Eugène Fromentin, 1867 - Women of the Ouled Nayls - ọmarịcha nka
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Ngwaahịa nka mara mma nke onwe gị
In 1867 na nwoke French onye na-ese ihe Eugène Fromentin made this painting called Women of the Ouled Nayls. The version of the painting was made with the following size: 110,2 × 72,4 cm (43 3/8 × 28 1/2 in). Oil on canvas was applied by the artist as the technique for the masterpiece. "Inscribed lower left: Eug Fromentin" is the masterpiece's inscription. The artpiece belongs to the art collection of Ụlọ ọrụ Art Chicago, nke bụ otu n'ime nnukwu ụlọ ngosi ihe nka n'ụwa, na-ebukọ mkpokọta nke gafere ọtụtụ narị afọ na ụwa. Site n'ikike nke - Ụlọ ọrụ Art Chicago (public domain license). The creditline of the artpiece is the following: Henry Field Memorial Collection. Furthermore, alignment of the digital reproduction is Eserese na a akụkụ ruru nke 2: 3, which implies that the length is 33% shorter than the width. Eugène Fromentin was a male painter of French nationality, whose artistic style can be attributed primarily to Realism. The Realist artist lived for 56 years and was born in 1820 ma nwụọ na 1876.
Họrọ ihe ngwaahịa gị
Anyị na-enye ihe dị iche iche dị iche iche na nha maka ngwaahịa ọ bụla. Ị nwere ike ịhọrọ nha na ihe kachasị amasị gị n'ime nhọrọ ndị a:
- Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy print on acrylic glass, often described as a print on plexiglass, changes your favorite original work of art into beautiful décor. The work of art is manufactured with the help of state-of-the-art UV direct print machines. Our acrylic glass protects your custom art replica against light and external influences for several decades.
- Poster (akwa akwa akwa): Our poster is a printed canvas paper with a slight structure on the surface, which resembles the actual version of the artwork. A poster print is particularly suited for putting the art copy using a personal frame. Please bear in mind, that depending on the size of the canvas poster print we add a white margin between 2-6cm round about the print motif, which facilitates the framing.
- Aluminom dibond (ọkpụkpụ ọla): This is a metal print made on aluminium dibond material with an outstanding depth effect - for a modern impression and a non-reflective surface structure. The Direct Print on Aluminum Dibond is your best start to fine art prints manufactured on alu. The bright & white components of the original artpiece shimmer with a silky gloss, however without any glow. The colors are luminous in the highest definition, details of the print appear clear and crisp, and the print has a a matte appearance that you can literally feel. The print on Aluminum Dibond is one of the most popular entry-level products and is an extremely contemporary way to display artworks, because it puts all of the viewer’s attention on the image.
- Kwaaji: A printed canvas applied on a wooden stretcher frame. It creates the distinctive impression of three-dimensionality. Your canvas of your favorite artwork will let you turn your individual fine art print into a large size collection piece like you would see in a gallery. Canvas prints are relatively low in weight, which implies that it is quite simple to hang your Canvas print without extra wall-mounts. Because of thata canvas print is suited for all types of walls.
Ederede iwu dị mkpa: We try in order to describe the products in as much detail as it is possible and to display them visually on the respective product detail pages. Although, the pigments of the printing material, as well as the imprint might differ somehwat from the presentation on your monitor. Depending on the screen settings and the quality of the surface, not all colors can be printed one hundret percent realistically. In view of the fact that all are processed and printed manually, there may as well be slight differences in the exact position and the size of the motif.
Banyere ngwaahịa
Nkewa ngwaahịa: | ọmarịcha nka |
Usoro mmeputakwa: | dijitalụ mmeputakwa |
Usoro mmepụta: | mbipụta dijitalụ |
Ihe ngosi: | emere na Germany |
Stockdị ngwaahịa: | a na-achọ |
Ngwaahịa were: | mgbidi gallery, foto mgbidi |
Ntuziaka onyonyo: | usoro eserese |
Ụdị anya: | 2: 3 ogologo ruo obosara |
Ihe: | ogologo bụ 33% mkpụmkpụ karịa obosara |
Akwa ngwaahịa dị: | mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kanvas, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibbond) |
Canvas dị n'elu ihe nrịbama (mbipụta kanvas) nha dị iche iche: | 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47", 100x150cm - 39x59" |
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) dị iche iche: | 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47", 100x150cm - 39x59" |
Nhọrọ nke mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47" |
Mpempe aluminom (aluminium dibond ihe) nha: | 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47" |
Igwe onyonyo: | biko buru n'uche na edeghi nnomi nka nka |
Nkọwa gbasara nka
Aha nke eserese ahụ: | "Women of the Ouled Nayls" |
nhazi ọkwa: | sere |
Otu izugbe: | nkà nke oge a |
Century: | 19th narị afọ |
Afọ nka: | 1867 |
Afọ nka: | karịa afọ 150 |
Agba na: | mmanụ na kwaaji |
Nha izizi: | 110,2 × 72,4 cm (43 3/8 × 28 1/2 na) |
Ederede ihe osise izizi: | inscribed lower left: Eug Fromentin |
Egosiputara na: | Ụlọ ọrụ Art Chicago |
Ebe ngosi nka: | Chicago, Illinois, Njikota Obodo Amerika |
URL webụ: | Ụlọ ọrụ Art Chicago |
Ụdị ikike nka: | ngalaba ọha |
Site n'aka: | Ụlọ ọrụ Art Chicago |
Ebe kredit nke ọrụ nka: | Nchịkọta ihe ncheta Henry Field |
Nchịkọta ihe nkiri
Ihe nkiri: | Eugène Fromentin |
okike nke onye nka: | nwoke |
Obodo onye nka: | French |
Ọrụ nke onye na-ese ihe: | onye na-ese ihe |
Obodo onye nka: | France |
Nhazi nke onye nka: | omenkà nke oge a |
Ụdị nke onye na-ese ihe: | Ihe ngosi |
Oge ndu: | 56 afọ |
A mụrụ: | 1820 |
Nwụrụ n'afọ: | 1876 |
© Nwebiisinka - ikike ọgụgụ isi nke - Artprinta (www.artprinta.com)