Théodore Caruelle d'Aligny - Okirikiri ala nwere ọgba - mbipụta nka mara mma

ozi

The masterpiece was created by the master Théodore Caruelle d'Aligny. The original was painted with the size: 24 1/2 x 18 in (62,2 x 45,7 cm). Oil on canvas was used by the painter as the medium of the painting. This work of art is part of the Ụlọ ihe ngosi nka nke Metropolitan digital art collection. This work of art, which belongs to the public domain is being included - courtesy of Ụlọ ihe ngosi nka nke Metropolitan, New York, Catharine Lorillard Wolfe Collection, Wolfe Fund, 1989. : Catharine Lorillard Wolfe mkpokọta, Wolfe Fund, 1989. Ọzọkwa, alignment bụ Eserese ma nwee oke nke 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara.

Ozi mgbakwunye nke The Metropolitan Museum of Art (© Nwebiisinka - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

Like Camille Corot, with whom he often sketched in the mid-1820s, Aligny executed oil studies out-of-doors, primarily as private exercises that were not intended for exhibition. This work, inscribed to his friend the artist Théophile-Emmanuel Duverger (1821–1898), is evidently an independent study. It is similar to other landscapes painted during the artist's sojourn in Italy in the mid-1830s.

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Họrọ ihe ị ga-ekwu

Na menu ndọpụta ngwaahịa ị nwere ike họrọ ihe na nha nke nhọrọ gị. Ka ị kwekọọ n'ihe ị chọrọ nke ọma, ị nwere ike họrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

• Bipụta na iko acrylic (nke nwere ezigbo mkpuchi iko n'elu): A glossy acrylic glass print, which is often described as a UV print on plexiglass, changes your favorite original work of art into stunning décor. Beyond that, it makes a great alternative to canvas and aluminidum dibond prints. Your own version of the artwork is custom-made thanks to the help of state-of-the-art UV printing machines. The special effect of this are intense and stunning colors. The great advantage of a plexiglass fine art print is that contrasts plus small details become more identifiable thanks to the very fine tonal gradation. The acrylic glass protects your custom art replica against light and external influences for many more years.
• Kwaaji: A canvas print is a printed cotton canvas stretched on a wooden frame. The advantage of canvas prints is that they are relatively low in weight, which implies that it is quite simple to hang up your Canvas print without extra wall-mounts. Because of thata canvas print is suitable for all types of walls in your house.
• Akwụkwọ mmado ebipụtara (akwa akwa akwa): The poster is a printed canvas with a fine surface texture. Please keep in mind, that depending on the absolute size of the poster we add a white margin of something between 2-6cm round about the print in order to facilitate the framing.
• Aluminom dibond mbipụta (ọla): These are metal prints on alu dibond with an impressive effect of depth. The bright sections of the original work of art shine with a silky gloss, however without glare. The colors of the print are luminous, the details are very clear, and there’s a matte look that you can literally feel.

Ozi ngwaahịa ahaziri

Ihe dị mkpa: We try whatever we can in order to depict the products as accurate as we can and to demonstrate them visually on the product detail pages. However, the colors of the printed materials and the printing may vary somehwat from the image on the device's screen. Depending on the settings of your screen and the condition of the surface, not all colors are printed one hundret percent realistically. In view of the fact that our art prints are printed and processed by hand, there may as well be slight deviations in the motif's exact position and the size.

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