Berthe Morisot, 1880 - Nwanyị nọ na ụlọ mposi ya - mbipụta nka mara mma

General specifications from the museum (© - Art Institute Chicago - Ụlọ ọrụ Art Chicago)

Consistent with the Impressionist aesthetic that Berthe Morisot fervently espoused, Woman at Her Toilette attempts to capture the essence of modern life in summary, understated terms. The painting also moves discreetly into the realm of female eroticism explored by Edgar Degas, Édouard Manet, and Pierre-Auguste Renoir but seldom broached at this time by women artists. Rendered with soft, feathery brushstrokes in nuanced shades of lavender, pink, blue, white, and gray, the composition resembles a visual tone poem, orchestrated with such perfumed and rarified motifs as brushed blonde hair, satins, powder puffs, and flower petals. The artist even signed her name along the bottom of the mirror, as if to suggest that the image in her painting is as ephemeral as a silvery reflection. Morisot exhibited in seven of the eight Impressionist group shows; this painting was included in the fifth exhibition, in 1880, where her work received great acclaim. She was a particularly close friend of and frequent model for Manet, and she married his younger brother Eugène the year before she completed this painting. In addition to domestic interiors such as this one, Morisot’s pictorial realm included studies of women and children, gardens, fields, and seaside vacation homes.

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Ihe nka nke oge a na-akpọ Nwanyị nọ n'ụlọ mposi ya was created by Berthe Morisot in 1880. Ihe gafere 140 Agba mbụ dị afọ ka e ji nha ndị a see: 60,3 × 80,4 cm (23 3/4 × 31 5/8 na) and was produced with the techinque of oil on canvas. The masterpiece has the following inscription: inscribed lower left: Berthe Morisot. N'oge a, artpiece bụ nke dijitalụ art collection nke Ụlọ ọrụ Art Chicago, nke bụ otu n'ime nnukwu ụlọ ngosi ihe nka n'ụwa, na-ebukọ mkpokọta nke gafere ọtụtụ narị afọ na ụwa. Site n'ikike nke - Ụlọ ọrụ Art Chicago (ikike ngalaba ọha). Ihe kredit nke artpiece bụ nke a: Ụgwọ nke ụlọ ọrụ Stickney Fund. Ọzọkwa, itinye n'ọnọdụ nke mmepụta dijitalụ bụ odida obodo ya na oke nke 4: 3, nke pụtara na ogologo bụ 33% ogologo karịa obosara. The painter Berthe Morisot was an artist from France, whose artistic style can be attributed mainly to Impressionism. The European artist lived for 54 afọ - born in the year 1841 in Bourges, Centre region, France and deceased in 1895 in Paris, Ile-de-France, France.

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• Mbipụta ọla (aluminium dibbond): An Aluminium Dibond print is a print material with an impressive effect of depth, which creates a fashionable impression thanks to a non-reflective surface structure. Colors are vivid and luminous, the fine details of the print are crisp and clear, and the print has a a matte appearance that you can literally feel. The direct print on Aluminum Dibond is one of the most popular entry-level products and is an extremely stylish way to display art prints, as it puts 100% of the viewer’s focus on the whole artwork.
• Kwaaji: A printed canvas stretched on a wooden stretcher frame. It generates a distinctive look of three dimensionality. Besides, printed canvas produces a soft and pleasant effect. A canvas print has the advantage of being low in weight, meaning that it is easy to hang up your Canvas print without extra wall-mounts. Canvas prints are suitable for all kinds of walls.
• Mpempe akwụkwọ ederede (akwa akwa akwa): The Artprinta poster is a printed flat cotton canvas with a fine surface finish, that resembles the actual version of the masterpiece. Please keep in mind, that depending on the size of the canvas poster print we add a white margin between 2-6cm around the painting, which facilitates the framing with your custom frame.
• Mpempe iko acrylic na-egbuke egbuke: An acrylic glass print, often referred to as a print on plexiglass, changes the original work of art into brilliant décor and makes a viable alternative option to dibond or canvas prints. The artwork is being printed with state-of-the-art UV printing technology. This creates the impression of deep, vibrant color tones. The plexiglass with real glass coating protects your custom fine art print against light and heat for up to 60 years.

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Nkwupụta iwu: We try all that we can to depict the products as clearly as possible and to display them visually. Although, the tone of the printing material and the print result can diverge slightly from the image on the monitor. Depending on your settings of your screen and the condition of the surface, not all color pigments can be printed as exactly as the digital version on this website. Considering that the are processed and printed by hand, there may also be slight differences in the motif's size and exact position.

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