Lilly Martin Spencer, 1851 - Iberibe mkparịta ụka - mbipụta nka mara mma

59,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

What does the curator team of the The Metropolitan Museum of Art state about the 19th century artwork from the painter Lilly Martin Spencer? (© Nwebiisinka - The Metropolitan Museum of Art - www.metmuseum.org)

The only American woman painter of note in the antebellum period, Spencer specialized in domestic scenes. She used herself and her husband as models in many of her narrative works, including this one. The setting for the family group is likely the artist’s parlor. Many of the small objects decorating her room, such as the Limoges compote and the Carcel lamp, illustrate the taste of the time as well as Spencer’s French heritage.

In 1851 Lilly Martin Spencer mere ihe osise a aha "Conversation Piece". The 160 years old masterpiece was made with the size: 28 5/16 x 22 5/8 in (71,9 x 57,5 cm). Mmanụ na kwaaji was applied by the American painter as the technique for the piece of art. It forms part of the Ụlọ ihe ngosi nka nke Metropolitan art collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of - The Metropolitan Museum of Art, New York, Maria DeWitt Jesup and Morris K. Jesup Funds, 1998 (ọha na eze). The creditline of the artpiece is the following: Maria DeWitt Jesup and Morris K. Jesup Funds, 1998. Further, the alignment is Eserese na akụkụ ruru nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara.

Kedu ihe m nwere ike ịhọrọ?

The product dropdown menu ofers you the possibility to choose your favorite size and material. You can pick your favorite size and material between the subsequent choices:

  • Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): An print on acrylic glass, often referred to as a UV print on plexiglass, will change your favorite original into brilliant décor and offers a distinct alternative to canvas or dibond fine art replicas. Your favorite work of art is manufactured with the help of state-of-the-art UV direct print technology. It creates sharp, vivid print colors. The acrylic glass protects your custom art replica against light and heat for several decades.
  • Mbipụta nke aluminom: Aluminium Dibond prints are prints on metal with an impressive effect of depth - for a modern impression and a non-reflective surface structure. For our Aluminium Dibond print, we print your selected artpiece onto the surface of the white-primed aluminum composite. The bright and white sections of the original work of art shimmer with a silk gloss, however without the glow. The colors of the print are bright and vivid in the highest definition, the fine details are clear and crisp. The print on Aluminum Dibond is the most popular entry-level product and is a modern way to showcase fine art reproductions, as it puts the viewer’s focus on the replica of the artwork.
  • Kwaaji: A printed canvas mounted on a wooden stretcher frame. A canvas creates a sculptural look of three dimensionality. The great advantage of canvas prints is that they are relatively low in weight, which implies that it is quite simple to hang the Canvas print without extra wall-mounts. Canvas prints are suited for all types of walls.
  • Mbipụta akwụkwọ mmado (ihe kwaaji): Our poster is a printed sheet of flat canvas paper with a slight structure on the surface. The poster print is used for putting the art replica with a personal frame. Please note, that depending on the size of the canvas poster print we add a white margin of something between 2 - 6cm around the print motif, which facilitates the framing.

Ozi izugbe na onye na-ese ihe

Aha onye nka: Lilly Martin Spencer
Aha nka ndị ọzọ: Martin Angelique Marie, Spencer Lilly Martin, Spencer Lilli Martin, Spencer Angélique-Marie, Spencer Lillie Martin, Lily Martin Spencer, Spencer Lily Martin, Lilly Martin Spencer, Martin Lilly
okike nke onye nka: nwanyi
Nationality: American
Ọrụ onye na-ese ihe: onye na-ese ihe
Country: United States
nhazi ọkwa: omenkà nke oge a
Ndụ: 80 afọ
Afọ ọmụmụ: 1822
Ebe omuma: Exeter, Devon, England, United Kingdom
Afọ ọnwụ: 1902
Obodo ọnwụ: New York State, Njikota Obodo Amerika

Ozi ndabere nka

Aha nka: "Conversation Piece"
Nhazi nka nka: sere
Okwu nche anwụ: nkà nke oge a
Narị afọ nka: 19th narị afọ
Emepụtara n'afọ: 1851
Afọ nka: 160 afọ
Usoro izizi: mmanụ na kwaaji
Nha izizi: 28 5/16 x 22 5/8 na (71,9 x 57,5 cm)
Ụlọ ihe ngosi nka: Museumlọ ihe ngosi nka nke Obodo
Ebe ebe ngosi nka: New York City, New York, Njikota Obodo Amerika
Weebụsaịtị ihe ngosi nka: www.metmuseum.org
Ụdị nka nka: ngalaba ọha
Site n'aka: The Metropolitan Museum of Art, New York, Maria DeWitt Jesup and Morris K. Jesup Funds, 1998
Ebe kredit nke ọrụ nka: Maria DeWitt Jesup and Morris K. Jesup Funds, 1998

Ngwaahịa a

Nkewa ngwaahịa: ọrụ mgbidi
Usoro mmeghari: mmeputakwa n'ụdị dijitalụ
Usoro mmepụta: mbipụta dijitalụ (Mbipụta UV ozugbo)
Mmalite ngwaahịa: emepụtara na Germany
Stockdị ngwaahịa: a na-achọ
Eji ngwaahịa emebere: mgbidi mgbidi, mgbidi ịchọ mma
Ndozi onyonyo a: nhazi ihe osise
Oke akụkụ: 1: 1.2 - ogologo: obosara
Mmetụta nke akụkụ akụkụ: ogologo bụ 20% mkpụmkpụ karịa obosara
Nhọrọ akwa: ígwè obibi akwụkwọ (aluminium dibond), ebipụta canvas, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji)
Nhọrọ nke Canvas Mbipụta (akwa akwa na etiti ihe ndọtị): 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: 50x60cm - 20x24", 100x120cm - 39x47"
Mbipụta akwụkwọ mmado (akwụkwọ kwaaji): 50x60cm - 20x24", 100x120cm - 39x47"
Nhọrọ nha mbipụta aluminium dibond: 50x60cm - 20x24", 100x120cm - 39x47"
Nhazi nke nnomi nka: enweghị etiti

Disclaimer: We try everythig possible to depict the art products with as many details as possible and to display them visually. Nonetheless, the colors of the print products and the print result may vary to a certain extent from the presentation on the monitor. Depending on the screen settings and the condition of the surface, not all colors are printed as exactly as the digital version depicted here. In view of the fact that all are printed and processed manually, there might also be minor deviations in the motif's exact position and the size.

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