Nicolaes Pietersz Berchem, 1657 - Oku nke St Matthew - mbipụta nka mara mma

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Anyị na-enye ihe dị iche iche dị iche iche na nha maka ngwaahịa ọ bụla. Ka ị kwekọọ n'ihe ị chọrọ nke ọma, ị nwere ike họrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

• Mbipụta enyo acrylic: A glossy print on acrylic glass, which is often described as a UV print on plexiglass, changes the original artwork into stunning décor. Additionally, the acrylic print makes a good alternative option to canvas and dibond fine art prints. The artwork will be printed with modern UV print machines.
• Mbipụta aluminom (aluminium dibbond): These are metal prints on aluminium dibond with an impressive depth. Its non-reflective surface make a fashionable impression. The Aluminium Dibond Print is the ideal start to reproductions produced on aluminum. For our Direct Aluminium Dibond option, we print your selected artpiece onto the aluminium white-primed surface. The bright and white components of the work of art shine with a silky gloss but without the glare. This direct UV print on Aluminum Dibond is the most popular entry-level product and is a stylish way to showcase art, as it draws focus on the whole artwork.
• Mbipụta akwụkwọ mmado (ihe kwaaji): The poster is a printed canvas with a nice surface structure. Please bear in mind, that depending on the size of the poster we add a white margin between 2-6cm around the painting in order to facilitate the framing.
• Kwaaji: The printed canvas, not to be mistaken with a canvas painting, is an image printed on an industrial printer. A canvas print makes a soft and pleasant impression. Canvas Prints have the advantage of being relatively low in weight, which implies that it is easy to hang the Canvas print without the use of extra wall-mounts. Canvas prints are suitable for all types of walls.

Nkwupụta iwu: We try whatever we can in order to describe our art products with as many details as possible and to illustrate them visually in our shop. Still, the colors of the print products, as well as the printing can vary to a certain extent from the representation on your device's screen. Depending on the settings of your screen and the condition of the surface, not all color pigments are printed as realistically as the digital version depicted here. Considering that the are processed and printed by hand, there may as well be minor differences in the exact position and the size of the motif.

Additional description by Mauritshuis (© Copyright - by Mauritshuis - Maurithuis)

Lambert van Hairen, Dordrecht, 1718; Van Lill Collection, Dordrecht, 1743; Willem Lormier, The Hague, 1743; Hendrik Muilman, Amsterdam, 1810-1813; Monsieur le Chevalier Francottay; his sale, Paris, 20 February 1816, lot 28, withdrawn; Gérard Tournier, Paris; his sale, Paris, 8 December 1977, lot 18; Robert Noortman Gallery, Maastricht; purchased with the support of the Rembrandt Association, 1979

In 1657 Nicolaes Pietersz Berchem created the piece of art with the title "The Calling of St Matthew". The original creation had the following size - height: 98,2 cm width: 120,8 cm | height: 38,7 in width: 47,6 in. Mmanụ na panel was used by the European artist as the technique for the piece of art. The original artwork was inscribed with the following text: signed: Berchem gemaeck[t]/ Weenix [ge]daen. Ọ bụ akụkụ nke mkpokọta nka Maurithuis, nke dị na Hague, South Holland, Netherlands. Ihe osise, nke bụ nke ngalaba ọha a na-enye ya site n'ikike nke Maurithuis, Hague. Ihe kredit nke ọrụ nka bụ nke a: Lambert van Hairen, Dordrecht, 1718; Van Lill Collection, Dordrecht, 1743; Willem Lormier, The Hague, 1743; Hendrik Muilman, Amsterdam, 1810-1813; Monsieur le Chevalier Francottay; his sale, Paris, 20 February 1816, lot 28, withdrawn; Gérard Tournier, Paris; his sale, Paris, 8 December 1977, lot 18; Robert Noortman Gallery, Maastricht; purchased with the support of the Rembrandt Association, 1979. N'elu nke ahụ, nhazi bụ odida obodo na nwere akụkụ ruru nke 1.2: 1, nke pụtara na ogologo bụ 20% ogologo karịa obosara.

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