Jean André Rixens, 1889 - Ihe osise maka ime ụlọ nke Ụlọ Nzukọ Sayensị Obodo na Paris: Ọkụ - mbipụta nka mara mma.
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Họrọ ngwa ngwaahịa gị
Maka mbipụta nka ọ bụla anyị na-enye ihe dị iche iche & nha dị iche iche. Anyị na-ahapụ gị ka ịhọrọ n'ime ụdị ndị a:
- Mbipụta nke aluminom: An Aluminium Dibond print is a material with an outstanding depth. The non-reflective surface make a contemporary impression. The bright & white components of the work of art shine with a silky gloss, however without any glow. The UV print on aluminium is one of the most demanded entry-level products and is a sophisticated way to showcase art reproductions, because it draws attention on the image.
- Mbipụta kanvas: The printed canvas, not to be confused with an artwork painted on a canvas, is a digital copy printed on an industrial printing machine. Your printed canvas of this artwork will allow you to transform your very own art print into a large artpiece like you know from galleries. The advantage of canvas prints is that they are relatively low in weight, meaning that it is quite simple to hang the Canvas print without any wall-mounts. That is why, canvas prints are suited for any type of wall.
- Mpempe akwụkwọ ederede (akwa akwa akwa): A poster is a printed sheet of canvas paper with a slightly rough surface texture. A poster is particularly designed for putting the art print with the help of a custom frame. Please note, that depending on the size of the canvas poster print we add a white margin of approximately 2-6cm round about the print motif in order to facilitate the framing with your custom frame.
- Mbipụta enyo acrylic: The print on acrylic glass, which is often labelled as a plexiglass print, changes your original work of art into beautiful décor. Moreover, it is a good alternative option to canvas and aluminidum dibond art prints. Your work of art is being printed with the help of state-of-the-art UV direct printing machines. This creates the effect of vibrant, stunning color tones. With an acrylic glass fine art print contrasts plus color details become more exposed due to the very subtle gradation of the print.
Ederede iwu dị mkpa: We try to describe the products as precisely as we can and to demonstrate them visually. Although, the tone of the printed materials, as well as the print result might differ marginally from the presentation on your device's screen. Depending on your screen settings and the nature of the surface, not all colors can be printed as realisitcally as the digital version shown here. In view of the fact that all fine art prints are printed and processed by hand, there may as well be minor deviations in the exact position and the size of the motif.
Ozi nka nka izizi nke Petit Palais - Musée des Beaux-arts de la Ville de Paris (© - nke Petit Palais dere - Musée des Beaux-arts de la Ville de Paris - Petit Palais - Musée des Beaux-arts de la Ville de Paris)
a puddler breaststroke molten iron
Onyinye ngwaahịa nka
Nke a gafee 130 years old painting was created by the painter Jean André Rixens in 1889. The original measures the size: Height: 52,5 cm, Width: 24,4 cm. Oil, Canvas (material) was used by the painter as the technique for the painting. "Signature - Signature bottom left: "Rixens"" is the artwork's original inscription. Today, the piece of art is in the the digital collection of Petit Palais - Musée des Beaux-arts de la Ville de Paris, which is an art museum in the 8th arrondissement. We are delighted to mention that the artwork, which is part of the public domain is being provided with courtesy of Petit Palais Paris.: . On top of that, alignment is Eserese na oke nke 1: 2, nke pụtara na ogologo bụ 50% mkpụmkpụ karịa obosara.
Ozi nka
Aha ọrụ nka: | "Sketch for the living room of the City Hall of Science in Paris: Fire" |
Nhazi nke ihe nka: | sere |
Okwu mkpokọta: | nkà nke oge a |
Century: | 19th narị afọ |
Emepụtara na: | 1889 |
Afọ nka: | 130 afọ |
Ọkara nke ihe osise izizi: | Mmanụ, Canvas (ihe) |
Akụkụ ihe osise izizi: | Ogologo: 52,5 cm, obosara: 24,4 cm |
Ederede nka nka izizi: | Signature - Signature bottom left: "Rixens" |
Ụlọ ihe ngosi nka: | Petit Palais - Musée des Beaux-arts de la Ville de Paris |
Ebe ngosi nka: | Paris, France |
Webụsaịtị ihe ngosi nka: | Petit Palais - Musée des Beaux-arts de la Ville de Paris |
Licensedị ikike: | ngalaba ọha |
Site n'aka: | Petit Palais Paris |
Banyere edemede a
Nkewa bipụta: | nka nka |
Usoro mmeghari: | mmeputakwa n'ụdị dijitalụ |
Usoro nhazi: | UV kpọmkwem obibi |
Ihe ngosi: | emere na Germany |
Stockdị ngwaahịa: | na mmepụta ihe |
Ojiji ngwaahịa: | ihe ndozi ụlọ, gallery mgbidi |
Nhazi nka nka: | nhazi ihe osise |
Oke akụkụ: | 1: 2 |
Nsonaazụ: | ogologo bụ 50% mkpụmkpụ karịa obosara |
Nhọrọ akwa: | Mpempe iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kwaaji. |
Nha n'arọwa n'elu ihe ndọtị (mbipụta akwa akwa): | 20x40cm - 8x16 ", 30x60cm - 12x24", 40x80cm - 16x31", 50x100cm - 20x39", 60x120cm - 24x47", 80x160cm - 31x63", 90-x180cm |
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: | 20x40cm - 8x16", 30x60cm - 12x24", 40x80cm - 16x31", 50x100cm - 20x39", 60x120cm - 24x47" |
Nhọrọ nha nke akwụkwọ mmado (akwụkwọ kwaaji): | 30x60cm - 12x24", 40x80cm - 16x31", 50x100cm - 20x39", 60x120cm - 24x47" |
Nhọrọ aluminom dibond (ihe aluminom) nhọrọ: | 20x40cm - 8x16", 30x60cm - 12x24", 40x80cm - 16x31", 50x100cm - 20x39", 60x120cm - 24x47" |
Igwe onyonyo: | ngwaahịa anaghị emebi emebi |
Tebụl nchịkọta ihe nkiri
Ihe nkiri: | Jean André Rixens |
Ọrụ: | onye na-ese ihe |
Nkewa onye nka: | omenkà nke oge a |
Oge ndu: | 78 afọ |
Afọ amụrụ: | 1846 |
Ebe amụrụ onye: | Saint Gaudens |
Nwụrụ n'afọ: | 1924 |
Nwụrụ na (ebe): | Paris |
© Nwebiisinka nke - Artprinta.com (Artprinta)