Domenichino, 1610 - Okirikiri ala na Moses na Bush na-ere ọkụ - mbipụta nka mara mma

Ihe ebipụta nka nke ọma ị nwere ike ịhọrọ:

Ndepụta ndetu ngwaahịa na-enye gị ohere ịhọrọ ngwa na nha dabere na mmasị gị. Họrọ n'ime nhọrọ ngwaahịa ndị a ugbu a ka ị kwekọọ na mmasị gị na nha na akụrụngwa:

• Akwụkwọ mmado ebipụtara (ihe kwaaji): Our poster print is a printed canvas with a slightly roughened structure on the surface, which resembles the original version of the work of art. Please keep in mind, that depending on the size of the poster print we add a white margin between 2-6cm round about the painting to facilitate the framing with your custom frame.
• Mbipụta nke aluminom: This is a metal print manufactured on aluminium dibond material with a true effect of depth. For your Direct Aluminium Dibond option, we print the favorite work of art right on the surface of the aluminum material. The bright and white parts of the original artwork shimmer with a silk gloss but without the glow. Colors are luminous, details of the print are crisp.
• Kwaaji: A canvas print is a printed canvas mounted on a wooden stretcher. Besides, canvas print generates a homelike, pleasant appearance. Canvas Prints have the advantage of being low in weight. That means, it is quite simple to hang the Canvas print without additional wall-mounts. Because of thata canvas print is suitable for all kinds of walls.
• Bipụta na enyo acrylic: The acrylic glass print, often referred to as a UV print on plexiglass, makes the original into amazing décor and is a good alternative to aluminium and canvas art prints. The major upside of a plexiglass fine art copy is that contrasts and minor details will be recognizeable thanks to the delicate tonal gradation in the picture. Our plexiglass protects your selected art replica against sunlight and external influences for between 4 and six decades.

Ederede iwu dị mkpa: We make every effort to describe our products as accurately as it is possible and to illustrate them visually. At the same time, the pigments of the printed materials and the imprint can diverge somehwat from the presentation on the screen. Depending on the screen settings and the condition of the surface, not all colors are printed one hundret percent realistically. Since all art reproductions are processed and printed by hand, there may as well be slight discrepancies in the motif's exact position and the size.

Nkọwa ndị ọzọ sitere na ihe ngosi nka (© - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

The Biblical story of the burning bush that was not consumed (Exodus 3) was one of three miracles that God showed Moses to confirm his mission to lead the Israelites out of Egypt. A pupil of Annibale Carracci, Domenichino was a key proponent of an idealizing, classical style of painting and was much admired, for example, by Ingres. His landscapes transpose observation of nature to a timeless, idyllic realm.

Ozi gbasara akụkọ

Ihe karịrị 410 artwork afọ nwere aha Landscape with Moses and the Burning Bush bụ onye Ịtali na-ese ihe Dominchino. The more than 410 year old original has the size: 17 3/4 x 13 3/8 in (45,1 x 34 cm) and was made with the Usoro mmanụ na ọla kọpa. What is more, the piece of art is in the the The Metropolitan Museum of Art's art collection. This ngalaba ọha A na-etinye mpempe nka na nkwanye ùgwù nke Ụlọ ihe ngosi nka nke Metropolitan, New York, Onyinye nke Mr. na Oriakụ Charles Wrightsman, 1976. The creditline of the artpiece is the following: Gift of Mr. and Mrs. Charles Wrightsman, 1976. Further, the alignment is Eserese na akụkụ ruru nke 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara. Domenichino was a male painter from Italy, whose style can be attributed primarily to Baroque. The Italian painter lived for 60 years - born in the year 1581 ma nwụọ na 1641.

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