Salvator Rosa, 1640 - Mkpọmkpọ ebe dị na Nkume Landscape - ọmarịcha nka

Nkwupụta

a nka ochie nka nka Ruins in a Rocky Landscape mere site na Baroque master Salvator Rosa in 1640. The 380 year-old version of the piece of art had the size of Nhazi: 157,5 x 189,2 x 7 cm (62 x 74 1/2 x 2 3/4 na); Ekebereghị: 144 x 176,7 cm (56 11/16 x 69 9/16 na) ewe me ya ihe eji eme ihe mmanụ na kwaaji. Ederede ihe osise izizi bụ: signed lower right: "SR [monogram]". N'ịga n'ihu, ọrụ nka a gụnyere na Ụlọ ihe ngosi nka nke Cleveland nchịkọta nka dijitalụ. Anyị nwere obi ụtọ ịkọ na ngalaba ọha a na-agụnye masterpiece, site n'ikike nke Velọ ihe ngosi nka nke Cleveland. : Gift of Rosenberg & Stiebel, Inc.. On top of that, alignment is in landscape format with a ratio of 1.2: 1, which implies that the length is 20% longer than the width. The actor, poet, musician, painter, printmaker Salvator Rosa was a European artist from Italy, whose art style can be attributed mainly to Baroque. The Baroque artist lived for 58 afọ, amuru na 1615 na Naples, Napoli n'ógbè, Campania, Italy na nwụrụ anwụ na 1673.

Họrọ ihe kacha amasị gị

Ndepụta ndetu ngwaahịa na-enye gị ohere ịhọrọ akụrụngwa na nha ọkacha mmasị gị. Anyị na-ahapụ gị ka ịhọrọ n'ime ụdị ndị a:

• Kwaaji: The canvas direct print is a printed canvas mounted on a wood frame. The advantage of canvas prints is that they are relatively low in weight, meaning that it is easy and straightforward to hang the Canvas print without the use of any wall-mounts. That is why, a canvas print is suitable for all types of walls.
• Ugogbe acrylic ebipụtara: The print on acrylic glass, often named a UV print on plexiglass, will change your favorite original into magnificient décor.
• Mbipụta aluminom (aluminium dibbond): An Aluminium Dibond print is a print with an outstanding depth effect. A direct Aluminium Dibond Print is your excellent introduction to fine art prints manufactured with aluminum. The colors are vivid and luminous in the highest definition, the fine details appear clear and crisp.
• Mbipụta akwụkwọ mmado (ihe kwaaji): Our poster is a UV printed canvas with a slightly roughened surface structure, which resembles the original artwork. Please note, that depending on the size of the poster print we add a white margin of around 2-6 cm around the painting, which facilitates the framing.

Ozi dị mkpa: We try our utmost in order to describe our products with as many details as possible and to illustrate them visually on the various product detail pages. Although, the pigments of the print materials and the printing might differ somehwat from the representation on the screen. Depending on the settings of your screen and the condition of the surface, not all colors will be printed one hundret percent realistically. Given that the are printed and processed by hand, there may as well be slight variations in the motif's size and exact position.

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© Nwebiisinka nke - Artprinta.com

Nkọwa nke ụlọ ihe ngosi nka (© Nwebiisinka - Ụlọ ihe ngosi nka nke Cleveland - Velọ ihe ngosi nka nke Cleveland)

In 1635, Rosa left his native Naples for Rome, the undisputed art center of the 17th century, where a new type of landscape painting was emerging, distinguished by the effects of light and atmosphere. Rosa’s fame grew quickly as a painter of landscapes that conjured the beauty and fertility of the Bay of Naples. Ruins in a Rocky Landscape incorporates classical ruins, iridescent reflections of light, and a pastoral tone evoked by the idling shepherds, exemplifying the work that earned Rosa his early fame. The dark, dramatic rocks that rise along the left foreshadow the wildness that Rosa would cultivate in his later sublime landscapes.