Anton Romako, 1865 - Echiche Rome si Monte Mario - ọmarịcha nka

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The nkà nke oge a ọrụ nka View of Rome from Monte Mario onye na-ese ihe sere ya Anton Romako. The 150 A na-ese ụdị ọmarịcha ihe nkiri ahụ na nha: 80 x 124,5 cm - akụkụ etiti: 103 x 145 x 11,5 cm. Oil on canvas was used by the European artist as the technique for the work of art. Signed and name right below: A. Romako fecit a Roma da Monte Mario Veduta is the painting's original inscription. What is more, the piece of art can be viewed in in the nke Belvedere mkpokọta nka, nke bụ otu n'ime ụlọ ngosi ihe mgbe ochie ama ama na Europe nwere ebe atọ na-agwakọta ahụmịhe nke ụlọ na nka n'ụzọ pụrụ iche. Site n'ikike nke © Belvedere, Vienna, nọmba ngwa ahịa: 9525 (nwere ikike - ngalaba ọha). Moreover, the artpiece has the creditline: purchase from Galerie Michael Kovacek, Vienna, with the participation of the Association of Museum Friends, Vienna in 1998. Further, the alignment of the digital reproduction is odida obodo ma nwee oke akụkụ nke 3: 2, nke pụtara na ogologo bụ 50% ogologo karịa obosara. The painter Anton Romako was a European artist from Austria, whose art style can be classified as Historicism. The Austrian painter was born in 1832 na Vienna, Vienna steeti, Austria na nwụrụ anwụ na afọ nke 57 na 1889.

Ozi izugbe dịka Belvedere nyere (© - Belvedere - Belvedere)

The Vedute "Rome from Monte Mario" comes from the period after Romako Marriage (1862) with Sophie Köbel - a half-Italian of fascinating beauty that impressed Franz Liszt. He served as best man, even though he saw the marriage Romako with the spoiled, demanding woman with skepticism. "It was the beginning of a tragedy the most terrible way," a contemporary wrote about this wedding. From one part of the dowry, the young couple bought a villa on Monte Mario, near the monastery of Santa Maria del Rosario (where Liszt lived). There Romako spent some successful, happy years.

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The product dropdown menu provides you with the opportunity to choose the material and sizeaccording to your personal preferences. The following sizes and materials are the options we offer you for individualization:

• Kwaaji: The canvas print, which should not be mistaken with a canvas painting, is a digital replica printed onto canvas material. Canvas prints are relatively low in weight, meaning that it is easy and straightforward to hang the Canvas print without the use of extra wall-mounts. A canvas print is suited for all kinds of walls.
• Bipụta akwụkwọ mmado n'ihe kwaaji: The poster is a UV printed canvas paper with a fine surface structure. Please keep in mind, that depending on the size of the poster we add a white margin of around 2-6 cm around the artwork in order to facilitate the framing.
• Ihe odide acrylic glass: An acrylic glass print, often denoted as a plexiglass print, will transform an original into beautiful wall decoration. Additionally, the acrylic art print offers a viable alternative to canvas and aluminidum dibond fine art prints. The work of art is being manufactured with modern UV printing machines. With an acrylic glass fine art print sharp contrasts and also image details will be exposed thanks to the very fine gradation of the picture.
• Aluminom ihe eji eme ihe: An Aluminium Dibond print is a print with a true effect of depth, which creates a contemporary look by having a non-reflective surface. The colors are luminous in the highest definition, details of the print appear very clear.

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Nkwupụta iwu: We try all that we can to depict our art products as precisely as possible and to exhibit them visually. At the same time, the pigments of the print products, as well as the print result might differ somehwat from the image on your device's monitor. Depending on your screen settings and the nature of the surface, not all colors are printed one hundret percent realistically. In view of the fact that all are printed and processed by hand, there may as well be slight differences in the size and exact position of the motif.

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