Fitz Henry Lane, 1847 - Ọdụ ụgbọ mmiri Boston, ya na Obodo dị n'ebe dị anya - mbipụta nka mara mma.

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• Mpempe akwụkwọ (ihe kwaaji): Our poster print is a printed canvas paper with a slightly roughened structure on the surface. A poster print is excellently suited for putting your art replica with the help of a personal frame. Please note, that depending on the size of the poster we add a white margin of approximately 2-6 cm around the work of art in order to facilitate the framing with your custom frame.
• Kwaaji: A printed canvas, not to be mistaken with an artwork painted on a canvas, is a digital copy printed on a cotton canvas. What is more, printed canvas makes a charming, positive look. A canvas print has the advantage of being relatively low in weight. That means, it is easy and straightforward to hang up your Canvas print without the help of additional wall-mounts. A canvas print is suited for all kinds of walls.
• Glass acrylic e biri ebi (nwere ezigbo mkpuchi iko): An acrylic glass print, which is sometimes named as a plexiglass print, will turn an artwork into beautiful décor and forms a distinct alternative option to aluminium or canvas fine art prints. The artwork will be made with the help of modern UV printing machines. This has the impression of sharp and vivid color tones. Our real glass coating protects your selected fine art print against light and external influences for up to 60 years.
• Mbipụta nke aluminom: This is a metal print manufactured on aluminium dibond with a true effect of depth. For our Direct Print On Aluminum Dibond, we print the chosen artpiece onto the aluminium composite white-primed surface. The bright and white components of the original work of art shine with a silky gloss, however without the glow.

Legal note: We try whatever we can to describe the products as exact as we can and to display them visually on the various product detail pages. Nevertheless, the colors of the printing material, as well as the printing can diverge slightly from the image on your device's monitor. Depending on your settings of your screen and the quality of the surface, color pigments can unfortunately not be printed as realistically as the digital version on this website. In view of the fact that all our art prints are processed and printed manually, there might also be slight discrepancies in the motif's size and exact position.

What specifically does the The Cleveland Museum of Art say about this 19th century artwork created by Fitz Henry Lane? (© - site na Cleveland Museum of Art - Velọ ihe ngosi nka nke Cleveland)

In this late afternoon view of Boston Harbor, Lane masterfully evoked the diffuse quality of sunlight reflecting off water. The artist was a son of a shipbuilder, so perhaps it is not surprising that his renderings of ships and their intricate riggings are painstakingly accurate. On the far left side of the painting, evolving technology appears in the guise of a steamboat, which ferried passengers between Boston and Gloucester.

Ọrụ nka akpọrọ Harbor of Boston, with the City in the Distance was painted by Fitz Henry Lane in 1847. The artpiece had the size: Framed: 66 x 104,8 x 14 cm (26 x 41 1/4 x 5 1/2 in); Unframed: 43,2 x 68,6 cm (17 x 27 in). Oil on canvas was used by the painter as the technique for the artwork. Nowadays, this work of art forms part of the digital collection of The Cleveland Museum of Art, which is one of the leading museums worldwide that builds, preserves, studies, and shares its outstanding collections of art from all periods and parts of the world, generating new scholarship and understanding, while serving as a social and intellectual hub for its community. With courtesy of: Velọ ihe ngosi nka nke Cleveland (licensed - public domain). The creditline of the artpiece is the following: Leonard C. Hanna, Jr. Fund and partial gift of Travers Newton, Joanna Newton Riccardi and Georgia Newton Pulos. On top of that, alignment of the digital reproduction is odida obodo ma nwee oke nke 3: 2, nke pụtara na ogologo bụ 50% ogologo karịa obosara.

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