Giovanni Battista Gaulli, 1677 - Eserese maka ndị amụma anọ nke Israel (maka Il Gesù, Rome) - mbipụta nka mara mma.

59,99 €

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Nkọwa nka mbụ sitere na ụlọ ngosi nka (© Nwebiisinka - Ụlọ ihe ngosi nka nke Cleveland - Velọ ihe ngosi nka nke Cleveland)

This small painting represents the four prophets of Israel: Isaiah, Jeremiah, Ezekiel, and Daniel. It is one of seven oil sketches made in preparation for the decoration of the four pendentives in the Jesuit Church of the Gesù in Rome. The artist, one of the most prominent large-scale decorative painters in Rome, is known for his grand painting of the vault of the Gesù. Gaulli followed the Italian decorative tradition by preparing this sketch, called a bozzetto, to work out his ideas before the final fresco was painted. Fresco painting was the most desirable media for public and private locations, created by mixing dry pigment into wet plaster. They are an ideal permanent decoration; however, the process is tedious and thorough preparation is essential to ensure high quality. Oil sketches would aid the artist in creating a final composition and choosing their palette and would be particularly helpful for awkward spacings such as the pendentive, an inverted triangle. In this scene, Gaulli changed his initial composition for the final presco, balanceing the four prophets and young putti, with the young Daniel as the most prominent figure motioning towards the dome.

Ozi banyere ngwaahịa a

na 1677 Giovanni Battista Gaulli painted the 17th century piece of art "Sketch forThe Four Prophets of Israel(for Il Gesù, Rome)". The original was painted with the following size: Framed: 81,3 x 68 x 9 cm (32 x 26 3/4 x 3 9/16 in); Unframed: 67,3 x 55 cm (26 1/2 x 21 5/8 in) and was crafted with the Usoro mmanụ na kwaaji. N'ịga n'ihu, ihe osise a bụ akụkụ nke Ụlọ ihe ngosi nka nke Cleveland digital collection, which is one of the leading museums worldwide that builds, preserves, studies, and shares its outstanding collections of art from all periods and parts of the world, generating new scholarship and understanding, while serving as a social and intellectual hub for its community. With courtesy of The Cleveland Museum of Art (ikike - ngalaba ọha). The creditline of the artpiece is: John L. Severance Fund. Furthermore, alignment is Eserese na oke nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. The painter, sculptor Giovanni Battista Gaulli was a European artist from Italy, whose art style can be attributed mainly to Baroque. The European artist lived for 70 years - born in 1639 in Genoa, Genova province, Liguria, Italy and deceased in 1709.

Họrọ ụdị ihe dị iche iche

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  • Akwụkwọ mmado ebipụtara (akwa akwa akwa): The Artprinta poster print is a UV printed canvas paper with a slight surface structure. The print poster is qualified for placing the art replica with a customized frame. Please note, that depending on the absolute size of the poster print we add a white margin between 2-6cm round about the print motif to facilitate the framing with your custom frame.
  • Mbipụta kwaaji: A canvas direct print is a printed canvas mounted on a wood stretcher. A canvas of your favorite artwork will give you the unique opportunity of transforming your fine art print into a large size artwork. How do I hang a canvas print on the wall? Canvas prints are relatively low in weight. This means, it is quite simple to hang the Canvas print without the help of any wall-mounts. Canvas prints are suited for all types of walls.
  • Mbipụta enyo acrylic: An print on acrylic glass, often referenced as a an art print on plexiglass, makes your favorite original into beautiful décor and forms a good alternative to aluminium or canvas fine art replicas. With an acrylic glass art print contrasts and also painting details will be exposed due to the fine tonal gradation.
  • Mbipụta nke aluminom: An Aluminium Dibond print is a print with an impressive effect of depth. The non-reflective surface creates a contemporary impression. For the Aluminium Dibond option, we print the work of art right onto the aluminium composite white-primed surface. The bright & white parts of the original artwork shine with a silk gloss, however without the glare. The colors are luminous, fine details are very clear, and you can truly feel a matte appearance of the product. The UV print on aluminium is the most popular entry-level product and is an extremely stylish way to showcase fine art reproductions, because it draws focus on the whole artwork.

Onye na-ese ihe

Ihe nkiri: Giovanni Battista Gaulli
Aha ndị ọzọ: Bacicio, Bacciccia eigentlich G. B. Gaulli, Gio. Batt.a Gaulli Genovese detto Baccichio, Giovanni Battista Bacicci Genovese, Baciccia, Gio: Battista Gauli detto il Baciccio, J. B. Gauli dit le Bacicio, Bacchio, giovanni battista baciccio, Bacciccia di Roma, Gaulli, Il Gaulli, Gio: Battista Gauli detto Baciccio, Abbaciccio, gaulli g. b., Gauli surnommé le Bachiche, Bacciccio, Baciccia Il Gaulli, Baccici, Gaulli Giovan Battista, Bacciche, Jean-Baptiste Gauli dit Le Bachiche, Sr Gio Batta Gaulli detto il Baciccio, Baccico, Baptiste Gauli, Bacici, Jean-Baptiste Gauli dit le Bacici, Bacicci, Gaulli genannt il Bacciccio, Giovanni Battista Baciccia, Gaulli Giov. Batt., Le Bacicci, Baciccio il, Le Bacici, gaulli gen. il bacciccio, Jean-Baptiste Gauli surnommé le Bachiche, Il Baciccio, Batista Bacici, Gaulli Giovanni Battista, Gio. B. Gaulli, Giovanni Battista Gauli, GAULLI Giovanni Battista "Il Baciccio", Gio: Batta Gauli detto il Baciccio, Bachiche, Bacciccia, Gianbattista Gaulli gen. Bacciccio, Baciccio, Giovanni Batta Gauli, Battista Gauli detto il Baciccia, Baciccia Giovanni Battista, Baciccio Gauli, Gaulli Giovanni Battista. gen. Bacciccio, il Baciccio Baciccia, Le Bachiche, Baciccia di Roma, Bachichio, Giovanni Battista Gaulli
okike nke onye nka: nwoke
Obodo onye nka: Italian
Ọrụ: onye na-akpụ ihe, onye na-ese ihe
Obodo onye nka: Italy
Nkewa onye nka: nna ukwu ochie
Ụdị nka: Baroque
Ndụ: 70 afọ
Amụrụ n'afọ: 1639
Ebe amụrụ onye: Genoa, mpaghara Genova, Liguria, Italy
Nwuru: 1709
Obodo ọnwụ: Rome, Rome Province, Lazio, Italy

Nkọwa na ọrụ nka pụrụ iche

Aha nke ihe nka: "Sketch forThe Four Prophets of Israel(for Il Gesù, Rome)"
Nhazi nka: sere
Okwu nche anwụ: nka ochie
Century: 17th narị afọ
Year: 1677
Afọ nka: ihe karịrị 340 afọ
Ọkara nke ihe osise izizi: mmanụ na kwaaji
Akụkụ izizi (ọrụ nka): Nhazi: 81,3 x 68 x 9 cm (32 x 26 3/4 x 3 9/16 na); Ekebereghị: 67,3 x 55 cm (26 1/2 x 21 5/8 na)
Ụlọ ihe ngosi nka / mkpokọta: Velọ ihe ngosi nka nke Cleveland
Ebe ngosi nka: Cleveland, Ohio, United States nke America
Ibe weebụ: Velọ ihe ngosi nka nke Cleveland
Licensedị ikike: ngalaba ọha
Site n'aka: Velọ ihe ngosi nka nke Cleveland
Ebe E Si Nweta: Ụgwọ nke ụlọ ọrụ John L. Severance Fund

Ozi ederede

Nkewa edemede: nka nka
Usoro mmeghari: dijitalụ mmeputakwa
Usoro mmepụta: mbipụta dijitalụ
Mmalite ngwaahịa: emepụtara na Germany
Ụdị ngwaahịa: na mmepụta ihe
Eji ngwaahịa emebere: Ụlọ mgbidi, nchịkọta nka (mmepụta)
Ndozi onyonyo: usoro eserese
Ụdị anya: 1: 1.2
Akụkụ akụkụ pụtara: ogologo bụ 20% mkpụmkpụ karịa obosara
Akụrụngwa ị nwere ike ịhọrọ: Mbipụta kwaaji, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji)
Nhọrọ nha nha mbipụta kanvas (akwa akwa na etiti ihe ndọtị): 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha dị iche iche: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Nhọrọ nha nke akwụkwọ mmado (akwụkwọ kwaaji): 50x60cm - 20x24", 100x120cm - 39x47"
Mbipụta aluminom (aluminium dibond ihe) nha dị iche iche: 50x60cm - 20x24", 100x120cm - 39x47"
Igwe onyonyo: ngwaahịa anaghị emebi emebi

Ozi dị mkpa: We try to describe our products in as much detail as possible and to showcase them visually in our shop. Although, the pigments of the printing material and the print result might diverge slightly from the image on the monitor. Depending on your screen settings and the nature of the surface, not all colors are printed as exactly as the digital version shown here. Bearing in mind that the fine art prints are processed and printed manually, there might as well be slight variations in the motif's exact position and the size.

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