Giovanni Battista Tiepolo, 1725 - Mweghara nke Carthage - mbipụta nka mara mma

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The artwork "The Capture of Carthage" was created by Giovanni Battista Tiepolo in 1725. The over 290 year-old original measures the size of Irregular painted surface, 162 x 148 3/8 in (411,5 x 376,9 cm). Mmanụ na kwaaji was used by the Italian artist as the technique for the piece of art. It is in the the Ụlọ ihe ngosi nka nke Metropolitan mkpokọta, nke dị na New York City, New York, Njikota Obodo Amerika. Omuma nka nka, nke dị na ngalaba ọha a gụnyere ya na nkwanye ùgwù nke Ụlọ ihe ngosi nka nke Metropolitan, New York, Rogers Fund, 1965. : Rogers Fund, 1965. Further, the alignment is in Eserese format na akụkụ ruru nke 1: 1.2, which means that the length is 20% shorter than the width. The painter, printmaker Giovanni Battista Tiepolo was an artist from Italy, whose artistic style was primarily Rococo. The Rococo painter was born in 1696 in Venice, Venezia province, Veneto, Italy and passed away at the age of 74 in the year 1770.

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• Mbipụta nke aluminom: Aluminium Dibond prints are metal prints with an outstanding effect of depth, creating a modern look throuch a non-reflective surface structure. The Direct Print on Aluminum Dibond is your ideal introduction to the sophisticated world of replicas made with aluminum.
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This painting is from a series of ten magnificent canvases painted to decorate the main room of Ca’ Dolfin, Venice. The subject has been variously identified. It probably shows the capture of Carthage by Cornelius Scipio Aemilianus (known as Scipio Africanus the Younger) in 146 B.C., a momentous event that categorically ended the power of Carthage. The carnage was unspeakable and the city burned for seventeen days. The depiction of this event probably carried an allusion to the recent campaigns of the Venetians against the Turks in the Mediterranean, and in particular to the participation of Daniele Dolfin.