Joos van Cleve, 1525 - Nwa agbọghọ na-amaghị nwoke na nwa - mbipụta nka mara mma

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• Mbipụta iko acrylic na-egbuke egbuke: The acrylic glass print, often labelled as a fine art print on plexiglass, will turn an original artwork into wall decoration. In addition, the acrylic art print makes a distinct alternative option to canvas or aluminium dibond fine art prints. The artwork will be printed with the help of state-of-the-art UV printing machines. This creates deep and vivid colors. The plexiglass protects your chosen fine art print against light and external influences for up to 6 decades.
• Mbipụta akwụkwọ mmado (akwa akwa akwa): The poster print is a printed canvas paper with a granular surface structure. Please bear in mind, that depending on the size of the canvas poster print we add a white margin of around 2 - 6cm around the work of art, which facilitates the framing with your custom frame.
• Mbipụta nke aluminom: An Aluminium Dibond print is a material with an impressive depth - for a modern impression and a non-reflective surface structure. For your Print On Aluminum Dibond, we print your chosen artpiece onto the aluminium surface. The bright & white parts of the artpiece shimmer with a silk gloss but without the glow. This direct print on Aluminum Dibond is one of the most popular entry-level products and is a truly stylish way to showcase fine art reproductions, because it puts the viewer’s focus on the whole artwork.
• Mbipụta kanvas: The printed canvas stretched on a wood stretcher frame. Besides, canvas creates a cosy, warm effect. A canvas print of your favorite masterpiece will provide you with the chance of transforming your individual art print into a large size work of art. Canvas prints are relatively low in weight, meaning that it is easy and straightforward to hang your Canvas print without any wall-mounts. A canvas print is suited for all kinds of walls.

Nkwupụta iwu: We try everythig possible in order to describe our products as accurate as possible and to exhibit them visually in our shop. Please keep in mind that the pigments of the print materials, as well as the printing can diverge slightly from the representation on the screen. Depending on your settings of your screen and the condition of the surface, colors can unfortunately not be printed 100% realistically. Bearing in mind that the art reproductions are printed and processed by hand, there might also be minor differences in the motif's exact position and the size.

Ozi izizi gbasara ọrụ nka sitere na webụsaịtị ihe ngosi nka (© Nwebiisinka - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

Two iconographic themes are combined in this splendid painting: the joys of motherhood and the sorrowful premonition of Christ's death. The sleeping infant is traditionally understood as a prefiguration of the dead Christ embraced by the Virgin, known as the Pietà. Contemplating her devotional reading, Mary points to her prayer book, in which two pages are legible. Taken from the Magnificat (Luke 1:54–55), celebrating the Annunciation, and the De Profundis (Psalm 130:1–2), used in the Mass for the dead, the verses foreshadow the Virgin’s rejoicing in the fulfillment of Christ’s destiny and her suffering at her son’s death.

Ihe ị kwesịrị ịma gbasara nka nka ihe karịrị afọ 490

This artwork was made by the male painter Joos van Cleve in 1525. The 490 years old version of the masterpiece was made with the size Overall 28 3/8 x 21 1/4 in (72,1 x 54 cm); painted surface 27 3/4 x 20 3/4 in (70,5 x 52,7 cm). Mmanụ na osisi was applied by the Dutch artist as the medium of the piece of art. Today, the work of art can be viewed in in the art collection of Museumlọ ihe ngosi nka nke Obodo. Site n'ikike nke The Metropolitan Museum of Art, New York, Jack and Belle Linsky Collection, 1982 (ọha na eze). Ebe kredit nke ọrụ nka: Nchịkọta Jack na Belle Linsky, 1982. Nhazi nke mmepụta dijitalụ bụ Eserese ya na oke nke 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara. Joos van Cleve was a male Netherlandish painter, whose artistic style can be attributed primarily to Northern Renaissance. The Dutch painter was born in the year 1485 na Cleves, North Rhine-Westphalia, Germany ma nwụọ mgbe ọ dị afọ 56 na 1541 na Antwerp, Antwerpen Province, Flanders, Belgium.

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