Rembrandt van Rijn - Nwa Rembrandt Titus (1641-1668) - mbipụta nka mara mma.

39,99 €

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Nkọwa nka dị ka webụsaịtị ihe ngosi nka nyere (© - Ụlọ ihe ngosi nka nke obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

The sentimental subject of Rembrandt's son Titus, who died one year before his father, was a favorite of Rembrandt forgers, who occasionally failed to coordinate the date on their canvas with the style of execution and the sitter's age. The present painter has been more careful, evidently referring to an original portrait of Titus such as the one of about 1657 in the Wallace Collection, London, and, for the costume, to a self-portrait or other Rembrandt painting of the period; the same pose and placement of the figure in the composition occur in Rembrandt's Self-Portrait of 1652 in the Kunsthistorisches Museum, Vienna. The boy's bright eyes and sweetly smiling lips seem as superficial in expression as they are in form. The technique overall might be compared with that of the Man with a Beard (89.15.3).

Ozi nka

Aha nke ihe nka: "Rembrandt's Son Titus (1641–1668)"
Nchịkọta nke ọrụ nka: sere
Usoro nka izizi: mmanụ na kwaaji
Akụkụ izizi nka: 31 1/8 x 23 1/4 na (79,1 x 59,1 cm)
Ụlọ ihe ngosi nka / ebe: Museumlọ ihe ngosi nka nke Obodo
Ebe ebe ngosi nka: New York City, New York, Njikota Obodo Amerika
website: www.metmuseum.org
Akwụkwọ ikike nka: ngalaba ọha
Site n'aka: Ụlọ ihe ngosi nka nke Metropolitan, New York, Arịrịọ nke Benjamin Altman, 1913
Ebe kredit nke ọrụ nka: Arịrịọ nke Benjamin Altman, 1913

Banyere onye na-ese ihe

aha: Rembrandt van Rijn
Gender: nwoke
Obodo onye nka: Dutch
Ọrụ onye na-ese ihe: onye na-ese ihe
Mba onye si: mba netherland
Ụdị nka: Baroque
Nwụrụ anwụ: 63 afọ
Afọ amụrụ: 1606
Amụrụ na (ebe): Leiden
Nwuru: 1669
Obodo ọnwụ: Amsterdam

Ngwaahịa a

Ụdị edemede: nka nka
Usoro mmeghari: dijitalụ mmeputakwa
Usoro mmepụta: mbipụta dijitalụ (Mbipụta UV ozugbo)
Nlụpụta: emere na Germany
Stockdị ngwaahịa: na mmepụta ihe
Ojiji ngwaahịa: nka mgbidi, ime ụlọ
Ndepụta: usoro eserese
Ụdị anya: ogologo ruo obosara 3: 4
Nsonaazụ: ogologo bụ 25% mkpụmkpụ karịa obosara
Ụdị dị iche iche dị: ígwè obibi akwụkwọ (aluminium dibond), ebipụta canvas, mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta iko acrylic (nwere ezigbo mkpuchi iko)
Canvas dị n'elu ihe nrịbama (mbipụta kanvas) nha dị iche iche: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63"
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) dị iche iche: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Nhọrọ nha mbipụta aluminium dibond: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Igwe onyonyo: adịghị

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Nkọwa nke ihe osise, nke nwere aha "Rembrandt's Son Titus (1641–1668)"

Rembrandt van Rijn created this painting. The original version of the piece of art had the following size 31 1/8 x 23 1/4 na (79,1 x 59,1 cm). Oil on canvas was applied by the painter as the medium of the artwork. Nowadays, the piece of art can be viewed in in the collection of Museumlọ ihe ngosi nka nke Obodo located in New York City, New York, United States of America. This work of art, which is part of the ngalaba ọha is included with courtesy of The Metropolitan Museum of Art, New York, Bequest of Benjamin Altman, 1913. Moreover, the artpiece has the creditline: Bequest of Benjamin Altman, 1913. In addition to this, the alignment is in portrait format with a ratio of 3: 4, which implies that the length is 25% shorter than the width. The painter Rembrandt van Rijn was a European artist from the Netherlands, whose art style can be classified as Baroque. The painter lived for 63 afọ - born in 1606 in Leiden and deceased in the year 1669.

Ederede iwu dị mkpa: We try what we can in order to describe our products as closely as possible and to display them visually on the respective product detail pages. Although, some tone of the printed materials, as well as the printing can vary marginally from the image on your monitor. Depending on your screen settings and the quality of the surface, color pigments might not be printed 100% realistically. In view of the fact that our art reproductions are processed and printed by hand, there may as well be minor variations in the motif's exact position and the size.

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