Frans Francken the Younger, 1610 - Ihe nkiri bọọlụ na ụlọ ikpe dị na Brussels - mbipụta nka mara mma

73,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

Ihe ị kwesịrị ịma gbasara eserese a Frans Francken nke Nta

Ballroom Scene at a Court in Brussels bụ ihe osise nke onye na-ese ihe mere Frans Francken nke Nta. Ihe osise a tụrụ nha nha elu: 68,6 cm obosara: 113,3 cm | elu: 27 n'obosara: 44,6 inch. Oil on panel was used by the Belgian painter as the medium of the piece of art. What is more, this artwork can be viewed in in the digital collection of Maurithuis emi odude ke Hague, South Holland, Netherlands. Site n'ikike nke - Maurithuis, Hague (ngalaba ọha). Ihe kredit nke artpiece bụ: Geertruida Quirina van der Duyn, Countess of Albemarle, 1741; Het Loo Palace, Apeldoorn, 1757; Prince William V, The Hague, until 1795; confiscated by the French, transferred to the Muséum Central des Arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822. N'elu nke ahụ, nhazi bụ odida obodo ma nwee oke nke 16: 9, nke na-egosi na ogologo bụ 78% ogologo karịa obosara.

Họrọ ihe ị ga-ekwu

Anyị na-enye ụdị dị iche iche nha na ihe maka ngwaahịa ọ bụla. Ka ị kwekọọ n'ihe ị chọrọ nke ọma, ị nwere ike họrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

  • Mbipụta enyo acrylic: The acrylic glass print, often named a UV print on plexiglass, changes an original artwork into wall decoration. Your favorite work of art will be manufactured with the help of modern UV print machines. This creates the effect of vivid and sharp colors. With an acrylic glass fine art print contrasts and also smaller image details will be more exposed with the help of the delicate tonal gradation of the print. The real glass coating protects your custom fine art print against sunlight and heat for many decades.
  • Mbipụta nke aluminom: An Aluminium Dibond print is a print with a true depth effect - for a modern impression and non-reflective surface structure. The Direct Print on Aluminum Dibond is your best start to art prints manufactured with aluminum. The UV print on Aluminum Dibond is one of the most popular entry-level products and is a truly stylish way to showcase fine art prints, since it draws focus on the replica of the artwork.
  • Mbipụta kanvas: A printed canvas, which should not be mistaken with a real painting on a canvas, is an image printed from a UV direct printing machine. The great advantage of canvas prints is that they are relatively low in weight. That means, it is quite simple to hang up the Canvas print without the help of any wall-mounts. That is why, a canvas print is suitable for any kind of wall.
  • Mpempe akwụkwọ ederede (akwa akwa akwa): The poster is a UV printed canvas paper with a nice structure on the surface. A poster print is qualified for putting the art print using a customized frame. Please keep in mind, that depending on the size of the poster we add a white margin between 2-6cm round about the painting, which facilitates the framing with your custom frame.

Important information: We strive in order to describe the art products in as much detail as possible and to illustrate them visually in our shop. However, the colors of the print materials and the imprint might diverge marginally from the image on the device's screen. Depending on the settings of your screen and the quality of the surface, colors can unfortunately not be printed as realistically as the digital version on this website. Bearing in mind that all our art reproductions are printed and processed manually, there may as well be slight discrepancies in the size and exact position of the motif.

Banyere edemede a

Nkewa ngwaahịa: nka nka
Usoro mmeputakwa: dijitalụ mmeputakwa
Usoro mmepụta: Mbipụta UV ozugbo (mbipụta dijitalụ)
Nlụpụta: Germany
Ụdị ngwaahịa: mmepụta ihe na-achọ
Ojiji ngwaahịa: Ụlọ ihe osise nka, foto mgbidi
Nhazi: nhazi odida obodo
Oke akụkụ onyonyo: 16: 9 (ogologo: obosara)
Akụkụ onyonyo pụtara: ogologo bụ 78% ogologo karịa obosara
Akụrụngwa ị nwere ike ịhọrọ site na: Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibbond)
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị): 90x50cm - 35x20", 180x100cm - 71x39"
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha dị iche iche: 90x50cm - 35x20", 180x100cm - 71x39"
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: 90x50cm - 35x20"
Nha ebipụta aluminium dibond: 90x50cm - 35x20"
Igwe onyonyo: enweghị etiti

Ozi ndabere gbasara nka

Aha nka nka: "Ballroom Scene at a Court in Brussels"
Nchịkọta nke ọrụ nka: sere
Okwu mkpokọta: nka ochie
Narị afọ nka: 17th narị afọ
Ekepụtara: 1610
Afọ nka: karịa afọ 410
Usoro izizi: mmanụ na panel
Nha izizi: elu: 68,6 cm obosara: 113,3 cm
Ụlọ ihe ngosi nka: Maurithuis
Ebe ngosi nka: Hague, South Holland, Netherlands
Dị n'okpuru: Maurithuis
Licensedị ikike: ngalaba ọha
Site n'aka: Maurithuis, Hague
kreditline ọrụ nka: Geertruida Quirina van der Duyn, Countess of Albemarle, 1741; Het Loo Palace, Apeldoorn, 1757; Prince William V, The Hague, until 1795; confiscated by the French, transferred to the Muséum Central des Arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822

Tebụl ozi omenkà

Aha onye nka: Frans Francken nke Nta
okike onye nka: nwoke
Nationality: Onye Belgium
Ọrụ: onye na-ese ihe
Obodo onye nka: Belgium
Nkewa onye nka: nna ukwu ochie
Afọ ọnwụ: 61 afọ
A mụrụ: 1581
Amụrụ na (ebe): Antwerp
Nwụrụ n'afọ: 1642
Nwụrụ na (ebe): Antwerp

Edobere ederede a site na nwebisiinka © - Artprinta.com (Artprinta)

Additional information on the original artwork by Mauritshuis website (© Nwebiisinka - nke Mauritshuis - Maurithuis)

Geertruida Quirina van der Duyn, Countess of Albemarle, 1741; Het Loo Palace, Apeldoorn, 1757; Prince William V, The Hague, until 1795; confiscated by the French, transferred to the Muséum Central des Arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822

Ị nwere ike na-amasị

Anya na nso nso a