Theodore Robinson, 1893 - mgbede na mkpọchi, Napanoch, New York - ọmarịcha nka.
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Description from the museum (© - by The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)
In 1893, the year after he returned from his last visit to Giverny, Robinson taught plein-air painting at Napanoch, New York, in the Shawangunk Mountains, and chronicled that still-rural region in several canvases. Here, he commemorated an old canal that used to facilitate the transport of coal from Pennsylvania to New York City but had been rendered obsolete by more efficient railroad lines. In contrast to the grandiloquent responses to the same region by the earlier Hudson River School painters, Robinson’s subtle view demonstrates the American Impressionists’ determination to represent the commonplace.
Iberibe nkọwa nka
Aha eserese: | "Evening at the Lock, Napanoch, New York" |
nhazi ọkwa: | sere |
Okwu mkpokọta: | nkà nke oge a |
Century: | 19th narị afọ |
Emepụtara n'afọ: | 1893 |
Afọ nka: | karịa afọ 120 |
Agba na: | mmanụ na kwaaji |
Akụkụ izizi nka: | 22 x 32 n'ime (55,9 x 81,3 cm) |
Egosiputara na: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
Weebụsaịtị nke ihe ngosi nka: | www.metmuseum.org |
Ụdị nka nka: | ngalaba ọha |
Site n'aka: | The Metropolitan Museum of Art, New York, Gift of The Manoogian Foundation, 2011 |
Ebe E Si Nweta: | Gift of The Manoogian Foundation, 2011 |
Nchịkọta ihe nkiri
Aha onye nka: | Theodore Robinson |
A makwaara dịka: | Theodore Robinson, th. robinson, Robinson Theodore, theo robinson, Robinson |
okike onye nka: | nwoke |
Obodo onye nka: | American |
Ọrụ: | onye na-ese ihe |
Obodo obibi: | United States |
Otu nka: | omenkà nke oge a |
Ụdị nka: | Mmetụta |
Afọ ọnwụ: | 44 afọ |
A mụrụ: | 1852 |
Ebe amụrụ onye: | Irasburg, Orleans County, Vermont, Njikota Obodo Amerika |
Afọ nwụrụ: | 1896 |
Nwuru na (ebe): | New York City, New York State, Njikota Obodo Amerika |
Nkọwapụta ngwaahịa
Nkewa edemede: | mmepụta nka |
Mmeputakwa: | dijitalụ mmeputakwa |
Produzọ mmepụta: | mbipụta dijitalụ (Mbipụta UV ozugbo) |
Mmalite ngwaahịa: | emepụtara na Germany |
Ụdị ngwaahịa: | a na-achọ |
Ihe eji eme atụmatụ: | nka mgbidi, ihe ndozi ụlọ |
Ntuziaka onyonyo: | usoro odida obodo |
Oke akụkụ: | ogologo ruo obosara 3: 2 |
Ihe: | ogologo bụ 50% ogologo karịa obosara |
Ngwa ngwaahịa dị: | akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibond), mbipụta kanvas, mbipụta iko acrylic (nwere ezigbo mkpuchi iko) |
Nhọrọ nha nha mbipụta kanvas (akwa akwa na etiti ihe ndọtị): | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) nhọrọ nha: | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: | 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
Nha ebipụta aluminom: | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
ụba: | enweghị etiti |
Ngwa ngwaahịa ị nwere ike ịhọrọ
In the product dropdown menu you can select your individual material and size. Therefore, we allow you to choose among the following options:
- Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): An print on acrylic glass, which is often referred to as a print on plexiglass, makes the original into décor. Your favorite work of art will be printed thanks to the help of state-of-the-art UV print machines.
- Akwụkwọ mmado ebipụtara (ihe kwaaji): The Artprinta poster print is a printed canvas paper with a nice texture on the surface. Please bear in mind, that depending on the size of the canvas poster print we add a white margin of approximately 2 - 6cm around the print, which facilitates the framing with a custom frame.
- Mbipụta kwaaji: The canvas direct print is a printed cotton canvas stretched on a wood stretcher. It creates the distinctive impression of three dimensionality. Also, a printed canvas produces a charming and appealing atmosphere. Your canvas of this work of art will allow you to transform your own art print into a large collection piece as you would see in a gallery. The great advantage of canvas prints is that they are relatively low in weight, which implies that it is easy and straightforward to hang the Canvas print without any wall-mounts. Because of thata canvas print is suitable for any type of wall.
- Mbipụta ọla (aluminium dibbond): These are metal prints on aluminium dibond with a true depth effect. The non-reflective surface creates a fashionable look. For our Print On Aluminum Dibond, we print your chosen artwork right onto the aluminium composite white-primed surface. The white and bright components of the work of art shimmer with a silk gloss, however without any glare. Colors are bright and luminous, details are very clear, and you can truly perceive a matte appearance of the fine art print.
Evening at the Lock, Napanoch, New York created by the Impressionist painter Theodore Robinson as your own art replica
In 1893 Theodore Robinson created this impressionist artwork "Evening at the Lock, Napanoch, New York". A na-ese ụdị nka ahụ na nha: 22 x 32 n'ime (55,9 x 81,3 cm) ma were ihe osise ese Usoro oil on canvas. This work of art belongs to the Ụlọ ihe ngosi nka nke Metropolitan mkpokọta nka. Site n'ikike nke - The Metropolitan Museum of Art, New York, Gift of The Manoogian Foundation, 2011 (ọha na eze). Ebe kredit nke ọrụ nka: Gift of The Manoogian Foundation, 2011. Nhazi nke mmepụta dijitalụ bụ odida obodo ma nwee oke nke 3: 2, nke pụtara na ogologo bụ 50% ogologo karịa obosara. The painter Theodore Robinson was an artist, whose art style can be attributed mainly to Impressionism. The North American painter was born in the year 1852 in Irasburg, Orleans county, Vermont, United States and passed away at the age of 44 na 1896 na New York City, New York steeti, United States.
Legal disclaimer: We try everythig possible in order to describe our art products with as many details as possible and to showcase them visually in our shop. At the same time, some pigments of the print products and the printing can diverge marginally from the representation on the monitor. Depending on the screen settings and the nature of the surface, color pigments can unfortunately not be printed as exactly as the digital version. Because all are processed and printed manually, there may also be slight differences in the motif's size and exact position.
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