John Crome, 1811 - Osisi Osisi na Lane - mbipụta nka mara mma

Ngwa ngwaahịa dị

Na nhọrọ ndọpụta na-esote isiokwu ị nwere ike họrọ ihe na nha nke nhọrọ gị. Ka ị kwekọọ n'ihe ị chọrọ nke ọma, ị nwere ike họrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

• Mbipụta kwaaji: The canvas print is a printed canvas stretched on a wood stretcher. A canvas generates a homelike and appealing feeling. Hanging your canvas print: A canvas print has the advantage of being low in weight. That means, it is quite simple to hang the Canvas print without any wall-mounts. Because of thatcanvas prints are suitable for any kind of wall.
• Mbipụta aluminom (aluminium dibbond): Aluminium Dibond prints are prints on metal with an outstanding depth - for a modern look and a non-reflective surface structure. For your Direct Print On Aluminum Dibond, we print the selected work of art right onto the aluminium composite white-primed surface. The bright and white parts of the work of art shine with a silky gloss, however without glow.
• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): The acrylic glass print, often denoted as a plexiglass print, will transform the original artwork into beautiful wall décor. The work of art will be custom-made with state-of-the-art UV print technology. It makes rich and sharp colors.
• Mbipụta akwụkwọ mmado (akwa akwa akwa): The poster is a UV printed canvas paper with a fine structure on the surface. It is appropriate for placing your art replica in a customized frame. Please note, that depending on the size of the poster we add a white margin of something between 2-6cm round about the painting in order to facilitate the framing with your custom frame.

Disclaimer: We try everythig possible in order to describe the products in as much detail as possible and to demonstrate them visually in our shop. Although, the pigments of the printing material, as well as the printing might vary somehwat from the representation on the screen. Depending on the settings of your screen and the nature of the surface, colors may not be printed as exactly as the digital version depicted here. Given that our art reproductions are printed and processed manually, there might also be minor differences in the exact position and the size of the motif.

What does the website of the The Metropolitan Museum of Art say about this 19th century work of art created by John Crome? (© Copyright - by The Metropolitan Museum of Art - www.metmuseum.org)

A leader of the Norwich School (artists based near that Norfolk town who developed a distinctive local landscape style), Crome worked in oils, watercolors, and as a drawing master, and is remembered as an expressive etcher. From 1809, he created rustic images derived from plein-air sketches that anticipate the Etching Revival. Unpublished during Crome's lifetime, sets titled "Norfolk Picturesque Scenery, Consisting of Thirty-One Etchings" were issued in 1834 to benefit his widow.

Interesting facts about the art replica "Tree Trunks and Lane"

Ihe nka nka Tree Trunks and Lane was made by the painter John Crome in 1811. Emere ihe osise a na nha: Plate: 8 1/16 x 6 7/16 in (20,5 x 16,4 cm) Sheet: 9 3/8 x 7 15/16 in (23,8 x 20,2 cm). Soft-ground etching on chine collé was used by the British artist as the technique for the masterpiece. Today, the work of art belongs to the The Metropolitan Museum of Art's digital art collection in New York City, New York, Njikota Obodo Amerika. We are happy to state that the public domain masterpiece is being supplied with courtesy of Ụlọ ihe ngosi nka nke Metropolitan, New York, Rogers Fund, 1922. : Rogers Fund, 1922. E wezụga nke ahụ, nhazi ahụ dị n'ime Eserese format na nwere akụkụ ruru nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. The painter John Crome was an artist, whose style can be classified as Romanticism. The painter was born in 1768 in Norwich, Norfolk county, England, United Kingdom and died at the age of 53 in the year 1821 in Norwich, Norfolk county, England, United Kingdom.

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