Joos van Cleve, 1512 - Ezinụlọ Nsọ - mbipụta nka mara mma
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Họrọ ụdị ihe ebipụta nka
In the dropdown lists right next to the product offering you can choose your prefered size and material. You can choose your favorite material and size between the subsequent alternatives:
- Aluminom dibond (ọkpụkpụ ọla): These are metal prints on aluminium dibond with an impressive depth. The bright & white sections of the original artpiece shimmer with a silk gloss but without the glow. The colors of the print are bright and vivid in the highest definition, fine details appear crisp.
- Mbipụta kwaaji: The printed canvas, not to be mistaken with a canvas painting, is a digital copy printed on an industrial printer. A canvas creates a plastic effect of three-dimensionality. The great advantage of canvas prints is that they are relatively low in weight, which means that it is quite simple to hang your Canvas print without the support of additional wall-mounts. Because of thatcanvas prints are suitable for any type of wall.
- Glass acrylic e biri ebi (nwere ezigbo mkpuchi iko): An acrylic glass print, which is often referenced as a UV print on plexiglass, makes your favorite original into lovely décor and is a great alternative to aluminium and canvas prints. The work of art is printed with the help of state-of-the-art UV printing machines. The great upside of a plexiglass print is that contrasts and minor color details will be more exposed due to the subtle gradation in the print.
- Mpempe akwụkwọ mmado ebipụtara na akwa akwa: Our poster print is a UV printed flat cotton canvas paper with a slight surface structure, which reminds the actual version of the work of art. It is ideally suited for placing your art copy with a custom frame. Please bear in mind, that depending on the size of the poster we add a white margin of something between 2 - 6cm around the work of art, which facilitates the framing with your custom frame.
Ihe dị mkpa: We try everythig possible to depict the products as clearly as possible and to display them visually on the product detail pages. However, the tone of the printing material and the imprint may diverge slightly from the presentation on the monitor. Depending on your settings of your screen and the condition of the surface, not all colors are printed 100% realistically. In view of the fact that our are processed and printed manually, there may also be slight variations in the motif's exact position and the size.
Additional information from The Metropolitan Museum of Art (© Copyright - by The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)
The motif of the Virgin and Child is quoted from Jan van Eyck's regal Lucca Madonna of about 1435 (Städelsches Kunstinstitut, Frankfurt). Reduced to a half-length image and placed in a domestic setting, the composition is further altered by the addition of Joseph. The wine and fruits on the foreground ledge refer to Christ's incarnation and sacrifice. Presented as part of everyday life, they also testify to the emerging genre of still-life painting. The combination of quotidian domestic intimacy and symbolic meaning must have had mass appeal, since many variations of this painting were produced for sale on the open market.
"The Holy Family" was painted by Joos van Cleve. The piece of art has the size: 16 3/4 x 12 1/2 in (42,5 x 31,8 cm) and was painted on the medium mmanụ n'elu osisi. What is more, the artpiece is in the the The Metropolitan Museum of Art's collection located in New York City, New York, Njikota Obodo Amerika. Obi dị anyị ụtọ ikwu na nke a ngalaba ọha A na-enye ibe nka site n'ikike nke Ụlọ ihe ngosi nka nke Metropolitan, New York, mkpokọta Friedsam, Arịrịọ nke Michael Friedsam, 1931. The creditline of the artpiece is the following: The Friedsam Collection, Bequest of Michael Friedsam, 1931. Besides this, the alignment of the digital reproduction is in portrait format ya na oke nke 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara. The Netherlandish painter Joos van Cleve was a European artist, whose style can primarily be attributed to Northern Renaissance. The artist was born in the year 1485 in Cleves, North Rhine-Westphalia, Germany and deceased at the age of 56 na 1541 na Antwerp, Antwerpen Province, Flanders, Belgium.
Tebụl a haziri ahazi nke ihe osise
Akụkụ nka: | " Ezinụlọ Nsọ" |
Nhazi nka nka: | sere |
Category: | nka ochie |
Time: | 16th narị afọ |
Emepụtara n'afọ: | 1512 |
Afọ nka: | ihe karịrị afọ 500 |
Agba na: | mmanụ n'elu osisi |
Akụkụ nke ihe osise izizi: | 16 3/4 x 12 1/2 na (42,5 x 31,8 cm) |
Ụlọ ihe ngosi nka / mkpokọta: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
Webụsaịtị ihe ngosi nka: | Museumlọ ihe ngosi nka nke Obodo |
Ụdị ikike nka: | ngalaba ọha |
Site n'aka: | Ụlọ ihe ngosi nka nke Metropolitan, New York, mkpokọta Friedsam, Arịrịọ nke Michael Friedsam, 1931 |
Ebe kredit nke ọrụ nka: | Nchịkọta Friedsam, Arịrịọ nke Michael Friedsam, 1931 |
Ihe nkọwa
Nkewa ngwaahịa: | ọmarịcha nka |
Usoro mmeghari: | mmeputakwa n'ụdị dijitalụ |
Production usoro: | UV kpọmkwem obibi |
Nlụpụta: | German mmepụta |
Ụdị ngwaahịa: | mmepụta ihe na-achọ |
Ngwaahịa were: | ihe ndozi ụlọ, ime ụlọ |
Nhazi nka nka: | nhazi ihe osise |
Oke akụkụ onyonyo: | 3: 4 |
Nkọwa: | ogologo bụ 25% mkpụmkpụ karịa obosara |
Nhọrọ ihe dị: | Mpempe akwụkwọ, akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibond), mbipụta iko acrylic (nwere ezigbo mkpuchi iko) |
Nhọrọ nha nke akwa akwa n'elu etiti ihe na-agbatị (mbipụta kwaaji): | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63" |
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Nhọrọ nke mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Ụdị nha ebipụta aluminom: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Nhazi mbipụta nka: | adịghị |
Nchịkọta dị mkpirikpi nke onye na-ese ihe
Aha onye nka: | Joos van Cleve |
A makwaara dịka: | Cleef Joos van, Cleef Joos van der Beke, Joos van Cleef, Master of the Death of the Virgin, Cleve Joos van der Beke, Sotte Kleef, Cleve Joos van, Cleve Joos van d.Ä., Beke Joos van der, Joos van Cleve d.Ä., Sotte Cleef, de Sotte van Kleeff, de Zotte Kleef, Sotte Cleeff, de Sotte Cleef, Zotte Kleef, Josse van Cleve, Sottecleet, joost van cleve, Meister des Todes Mariae, Joos van Cleve, Cleve Joos van der Beke van, Kleef Joos van, de Sotte Kleef, J. Van Cléef, Cleve, Cleve Joos van D. A., Zotte van Kleef, Sottecleef, joos van cleve d. a., Van Cleve Joos, Joos van Cleve alias Sotte Cleef, Cleve Joos van the elder |
okike onye nka: | nwoke |
Obodo onye nka: | Dutch |
Ọrụ onye na-ese ihe: | Onye na-ese ihe na Netherlands |
Obodo onye nka: | mba netherland |
nhazi ọkwa: | nna ukwu ochie |
styles: | Northern Renaissance |
Oge ndu: | 56 afọ |
Afọ amụrụ: | 1485 |
Obodo amụrụ: | Cleves, North Rhine-Westphalia, Germany |
Nwuru: | 1541 |
Nwụrụ na (ebe): | Antwerp, Antwerpen n'ógbè, Flanders, Belgium |
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