Jan Miel, 1640 - Okirikiri ala nwere agha n'etiti ebule abụọ - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Nchịkọta edemede
Ihe osise a ka e ji see ya Jan Miel. The version of the artwork has the following size of 68 1/4 x 97 5/8 in (173,4 x 248 cm) and was manufactured with the techinque of oil on canvas. This piece of art is in the the Ụlọ ihe ngosi nka nke Metropolitan mkpokọta nka, nke bụ otu n'ime ụlọ ngosi nka nka kacha ibu na nke kacha mma n'ụwa, nke gụnyere ihe karịrị nde abụọ ọrụ nka na-agbasa puku afọ ise nke ọdịbendị ụwa, site na prehistory ruo ugbu a na site n'akụkụ niile nke ụwa.. Site n'ikike nke: The Metropolitan Museum of Art, New York, Gift of Princess Brancaccio, 1893 (ọha na eze). Creditline of the artwork: Gift of Princess Brancaccio, 1893. The alignment is in odida obodo format na a akụkụ ruru nke 1.4: 1, nke pụtara na ogologo bụ 40% ogologo karịa obosara. Jan Miel was a male painter from the Netherlands, whose style can mainly be attributed to Baroque. The Baroque painter was born in 1599 in Vlaardingen, South Holland, Netherlands and passed away at the age of 65 in the year 1664.
Nkọwa agbakwunyere dị ka ihe ngosi nka nyere (© - nke Ụlọ ihe ngosi nka nke Obodo ukwu - www.metmuseum.org)
This animated scene stands in opposition to the grand, classical tradition represented by Poussin, Claude, and Bourdon. The picture is ascribed to Jan Miel, who moved to Rome in the 1630s. He specialized in scenes of contemporary life referred to as bambocciate, after the nickname of the creator of the genre, Pieter van Laer. Although Miel's work stands in contrast to the premise of classical landscapes, he is known to have collaborated with Gaspard Dughet and it has been suggested that the landscape in this picture was painted by Dughet with the figures added by Miel.
Nkọwa ọrụ nka
Aha ọrụ nka: | "Landscape with a Battle between Two Rams" |
Nhazi nke ọrụ nka: | sere |
Otu izugbe: | nka ochie |
Narị afọ nka: | 17th narị afọ |
Emepụtara na: | 1640 |
Ogologo afọ nka nka: | karịa afọ 380 |
Agba na: | mmanụ na kwaaji |
Akụkụ izizi nka: | 68 1/4 x 97 5/8 na (173,4 x 248 cm) |
Ụlọ ihe ngosi nka: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
URL webụ: | Museumlọ ihe ngosi nka nke Obodo |
Licensedị ikike: | ngalaba ọha |
Site n'aka: | The Metropolitan Museum of Art, New York, Gift of Princess Brancaccio, 1893 |
kreditline ọrụ nka: | Gift of Princess Brancaccio, 1893 |
Banyere onye na-ese ihe
Ihe nkiri: | Jan Miel |
Aha ndị ọzọ: | Giovanni Miele Scolare di Pussino, JEAN MIEL autrement BIKE, Johann Miel, van Bieke, Melo alias Bieke, Giovanni Mielle, Giovanni Meil, John Meila, Miele Jan, Jan Miell, Jan Mee, Miglio toegenaamt Bieke, Milo alias Bieke, I. Miel, Gio: Miele Fiammingo, Monsieur Miele, Giovanni Miell, den Chevaillier Melo, Meel Jan, Jean Méel, Jan Miel, Gio: Miel, Jan Miele, J. Meel, Miel Cavaliere Giovanni Miele Milo, Chevalier Molo, Giovanni Miele, Jean Mielle, Meel, Biekke, Jeumielle, Jean Lumiel, Monsù Miel, Monsù gio mielle, Biecke, Chevalier Melo alias Bieke, Pitiet, Gio: Miel Fiammengo, Jan. Miel, Jean Miel called Giovanni Dellaviti, Mieel, Giovanni Meel, Bique, Miel, Jean Milo Alias Bieke, Bicque Jan, Bique Jan, Miel Jan, Petit Jean alias Biche, Jean Miel, Gio: Miele, Miel Jan Bicke, Jan Miel alias Bieke, Giov. Miele, Mill Jan, Jean Miele, den Ridder Melo alias Bieke, John Meilla, Miel Jan, Jan Meil, Joh. Miehl, Jan Bike, Bieco, Giovanni della Vite, Gio. Miele, Jan Miel Called Giovanni della Vite, miel j., Gio Miele, Joh. Miel, Bieke, Giovanni Miel, Gio. Miel, J. Meil, Cavaliere Giovanni Miele, Jan Bicke, Giovanni Mieli, Miel Della Vita, J. Miele, J. Mill, Giovanni Mell, Bicke, Van Miel, Jean Riel, F. Miel, G. Miel, Monsu Mielle, Bicker Jan, מייל ז'אן, Cavaliere Giovanni della Vita, Giovanni Miele fiammingo, Miel Jean, Jean Mee, Tan Miel, Gio Melo anders Bichi, Gio. di Miele, Monsieur Giovanni Miele, Bicque, Gioanni Mielle, J. Miël alias Bieke, Jan Miel alias Bike, Meil Jan, Bieke Jan, Cavaliere Giovanni Milo, John Miel, den Roomsen Petit, Gio: Mielle Fiamengo, Jean Mieel, Miele, J. Miel, J. Mil, Miell, Gioanni Miele, Bicker, Jean Micel, Jn. Miel, Gio Miel, Bicke Jan, J. Mielle, Miel Bike, Biecke Jan, Bichi Jan |
okike nke onye nka: | nwoke |
Obodo onye nka: | Dutch |
Ọrụ: | onye na-ese ihe |
Country: | mba netherland |
Otu nka: | nna ukwu ochie |
Ụdị nke onye na-ese ihe: | Baroque |
Akwụsị: | 65 afọ |
Amụrụ n'afọ: | 1599 |
Obodo ọmụmụ: | Vlaardingen, South Holland, Netherlands |
Afọ ọnwụ: | 1664 |
Nwuru na (ebe): | Turin, mpaghara Torino, Piedmont, Italy |
Họrọ ihe ebipụta nka masịrị gị
Nchịkọta nhọrọ ngwaahịa na-enye gị ohere ịhọrọ ngwa na nha nke nhọrọ gị. Ka ị kwekọọ n'ihe ị chọrọ nke ọma, ị nwere ike họrọ n'ime nhọrọ nhazi ngwaahịa ndị a:
- Mbipụta kwaaji: A canvas direct print is a printed canvas mounted on a wood stretcher. A canvas has the extra look of three-dimensionality. Canvas prints are relatively low in weight, meaning that it is easy to hang up the Canvas print without the use of extra wall-mounts. A canvas print is suited for all types of walls.
- Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy acrylic glass print, which is sometimes labelled as a print on plexiglass, changes your favorite original into brilliant home décor. The work of art is being manufactured thanks to modern UV direct printing machines. The result of this are vivid and stunning colors. The real glass coating protects your custom art print against light and external influences for many years to come.
- Mbipụta nke aluminom: An Aluminium Dibond print is a print with an outstanding depth. For your Direct Aluminium Dibond option, we print the selected artwork on the aluminium white-primed surface. The bright sections of the work of art shimmer with a silk gloss but without the glare. The colors of the print are luminous and bright, the fine details of the print are crisp. The UV print on aluminium is the most popular entry-level product and is an extremely contemporary way to showcase art, since it puts 100% of the viewer’s attention on the artwork.
- Mpempe akwụkwọ mmado ebipụtara na akwa akwa: A poster is a UV printed cotton canvas paper with a fine surface structure, which reminds the actual masterpiece. Please bear in mind, that depending on the size of the poster print we add a white margin between 2 - 6cm around the print in order to facilitate the framing with your custom frame.
Ozi ihe ahaziri ahazi
Ụdị ngwaahịa: | nka nka |
Mmeputakwa: | dijitalụ mmeputakwa |
Produzọ mmepụta: | Mbipụta UV ozugbo (mbipụta dijitalụ) |
Nlụpụta: | German mere |
Ụdị ngwaahịa: | na mmepụta ihe |
Eji ngwaahịa a chọrọ: | Ụlọ ihe ngosi nka, ụlọ mgbidi |
Nhazi nka nka: | usoro odida obodo |
Oke akụkụ onyonyo: | (ogologo: obosara) 1.4: 1 |
Nsonaazụ: | ogologo bụ 40% ogologo karịa obosara |
Ụdị ihe dị iche iche dị: | Mpempe akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kanvas, mbipụta ọla (aluminium dibond), mbipụta iko acrylic (nwere ezigbo mkpuchi iko) |
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị) dị iche iche: | 70x50cm - 28x20", 140x100cm - 55x39" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: | 70x50cm - 28x20", 140x100cm - 55x39" |
Nhọrọ nha nke akwụkwọ mmado (akwụkwọ kwaaji): | 70x50cm - 28x20" |
Nhọrọ mbipụta aluminom: | 70x50cm - 28x20", 140x100cm - 55x39" |
Nhazi mbipụta nka: | mbipụta nka na-enweghị isi |
Disclaimer: We do all that we can to describe our art products with as many details as possible and to display them visually. However, the colors of the printing material, as well as the printing might diverge to a certain extent from the image on your screen. Depending on your screen settings and the condition of the surface, not all colors will be printed as exactly as the digital version shown here. In view of the fact that the art prints are printed and processed by hand, there may as well be slight discrepancies in the size and exact position of the motif.
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