Rembrandt van Rijn, 1660 - Nwanyị nwere pink - mbipụta nka mara mma

Ozi nka ndị ọzọ nke The Metropolitan Museum of Art (© - The Metropolitan Museum of Art - www.metmuseum.org)

Her forehead crisscrossed with jewels, the sitter of this portrait displays a pink, or carnation, a symbol of love and marriage. The gilt picture frame visible in the background locates her in a luxurious interior, but her pensive expression elevates the portrait beyond a mere statement of status. If scholars are correct in identifying the sitter in the pendant portrait hanging next to this one as Pieter Haringh, then the woman who appears here must be his wife, Elisabeth Delft (ca. 1620–1679).

Nkọwa ngwaahịa

na 1660 Rembrandt van Rijn made the baroque painting. The masterpiece was made with the size: 36 1/4 x 29 3/8 in (92,1 x 74,6 cm). Oil on canvas was used by the painter as the medium of the piece of art. Nowadays, this artwork can be viewed in in the digital collection of Museumlọ ihe ngosi nka nke Obodo. Nke a na-arụ ọrụ nka, nke bụ nke ngalaba ọha is provided with courtesy of The Metropolitan Museum of Art, New York, Bequest of Benjamin Altman, 1913. Creditline of the artwork: Arịrịọ nke Benjamin Altman, 1913. Kedu ihe ọzọ, nhazi nke mmepụta dijitalụ bụ Eserese na nwere akụkụ ruru nke 1: 1.2, which implies that the length is 20% shorter than the width. Rembrandt van Rijn was a painter, whose style can primarily be classified as Baroque. The painter was born in the year 1606 na Leiden ma gafee na afọ nke 63 n'afọ 1669.

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Anyị na-enye ụdị nha na ihe dị iche iche maka ngwaahịa ọ bụla. Ka ị kwekọọ n'ihe ị chọrọ nke ọma, ị nwere ike họrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

• Mbipụta nke aluminom: These are metal prints on alu dibond material with an outstanding depth effect. For the Print On Aluminum Dibond, we print the selected artpiece onto the surface of the white-primed aluminum. The colors are luminous and vivid in the highest definition, details appear crisp, and there’s a matte look you can literally feel.
• Akwụkwọ mmado ebipụtara (ihe kwaaji): Our poster print is a UV printed canvas paper with a slightly rough surface structure. It is used for putting the art copy with a personal frame. Please note, that depending on the absolute size of the poster print we add a white margin of approximately 2 - 6cm around the artwork to facilitate the framing.
• Bipụta na iko acrylic na-egbuke egbuke: The acrylic glass print, which is often described as a plexiglass print, makes an artwork into stunning décor. Above all, the acrylic glass art print forms a great alternative to canvas and aluminidum dibond fine art prints. Your artwork will be made with the help of state-of-the-art UV direct print machines. This creates vibrant and deep color tones. The plexiglass protects your custom art print against sunlight and external influences for many decades.
• Mbipụta kwaaji: A UV printed canvas stretched on a wooden stretcher frame. What is more, canvas print creates a cosy and appealing look. Canvas Prints have the advantage of being relatively low in weight, which implies that it is easy to hang up your Canvas print without the help of additional wall-mounts. Canvas prints are suitable for any kind of wall.

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Ihe dị mkpa: We try all that we can in order to describe the art products in as much detail as possible and to illustrate them visually in our shop. At the same time, the tone of the printing material, as well as the print result might diverge slightly from the presentation on your device's monitor. Depending on your settings of your screen and the quality of the surface, color pigments may not be printed as exactly as the digital version. Bearing in mind that the fine art prints are processed and printed by hand, there may also be slight deviations in the motif's size and exact position.

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