aluminium dibond with an impressive depth effect, which creates a modern look thanks to a surface structure, which is non-reflective. The Direct Print on Aluminum Dibond is the excellent start to prints with aluminum. The UV print on aluminium is the most popular entry-level product and is a truly stylish way to display artworks, because it draws focus on the artwork.
- Mbipụta akwụkwọ mmado (akwa akwa akwa): A poster is a printed sheet of cotton canvas paper with a granular surface texture. Please bear in mind, that depending on the size of the poster print we add a white margin between 2-6cm round about the print motif, which facilitates the framing with a custom frame.
Banyere akụkọ
Nkewa ngwaahịa: | ezi nka mmeputakwa |
Mmeputakwa: | dijitalụ mmeputakwa |
Usoro mmepụta: | Mbipụta UV ozugbo (mbipụta dijitalụ) |
Ihe ngosi: | German mere |
Ụdị ngwaahịa: | na mmepụta ihe |
Ngwaahịa were: | mgbidi gallery, mgbidi ndozi |
Nhazi nke ihe nka: | nhazi ihe osise |
Oke akụkụ onyonyo: | 3:4- ogologo: obosara |
Mmetụta akụkụ: | ogologo bụ 25% mkpụmkpụ karịa obosara |
Nhọrọ ihe dị: | ígwè obibi akwụkwọ (aluminium dibond), ebipụta canvas, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Canvas dị n'elu ihe nrịbama (mbipụta kanvas) nha dị iche iche: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63" |
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) dị iche iche: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Ụdị mbipụta aluminom: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Igwe onyonyo: | adịghị |
Ederede iwu: We make every effort in order to depict our products as precisely as possible and to exhibit them visually on the various product detail pages. Nonetheless, the tone of the print products and the printing might differ somehwat from the presentation on your monitor. Depending on your settings of your screen and the condition of the surface, colors might not be printed 100% realistically. Since the are processed and printed manually, there may as well be minor discrepancies in the motif's exact position and the size.
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