Charles-François Daubigny, 1860 - Okirikiri ala - ọmarịcha nka
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Ozi ndabere gbasara nka
Aha nke eserese ahụ: | "Okirikiri ala" |
nhazi ọkwa: | sere |
Okwu nche anwụ: | nkà nke oge a |
Time: | 19th narị afọ |
Afọ okike: | 1860 |
Ogologo afọ nka nka: | karịa afọ 160 |
Ọkara nke ihe osise izizi: | mmanụ na kwaaji |
Akụkụ nke ihe osise izizi: | 15 × 25 3/4 na (38,1 × 65,41 cm) |
Ụlọ ihe ngosi nka / ebe: | Ebe ngosi nka nke Los Angeles County |
Ebe ngosi nka: | Los Angeles, California, Njikota Obodo Amerika |
Ebe nrụọrụ weebụ ihe ngosi nka: | Ebe ngosi nka nke Los Angeles County |
Ụdị ikike nka: | ngalaba ọha |
Site n'aka: | Ụlọ ihe ngosi nka nke Los Angeles County (www.lacma.org) |
Tebụl nyocha nke onye na-ese ihe
Aha onye nka: | Charles-François Daubigny |
okike nke onye nka: | nwoke |
Obodo onye nka: | French |
Ọrụ: | onye na-ese ihe |
Country: | France |
Nkewa onye nka: | omenkà nke oge a |
Ụdị nke onye na-ese ihe: | Ihe ngosi |
Nwụrụ na afọ nke: | 61 afọ |
Afọ ọmụmụ: | 1817 |
Obodo amụrụ: | Paris |
Nwụrụ n'afọ: | 1878 |
Nwuru na (ebe): | Auvers-sur-Oise, Val-d'Oise |
Nkọwa ihe ahaziri ahazi
Nkewa edemede: | ezi nka mmeputakwa |
Usoro mmeghari: | dijitalụ mmeputakwa |
Production usoro: | Mbipụta UV / dijitalụ |
Production: | arụpụtara na Germany |
Ụdị ngwaahịa: | na mmepụta ihe |
A na-atụ aro iji ngwaahịa eme ihe: | nka mgbidi, gallery mgbidi |
Nhazi nka nka: | usoro odida obodo |
Ụdị anya: | ogologo: obosara - 16: 9 |
Akụkụ onyonyo pụtara: | ogologo bụ 78% ogologo karịa obosara |
Ihe mmeputakwa dị: | akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibond), mbipụta kanvas, mbipụta iko acrylic (nwere ezigbo mkpuchi iko) |
Kanvas n'elu etiti ihe ndọtị (mbipụta akwa akwa): | 90x50cm - 35x20", 180x100cm - 71x39" |
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) dị iche iche: | 90x50cm - 35x20" |
Mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 90x50cm - 35x20" |
Mbipụta aluminom (ihe alumini debond ihe): | 90x50cm - 35x20" |
Nhazi mbipụta nka: | biko mara na nka nka enweghi fremu |
Kedu ihe kacha amasị gị?
For every art print we offer a range of different materials & sizes. Pick your preferred material and size among the subsequent choices:
- Mbipụta ọla (aluminium dibbond): These are metal prints on aluminium dibond material with an outstanding effect of depth - for a modern impression and a non-reflective surface. The white and bright parts of the original work of art shimmer with a silky gloss but without the glare. The colors of the print are luminous and bright, the fine details appear crisp and clear, and you can notice the matte appearance of the print. This direct UV print on aluminium is one of the most popular entry-level products and is an extremely contemporary way to showcase art prints, because it draws focus on the artwork.
- Mbipụta akwụkwọ mmado (akwa akwa akwa): The poster is a UV printed sheet of canvas with a slightly roughened surface texture. A poster print is designed for placing the art copy using a custom-made frame. Please note, that depending on the size of the poster we add a white margin 2-6cm around the artwork in order to facilitate the framing with a custom frame.
- Mbipụta iko acrylic na-egbuke egbuke (ya na mkpuchi iko n'ezie): An acrylic glass print, often referred to as a fine art print on plexiglass, makes your favorite artwork into wall décor and is a good alternative option to canvas or aluminium dibond fine art replicas. Your artwork will be printed with state-of-the-art UV printing machines. The result of this are stunning, vivid colors. The great benefit of a plexiglass art print is that sharp contrasts as well as painting details become recognizeable due to the fine tonal gradation in the picture.
- Mbipụta kwaaji: A UV printed canvas mounted on a wood stretcher frame. A canvas makes a extra impression of three dimensionality. Also, a canvas print makes a homelike and pleasant effect. Hanging your canvas print: The advantage of canvas prints is that they are relatively low in weight. This means, it is easy and straightforward to hang up your Canvas print without extra wall-mounts. Therefore, a canvas print is suitable for any kind of wall.
Banyere ihe oyiri nka "Ala"
Nke a kariri 160 artpiece dị afọ nwere aha Ala onye omenkà mere ya Charles-François Daubigny in 1860. The 160 year-old version of the work of art was made with the size - 15 × 25 3/4 na (38,1 × 65,41 cm) and was painted with the medium oil on canvas. Besides, the work of art is in the the collection of Ebe ngosi nka nke Los Angeles County in Los Angeles, California, United States of America. The nkà nke oge a masterpiece, nke bụ akụkụ nke ngalaba ọha is supplied with courtesy of Los Angeles County Museum of Art (www.lacma.org).In addition, the artpiece has the following creditline: . Furthermore, alignment is in odida obodo usoro nwere oke akụkụ nke 16: 9, nke pụtara na ogologo bụ 78% ogologo karịa obosara. Charles-François Daubigny was a male painter, whose style can mainly be assigned to Realism. The Realist artist was born in the year 1817 in Paris and died at the age of 61 in the year 1878 in Auvers-sur-Oise, Val-d'Oise.
Nkwupụta iwu: We do whatever we can to describe our products in as much detail as possible and to display them visually on the respective product detail pages. Nevertheless, the colors of the print materials and the print result may vary somehwat from the representation on your device's monitor. Depending on the settings of your screen and the nature of the surface, not all colors are printed one hundret percent realistically. Considering that all are printed and processed by hand, there may as well be minor differences in the exact position and the size of the motif.
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