Jacob van Geel, 1636 - Okirikiri ala osisi na-eche n'echiche - mbipụta nka mara mma

73,99 €

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Onyinye ngwaahịa ebipụta

In 1636 onye omenkà Jacob van Geel created the baroque piece of art. The 380 ụdị nka nke afọ dị afọ tụrụ nha: elu: 15,2 cm obosara: 25,4 cm | elu: 6 n'obosara: 10 inch. Mmanụ na panel was used by the painter as the technique for the artwork. The original artwork's inscription is the following: signed: .iacobvgeel.. Taa, ọrụ nka a bụ nke nchịkọta dijitalụ nke Maurithuis. Site n'ikike nke Mauritshuis, The Hague (ikikere: ngalaba ọha). : Sale London, Sotheby's, 17 May 1933, lot 65; sale Amsterdam, F. Muller, 11 March 1952, lot 688; Edmond & Leonore Hertzberger, Aerdenhout / Lugano; on loan to the Mauritshuis, The Hague, since 1996; gift from the Hertzberger Collection, 2008. What is more, the alignment of the digital reproduction is in landscape format with a ratio of 16 : 9, meaning that ogologo bụ 78% ogologo karịa obosara. The painter Jacob van Geel was an artist, whose style can be attributed mainly to Baroque. The artist was born in the year 1585 ma nwụọ mgbe ọ dị afọ 52 na 1637.

Nkọwa zuru oke site na webụsaịtị ihe ngosi nka (© Nwebiisinka - nke Mauritshuis - www.mauritshuis.nl)

Sale London, Sotheby's, 17 May 1933, lot 65; sale Amsterdam, F. Muller, 11 March 1952, lot 688; Edmond & Leonore Hertzberger, Aerdenhout / Lugano; on loan to the Mauritshuis, The Hague, since 1996; gift from the Hertzberger Collection, 2008

Ozi ndabere nka

Aha nka nka: "Imaginary Wooded Landscape"
Nhazi: sere
Category: nka ochie
Narị afọ nka: 17th narị afọ
Emepụtara na: 1636
Afọ nka: 380 afọ
Usoro nka izizi: mmanụ na panel
Nha nke ihe nka izizi: elu: 15,2 cm obosara: 25,4 cm
Akanyere (ọrụ nka): signed: .iacobvgeel.
Ụlọ ihe ngosi nka: Maurithuis
Ebe ngosi nka: Hague, South Holland, Netherlands
website: Maurithuis
Licensedị ikike: ngalaba ọha
Site n'aka: Maurithuis, Hague
Ebe kredit nke ọrụ nka: Sale London, Sotheby's, 17 May 1933, lot 65; sale Amsterdam, F. Muller, 11 March 1952, lot 688; Edmond & Leonore Hertzberger, Aerdenhout / Lugano; on loan to the Mauritshuis, The Hague, since 1996; gift from the Hertzberger Collection, 2008

Nkọwa onye nka

aha: Jacob van Geel
Ọrụ: onye na-ese ihe
nhazi ọkwa: nna ukwu ochie
Ụdị nka: Baroque
Nwụrụ na afọ nke: 52 afọ
A mụrụ: 1585
Afọ ọnwụ: 1637

Họrọ ihe ị họọrọ

Maka ngwaahịa ọ bụla anyị na-enye ụdị nha & ihe dị iche iche. Ị nwere ike ịhọrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

  • Mbipụta ọla (aluminium dibbond): This is a metal print made on aluminium dibond material with an outstanding depth effect. The Aluminium Dibond Print is the ideal start to the sophisticated world of fine art reproductions with aluminum. For the Print On Aluminum Dibond, we print your chosen artpiece on the surface of the white-primed aluminum material. The white and bright parts of the original work of art shimmer with a silky gloss but without any glow. The colors are luminous in the highest definition, the fine details of the print are crisp.
  • Akwụkwọ mmado ebipụtara (akwa akwa akwa): Our poster print is a printed canvas paper with a slightly rough structure on the surface. Please keep in mind, that depending on the size of the poster we add a white margin of something between 2-6cm around the painting, which facilitates the framing.
  • Kwaaji: The canvas print is a printed cotton canvas stretched on a wooden stretcher. It generates the special look of three dimensionality. Canvas prints are relatively low in weight, which means that it is quite simple to hang up your Canvas print without any wall-mounts. Canvas prints are suitable for any kind of wall.
  • Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): The print on acrylic glass, often denoted as a print on plexiglass, transforms your selected original work of art into wonderful décor. The work of art is being custom-made thanks to the help of modern UV direct print technology. This creates the effect of vivid and impressive color tones. With an acrylic glass fine art print contrasts plus small painting details will be recognizeable with the help of the granular gradation of the print.

Nkọwa ngwaahịa

Bipụta ụdị ngwaahịa: mmepụta nka
Usoro mmeghari: dijitalụ mmeputakwa
Usoro nhazi: Mbipụta UV / dijitalụ
Mmalite nke ngwaahịa a: emepụtara na Germany
Ụdị ngwaahịa: a na-achọ
Eji ngwaahịa a chọrọ: Ụlọ ihe osise nka, mkpokọta nka (mmepụta)
Nhazi nka nka: usoro odida obodo
Oke akụkụ onyonyo: (ogologo: obosara) 16: 9
Nkọwa: ogologo bụ 78% ogologo karịa obosara
Akụrụngwa ị nwere ike ịhọrọ: akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibond), mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta akwụkwọ.
Nhọrọ nke akwa akwa n'elu etiti ihe ndọtị (mbipụta akwa akwa): 90x50cm - 35x20", 180x100cm - 71x39"
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha dị iche iche: 90x50cm - 35x20"
Nhọrọ nha nke akwụkwọ mmado (akwụkwọ kwaaji): 90x50cm - 35x20"
Ụdị nha ebipụta aluminom: 90x50cm - 35x20"
Nhazi mbipụta nka: adịghị

Ederede iwu dị mkpa: We try the best we can in order to describe the art products as precisely as possible and to illustrate them visually on the product detail pages. At the same time, the colors of the print materials, as well as the printing might differ to a certain extent from the representation on your device's monitor. Depending on the settings of your screen and the condition of the surface, colors may not be printed as exactly as the digital version. Because all our are processed and printed manually, there may as well be slight differences in the motif's exact position and the size.

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