Ecole française - Pierrot guzo na odida obodo - ọmarịcha nka

General information by Musée Cognacq-Jay Paris website (© Copyright - by Musée Cognacq-Jay Paris - Ụlọ ihe nkiri Cognacq-Jay Paris)

This "Pierrot standing in a landscape" is a copy of the center of a decorative panel part of the decoration painted by Nicolas Lancret for Boullongne hotel, built by Jules Hardouin-Mansard on the Place Louis-le-Grand (now 23 Place Vendome, at the corner of the rue de la Paix). Jean de Boullonges, steward of the King's orders, had given to the artist in 1728 running a decorative set of five panels and four top-to-door. Lancret are represented subjects of pastoral, gallant festivals or commedia dell'arte, then very fashionable. remained in situ until 1896, the decor was deposed and sold in its entirety in Paris, at the Galerie Georges Petit (May 27, 1896, No. 7 and 8, Fig.). The "Pierrot saluting" panel depicting a landscape framed by arabesques, whose central motif is repeated in this painting is not localized but is known by photography (see Wildenstein, Georges, "Lancret," Paris 1924 fig. 182 and 186) .Marianne Roland Michel ( "Representations of exoticism in painting in France in the first half of the eighteenth century", "Studies on Voltaire and the eighteenth century ', Oxford, CLI-CLV 1976 , p.1446 and note 29) indicates that a second version of this decoration was executed by the artist, conceived as tables, without the entourage arabesques, figures silhouetted against a landscape background (not localized, collection of the Princess of Poix). It does not specify whether all the signs were taken and whether there was a version of "firm" of "Pierrot", the table Cognac-Jay could be the copy. For his "Pierrot saluting" copied this painting, Lancret was inspired by Watteau figures, including the famous "Pierrot" says "Gilles" from the Louvre Museum. But its direct model was the "Pierrot standing", drawing in three colors of Watteau (about 1717 Haarlem, Teylers Museum) etched into consideration by François Boucher for "Figures of different characters" (No. 17) .Ca belonged table to the collection of Ernest Cognacq but did not appear in the gift to the City of Paris in 1928.

Ibe nka Pierrot standing in a landscape onye na-ese ihe sere ya Ecole française. Nke mbụ nwere nha ndị a: Ogologo: 40,8 cm, obosara: 32,5 cm. This work of art is included in the Musée Cognacq-Jay Paris's digital art collection, which is located in Paris, France. With courtesy of Musée Cognacq-Jay - le goût du XVIIIe Paris (public domain).Also, the work of art has the following creditline: . What is more, the alignment is portrait with a ratio of 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara.

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• Mbipụta ọla (aluminium dibbond): Aluminium Dibond prints are metal prints with an outstanding depth effect, creating a contemporary look throuch a non-reflective surface structure. A direct Aluminium Dibond Print is your excellent introduction to art replicas manufactured with aluminum. The white and bright parts of the work of art shine with a silk gloss, however without glow.
• Kwaaji: A printed canvas, not to be mistaken with a canvas painting, is a digital image applied on a cotton canvas material. Your canvas print of this artwork will let you turn your very own fine art print into a large size collection piece as you know from galleries. Hanging your canvas print: Canvas prints are relatively low in weight, which implies that it is quite simple to hang the Canvas print without the help of extra wall-mounts. A canvas print is suitable for all kinds of walls.
• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy print on acrylic glass, which is often named as a UV print on plexiglass, transforms your artwork into wall décor. Your artwork will be printed with state-of-the-art UV direct print technology. The acrylic glass protects your custom art replica against sunlight and external influences for decades.
• Mbipụta akwụkwọ mmado (akwa akwa akwa): The poster print is a UV printed sheet of canvas with a slightly rough finish on the surface. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin of approximately 2-6cm around the print, which facilitates the framing.

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Nkwupụta iwu: We try whatever we can in order to describe our art products in as much detail as possible and to illustrate them visually on the various product detail pages. However, the tone of the printing material and the print result might differ somehwat from the presentation on your device's monitor. Depending on your screen settings and the nature of the surface, color pigments might not be printed as realisitcally as the digital version depicted here. Considering that all the art reproductions are printed and processed manually, there might also be minor differences in the size and exact position of the motif.

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