Marie Victoire Lemoine, 1789 - Ime ụlọ nke Atelier nke nwanyị na-ese ihe - ọmarịcha nka.

What does the website of the The Metropolitan Museum of Art state about this artwork painted by Marie Victoire Lemoine? (© - nke Ụlọ ihe ngosi nka nke Obodo ukwu - www.metmuseum.org)

The most important exhibitions in eighteenth-century Paris were the Salons, in general held every other year, and open only to artists associated with the Académie Royale de Peinture et de Sculpture. After the French Revolution the Académie was abolished, and meanwhile the Salon of 1791 was open to all contenders. This canvas, which is dated 1789, is by Marie Victoire Lemoine, one of many women artists who later emerged into public view. It is identified quite certainly with a painting she exhibited in 1796, and accordingly the title is drawn from the hand list for the exhibition.

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• Aluminom ihe eji eme ihe: These are metal prints on alu dibond material with an outstanding depth. Its non-reflective surface structure creates a fashionable look. For the Direct Aluminium Dibond option, we print the chosen artpiece on the surface of the white-primed aluminum material. The colors of the print are bright and vivid, the fine details appear very clear. This direct print on Aluminum Dibond is one of the most demanded entry-level products and is a truly modern way to display fine art prints, because it draws attention on the image.
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Ngwaahịa a

Ihe nka nka The Interior of an Atelier of a Woman Painter onye na-ese ihe mere ya Marie Victoire Lemoine n’afọ 1789. Ihe gafere 230 year old original version was made with the size - 45 7/8 x 35 in (116,5 x 88,9 cm) and was painted on the medium mmanụ na kwaaji. Ọzọkwa, mpempe nka a bụ nke nchịkọta nke Museumlọ ihe ngosi nka nke Obodo. This classic art public domain work of art is being supplied with courtesy of The Metropolitan Museum of Art, New York, Gift of Mrs. Thorneycroft Ryle, 1957. The creditline of the artpiece is the following: Gift of Mrs. Thorneycroft Ryle, 1957. Further, the alignment of the digital reproduction is portrait with a ratio of 3: 4, nke pụtara na ogologo 25% dị mkpụmkpụ karịa obosara.

Disclaimer: We strive in order to describe the art products as accurately as possible and to demonstrate them visually. Nevertheless, the pigments of the print products, as well as the printing may vary marginally from the image on the device's screen. Depending on your screen settings and the nature of the surface, not all color pigments will be printed as exactly as the digital version. Since all the fine art prints are processed and printed manually, there may as well be slight variations in the motif's size and exact position.

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