Berthe Morisot, 1883 - Nwanyị Na-eto eto Knitting - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
a 19th narị afọ onye na-ese ihe mere ọmarịcha ihe osise Berthe Morisot n'afọ 1883. Emere ihe osise a na nha: 19 3/4 x 23 5/8 na (50,2 x 60 cm). Mmanụ na kwaaji was applied by the European painter as the medium of the artpiece. The artwork forms part of the digital art collection of The Metropolitan Museum of Art, which is located in New York City, New York, United States of America. The public domain work of art is being supplied with courtesy of Ụlọ ihe ngosi nka nke Metropolitan, New York, Arịrịọ nke Miss Adelaide Milton de Groot (1876–1967), 1967. : Arịrịọ nke Miss Adelaide Milton de Groot (1876–1967), 1967. Ọzọkwa, itinye n'ọnọdụ bụ odida obodo na oke nke 1.2: 1, nke pụtara na ogologo bụ 20% ogologo karịa obosara. Berthe Morisot was a painter, whose style was primarily Impressionism. The painter lived for a total of 54 years - born in the year 1841 in Bourges, Centre region, France and passed away in 1895.
Họrọ nhọrọ ihe ngwaahịa
Maka mbipụta nka ọ bụla anyị na-enye ihe dị iche iche & nha dị iche iche. Nhọrọ ndị a dị maka n'otu n'otu:
- Akwụkwọ mmado ebipụtara (akwa akwa akwa): The poster print is a printed flat canvas with a granular surface structure, which reminds the original artwork. Please note, that depending on the absolute size of the canvas poster print we add a white margin of around 2-6cm round about the print to facilitate the framing.
- Mbipụta nke aluminom: This is a metal print manufactured on aluminium dibond material with an impressive depth effect, which creates a modern impression thanks to a non-reflective surface. A direct Aluminium Dibond Print is the ideal start to reproductions with aluminum. For our Print On Aluminum Dibond, we print your chosen artwork on the aluminium composite white-primed surface. The white & bright parts of the original work of art shine with a silky gloss but without the glare. Colors are luminous and vivid, details are crisp, and there’s a matte appearance that you can literally feel.
- Bipụta na iko acrylic na-egbuke egbuke (nke nwere ezigbo mkpuchi iko): A glossy print on acrylic glass, often referred to as a plexiglass print, will convert your favorite artwork into lovely décor. The work of art is being custom-made with the help of state-of-the-art UV direct print machines. The great advantage of an acrylic glass print is that contrasts and minor image details will be recognizeable due to the fine tonal gradation in the picture. Our real glass coating protects your selected art print against light and external influences for between 40-60 years.
- Kwaaji: A canvas direct print is a printed canvas stretched on a wood stretcher. Hanging your canvas print: A canvas print has the advantage of being relatively low in weight, which means that it is easy to hang the Canvas print without any wall-mounts. Canvas prints are suitable for all kinds of walls in your house.
Nkwupụta iwu: We try all that we can in order to depict the products as precisely as possible and to demonstrate them visually. Nevertheless, the tone of the print materials, as well as the imprint may diverge somehwat from the representation on the screen. Depending on your screen settings and the condition of the surface, color pigments may not be printed as exactly as the digital version depicted here. Since our art prints are printed and processed by hand, there may as well be slight discrepancies in the size and exact position of the motif.
Banyere edemede a
Nkewa ngwaahịa: | ọrụ mgbidi |
Usoro mmeputakwa: | dijitalụ mmeputakwa |
Usoro mmepụta: | mbipụta dijitalụ |
Nlụpụta: | emere na Germany |
Stockdị ngwaahịa: | mmepụta ihe na-achọ |
Eji ngwaahịa emebere: | foto mgbidi, nchịkọta nka (mmepụta) |
Ndepụta: | nhazi odida obodo |
Oke akụkụ: | 1.2: 1 (ogologo: obosara) |
Nkọwa nke oke akụkụ akụkụ: | ogologo bụ 20% ogologo karịa obosara |
Ụdị ngwaahịa dị iche iche: | Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibbond) |
Nhọrọ nha nha mbipụta kanvas (akwa akwa na etiti ihe ndọtị): | 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59" |
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: | 60x50cm - 24x20", 120x100cm - 47x39" |
Mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 60x50cm - 24x20", 120x100cm - 47x39" |
Nhọrọ nha mbipụta aluminium dibond: | 60x50cm - 24x20", 120x100cm - 47x39" |
ụba: | oyiri nka na-enweghị isi |
Nkọwa gbasara nka nka mbụ
Aha nka nka: | "Young Woman Knitting" |
Nhazi nka: | sere |
Category: | nkà nke oge a |
Century: | 19th narị afọ |
Afọ okike: | 1883 |
Afọ nka: | ihe karịrị 130 afọ |
Agba na: | mmanụ na kwaaji |
Akụkụ izizi (ọrụ nka): | 19 3/4 x 23 5/8 na (50,2 x 60 cm) |
Ụlọ ihe ngosi nka: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
Weebụsaịtị ihe ngosi nka: | Museumlọ ihe ngosi nka nke Obodo |
Ikikere nke ihe osise: | ngalaba ọha |
Site n'aka: | Ụlọ ihe ngosi nka nke Metropolitan, New York, Arịrịọ nke Miss Adelaide Milton de Groot (1876–1967), 1967 |
Ebe kredit nke ọrụ nka: | Arịrịọ nke Miss Adelaide Milton de Groot (1876–1967), 1967 |
Tebụl metadata omenkà
Aha onye nka: | Berthe Morisot |
Aha ndị ọzọ: | Morisot Berthe Manet, Berthe Morisot, Morisot Berthe-Marie-Pauline, Berthe Marie Pauline Morisot, B. Morisot, Morisot Berthe, מוריסו ברת', Berthe Manet, Morisot Berthe Marie Pauline, Manet Berthe Marie Pauline Morisot, Morisot |
okike nke onye nka: | nwanyi |
Obodo onye nka: | French |
Ọrụ onye na-ese ihe: | onye na-ese ihe |
Mba onye si: | France |
Nhazi nke onye nka: | omenkà nke oge a |
Ụdị nke onye na-ese ihe: | Mmetụta |
Nwụrụ anwụ: | 54 afọ |
Amụrụ n'afọ: | 1841 |
Ebe omuma: | Bourges, mpaghara Center, France |
Afọ nwụrụ: | 1895 |
Nwuru na (ebe): | Paris, Ile-de-France, France |
© Nchekwa ikike nwebisiinka | Artprinta.com (Artprinta)
Nkọwa izugbe sitere na Ụlọ ihe ngosi nka nke Obodo ukwu (© - site na Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)
Morisot, who exhibited with the Impressionists between 1874 and 1886, painted a number of figures out-of-doors in which she tried to achieve the same informal and spontaneous appearance as her watercolors and pastels. The light palette and the modelling of form through touches of color in this work of about 1883 are characteristic.