Mary Cassatt, 1878 - Nwatakịrị nwanyị nọ n'oche na-acha anụnụ anụnụ - mbipụta nka mara mma

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The nkà nke oge a painting called "Little Girl in a Blue Armchair" was made by the American artist Mary Cassatt in 1878. The more than 140 year-old original version measures the size of 89,5 x 129,8 cm (35 1/4 x 51 1/8 na) e jikwa nkà na-ese ihe mmanụ na kwaaji. What is more, this artpiece belongs to the digital art collection of Nnukwu osisi nke Art, nke dị na Washington DC, Njikota Obodo Amerika. We are happy to reference that this artpiece, which is in the ngalaba ọha a gụnyere ya na nkwanye ùgwù nke National Gallery of Art, Washington.: . Ọzọkwa, nhazi nke mmepụta dijitalụ dị na odida obodo format ma nwee oke akụkụ nke 3: 2, nke pụtara na ogologo bụ 50% ogologo karịa obosara. Mary Cassatt was a painter, graphic artist, printmaker from United States, whose style can be classified as Impressionism. The Impressionist painter was born in the year 1844 in Allegheny City, Pittsburgh, Allegheny county, Pennsylvania, United States, neighborhood and passed away at the age of 82 n'afọ 1926.

Ozi nka sitere na ihe ngosi nka (© - nke National Gallery of Art - Nnukwu osisi nke Art)

Little Girl in a Blue Armchair stands as a testament to the newly formed relationship between Mary Cassatt and the impressionists, and to her assimilation of a freer style of painting. With a limited palette and vibrant brushstroke, she created a dynamic interplay of forms that is echoed in this captured moment between rest and play.

Light enters the picture through the French doors in the background and enlivens the texture and pattern of the inanimate objects in the room. The tilted picture plane draws attention to the haphazard arrangement of the four large, blue chairs, and the brownish-gray floor in between them is painted with an energetic brushwork that gives it a life of its own. In contrast, the little girl—flopped on a chair in a moment of boredom or exhaustion—and the small dog are in a state of utter repose.

Cassatt reworked the painting with the help of her friend Edgar Degas and exhibited it along with 10 other paintings in her debut exhibition with the impressionists in 1879.

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Nchịkọta nhọrọ ngwaahịa na-enye gị ohere ịhọrọ akụrụngwa na nha masịrị gị. Anyị na-ahapụ gị ka ịhọrọ n'ime ụdị ndị a:

• Bipụta na iko acrylic na-egbuke egbuke (nke nwere ezigbo mkpuchi iko n'elu): A glossy print on acrylic glass, which is sometimes labelled as a UV print on plexiglass, transforms an artwork into brilliant home decoration. The major upside of a plexiglass fine art copy is that contrasts and granular painting details become visible with the help of the granular gradation. The real glass coating protects your selected art replica against sunlight and heat for between 40-60 years.
• Aluminom dibond mbipụta (ọla): An Aluminium Dibond print is a material with an impressive depth, creating a modern look thanks to a non-reflective surface structure. A direct Aluminium Dibond Print is the best introduction to art replicas made with aluminum. For our Aluminium Dibond print, we print the chosen artwork right on the surface of the aluminum composite. The print on aluminium is one of the most popular entry-level products and is a truly contemporary way to showcase art reproductions, because it draws attention on the image.
• Kwaaji: The UV printed canvas material applied on a wood frame. It makes the sculptural effect of three-dimensionality. Your printed canvas of your favorite artwork will let you turn your art print into a large artwork. The great advantage of canvas prints is that they are relatively low in weight, which means that it is easy to hang your Canvas print without the help of additional wall-mounts. A canvas print is suitable for all types of walls.
• Mbipụta akwụkwọ mmado (akwa akwa akwa): A poster print is a UV printed sheet of canvas with a granular texture on the surface. It is best suited for putting your art copy using a customized frame. Please note, that depending on the size of the poster print we add a white margin between 2-6cm round about the painting, which facilitates the framing.

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Ozi dị mkpa: We try everythig possible in order to depict our art products as precisely as we can and to illustrate them visually on the different product detail pages. However, the colors of the printed materials and the print result may diverge to a certain extent from the presentation on your device's screen. Depending on your settings of your screen and the nature of the surface, not all colors are printed as exactly as the digital version on this website. Because the are printed and processed manually, there might as well be minor variations in the exact position and the size of the motif.

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