Romeyn de Hooghe, 1670 - Ihe nnọchianya nke mkpụrụ ego - ọmarịcha nka
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Nkọwa nke ọrụ nka ihe karịrị afọ 350
Nke a kariri 350 artwork afọ nwere aha Symbolic representation of the coinage Ọ bụ nwoke na-ese ihe mere ya Romeyn de Hooghe n’afọ 1670. E wezụga nke ahụ, artpiece bụ akụkụ nke nchịkọta nke Rijksmuseum. The masterpiece, nke bụ nke ngalaba ọha a na-enye ya site n'ikike nke Rijksmuseum.Ọzọkwa, ihe nka nwere akara kredit a: . N'elu nke ahụ, nhazigharị dị na odida obodo format ma nwee oke nke 4: 3, nke pụtara na ogologo bụ 33% ogologo karịa obosara. The writer, painter, sculptor, caricaturist, printmaker Romeyn de Hooghe was an artist, whose style can be classified as Baroque. The Dutch painter was born in 1645 in Amsterdam, North Holland, Netherlands and passed away at the age of 63 in the year 1708 in Haarlem, North Holland, Netherlands.
General information as provided from the museum (© Copyright - Rijksmuseum - www.rijksmuseum.nl)
Allegory of coinage. In the center sits on a throne, the female personification of the coinage of money, dressed in oriental costume with bare breasts and a silver horn filled with gold coins in her lap. Mercury left with two black slaves, on the background mining and smelting furnaces for gold and silver. Right or two forging coin makers. With her feet personification trample some symbolic objects: mask, hose and fair. Left a rooster for an obelisk with Hebrew letters and surmounted by a portrait bust. On a table beside the personification is a balance in a black wooden box.
Ozi ahaziri na nka
Aha nka nka: | "Symbolic representation of the coinage" |
Nhazi nke ihe nka: | sere |
Okwu mkpokọta: | nka ochie |
Time: | 17th narị afọ |
Year: | 1670 |
Afọ nka: | ihe karịrị afọ 350 |
Ụlọ ihe ngosi nka: | Rijksmuseum |
Ebe ngosi nka: | Amsterdam, Netherlands |
Weebụsaịtị nke ihe ngosi nka: | Rijksmuseum |
Licensedị ikike: | ngalaba ọha |
Site n'aka: | Rijksmuseum |
Ihe omuma ihe nka
Ihe nkiri: | Romeyn de Hooghe |
Aha ndị ọzọ: | Hooghe, Hoogh Romeyn de, R. de Hooge, R.D. Hoodge, Hooch Romeyn de, Roman de Hoog, R. de Hooghe, Hooghe Romeyn de, R. D. Hoodge, Hooge Romeyn de, Romeyn de Hooghe, R. De Hoogh, Romain d'Hooghe |
okike nke onye nka: | nwoke |
Obodo onye nka: | Dutch |
Ọrụ onye na-ese ihe: | printmaker, painter, sculptor, writer, caricaturist |
Obodo obibi: | mba netherland |
Nhazi nke onye nka: | nna ukwu ochie |
Ụdị nka: | Baroque |
Akwụsị: | 63 afọ |
Amụrụ n'afọ: | 1645 |
Obodo amụrụ: | Amsterdam, North Holland, Netherlands |
Nwụrụ n'afọ: | 1708 |
Nwuru na (ebe): | Haarlem, North Holland, Netherlands |
Kedu ụdị akwụkwọ nka nka kacha amasị gị?
Na nhọrọ ndọpụta ngwaahịa ị nwere ike họrọ ihe na nha ọkacha mmasị gị. Anyị na-ahapụ gị ka ịhọrọ n'ime ụdị ndị a:
- Kwaaji: A printed canvas applied on a wooden frame. Your canvas of this artwork will let you turn your into a large size artwork as you know from art galleries. Canvas prints are relatively low in weight, meaning that it is quite simple to hang up the Canvas print without additional wall-mounts. A canvas print is suitable for any kind of wall.
- Mbipụta ọla (aluminium dibbond): Aluminium Dibond prints are metal prints with an outstanding effect of depth. A direct Direct Print on Aluminum Dibond is the best introduction to fine art reproductions with aluminum. For the Aluminium Dibond print, we print your chosen work of art on the aluminium white-primed surface. The bright parts of the artwork shine with a silk gloss but without the glow. Colors are bright and luminous, details are clear and crisp. This direct print on aluminium is the most popular entry-level product and is a truly sophisticated way to showcase art, because it puts 100% of the viewer’s focus on the whole artwork.
- Glass acrylic ebipụtara nwere mmetụta na-egbuke egbuke: An acrylic glass print, which is sometimes referred to as a plexiglass print, makes the original artwork into home decoration and offers a distinct alternative option to canvas or aluminium dibond fine art prints. Your work of art is being printed thanks to the help of modern UV direct printing technology. This creates the effect of deep, vivid colors. The great benefit of an acrylic glass print is that contrasts and small details become more exposed thanks to the precise gradation of the print.
- Mpempe akwụkwọ mmado ebipụtara na akwa akwa: The Artprinta poster is a printed canvas paper with a slight finish on the surface. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin 2-6cm around the artwork in order to facilitate the framing.
Banyere akụkọ
Nkewa ngwaahịa: | mmepụta nka |
Usoro mmeghari: | mmeputakwa n'ụdị dijitalụ |
Production usoro: | Mbipụta UV ozugbo (mbipụta dijitalụ) |
Mmalite nke ngwaahịa a: | emere na Germany |
Ụdị ngwaahịa: | mmepụta ihe na-achọ |
Eji ngwaahịa emebere: | mgbidi mgbidi, mgbidi gallery |
Nhazi: | nhazi odida obodo |
Njikwa oyiyi: | 4: 3 ogologo ruo obosara |
Mmetụta akụkụ: | ogologo bụ 33% ogologo karịa obosara |
Akwa ngwaahịa dị: | ígwè obibi akwụkwọ (aluminium dibond), ebipụta canvas, mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta iko acrylic (nwere ezigbo mkpuchi iko) |
Ọdịiche dị n'okirikiri akwa akwa akwa (akwa akwa): | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Nhọrọ Dibond (ihe alumnium) nhọrọ: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Igwe onyonyo: | agunyeghi |
Legal disclaimer: We try everythig possible to depict the products as accurate as it is possible and to demonstrate them visually on the respective product detail pages. Please bear in mind that the pigments of the print products, as well as the printing can vary to a certain extent from the representation on the monitor. Depending on your settings of your screen and the quality of the surface, not all colors will be printed as realistically as the digital version. Considering that the art reproductions are printed and processed by hand, there might also be minor deviations in the motif's exact position and the size.
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