Francesco Guardi, 1765 - ọmarịcha ọdịdị ala - mbipụta nka mara mma

73,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

The painting was painted by Francesco Guardi in 1765. Ụdị ihe osise ahụ tụrụ nha - Oge oge, 61 1/4 x 107 1/2 inch (155,6 x 273,1 cm) e were kwa ihe-ọcha tee ya mmanụ na kwaaji. Nke a na-arụ ọrụ nka Nleta akụkụ nke mkpokọta nke Museumlọ ihe ngosi nka nke Obodo. The nka ochie ọrụ nka, nke dị na ngalaba ọha a na-enye ya site n'ikike nke Ụlọ ihe ngosi nka nke Metropolitan, New York, Rogers Fund, 1941. : Rogers Fund, 1941. Besides this, the alignment is odida obodo na a akụkụ ruru nke 16: 9, nke pụtara na ogologo bụ 78% ogologo karịa obosara. The painter Francesco Guardi was an artist from Italy, whose style can be classified as Baroque. The painter lived for 81 afọ, born in the year 1712 in Venice, Venezia province, Veneto, Italy and deceased in 1793.

Nye iwu ihe ngwaahịa ị họọrọ

Maka mbipụta nka ọ bụla anyị na-enye nha & ihe dị iche iche. Ka ị kwekọọ n'ihe ị chọrọ nke ọma, ị nwere ike họrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

  • Mbipụta enyo acrylic: The print on acrylic glass, often described as a plexiglass print, makes the original artwork into brilliant décor. Furthermore, the acrylic glass print makes a distinct alternative option to canvas and aluminidum dibond fine art replicas. Your own replica of the artwork will be made with the help of modern UV printing technology. The special effect of this are intense, impressive colors. Our plexiglass with real glass coating protects your chosen art replica against light and heat for decades.
  • Mpempe akwụkwọ ederede (akwa akwa akwa): The poster print is a printed flat canvas paper with a nice finish on the surface, which reminds the actual version of the work of art. Please keep in mind, that depending on the size of the canvas poster print we add a white margin between 2 - 6cm around the print motif in order to facilitate the framing with your custom frame.
  • Kwaaji: The printed canvas material applied on a wood stretcher frame. A canvas makes a typical effect of three-dimensionality. A canvas print of this artpiece will allow you to transform your new fine art print into a large work of art. Hanging a canvas print: The great advantage of canvas prints is that they are relatively low in weight. That means, it is easy to hang up the Canvas print without any wall-mounts. That is why, a canvas print is suitable for all kinds of walls.
  • Aluminom dibond (ọkpụkpụ ọla): An Aluminium Dibond print is a print with an outstanding depth. A direct Direct Print on Aluminum Dibond is the perfect start to the sophisticated world of fine prints made on aluminum. The white & bright components of the original work of art shimmer with a silk gloss, however without glow. Colors are luminous, fine details of the print appear clear and crisp.

Legal disclaimer: We try the best we can in order to depict our art products as accurate as possible and to showcase them visually in our shop. However, some pigments of the printed materials and the print result can differ marginally from the image on the monitor. Depending on your screen settings and the nature of the surface, not all colors are printed 100% realistically. In view of the fact that our art prints are printed and processed by hand, there might as well be minor deviations in the motif's size and exact position.

Banyere ihe

Nkewa ngwaahịa: nka nka
Mmeputakwa: mmeputakwa n'ụdị dijitalụ
Usoro nhazi: UV kpọmkwem obibi
Mmalite ngwaahịa: German mere
Ụdị ngwaahịa: mmepụta ihe na-achọ
Eji ngwaahịa a chọrọ: nchịkọta nka (mmeputakwa), imewe ụlọ
Nhazi nke ihe nka: nhazi odida obodo
Njikwa oyiyi: ogologo ruo obosara 16: 9
Mmetụta ihe onyonyo: ogologo bụ 78% ogologo karịa obosara
Nhọrọ akụrụngwa: ígwè ebipụta (aluminium dibond), acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji)
Mpempe akwa akwa (akwa akwa na etiti ihe ndọtị) nha: 90x50cm - 35x20", 180x100cm - 71x39"
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: 90x50cm - 35x20"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: 90x50cm - 35x20"
Nhọrọ nke mbipụta aluminom (aluminium dibond material) 90x50cm - 35x20"
Igwe onyonyo: adịghị

Data ndabere na nka nka izizi

Iberibe aha nka: "Fantastic Landscape"
nhazi ọkwa: sere
Nhazi nka: nka ochie
Nhazi oge: 18th narị afọ
Emepụtara na: 1765
Afọ nka: karịa afọ 250
Agba na: mmanụ na kwaaji
Akụkụ izizi: Oge oge, 61 1/4 x 107 1/2 inch (155,6 x 273,1 cm)
Ụlọ ihe ngosi nka: Museumlọ ihe ngosi nka nke Obodo
Ebe ngosi nka: New York City, New York, Njikota Obodo Amerika
Weebụsaịtị ihe ngosi nka: Museumlọ ihe ngosi nka nke Obodo
License: ngalaba ọha
Site n'aka: Ụlọ ihe ngosi nka nke Metropolitan, New York, Rogers Fund, 1941
Ebe kredit nke ọrụ nka: Rogers Fund, 1941

Tebụl metadata omenkà

Aha onye nka: Francesco Guardi
Aliases: franzesco guardi, גוארדי פרנצ'סקו, francesco quardi, Garde, guardi franc., Gaurdy, Guardo, Guarde, Guardie, Gardis Francesco, guardi francesco, Guardet, Gauda, Gouardi, Guardi, guardi francesco de, guardi fr., François Guardi, Gauda Francesco, Gardis, Guada, Fr. Guardi, Gvardi Franchesko, Gardi, Guarde Francesco, Gardi Francesco, Francesco Guarde, guardi f., Guardet Francesco, guarde f., Gaurdi, Guardi Francesco, francesco de guardi, Fran. Guardi, Garde Francesco, Francesco Guardi, Francisco Guardi, guardi f., Fr: Guardi, f. guardi, Francisco Wardi élève de Canaletti, Franc. Guardi, Guada Francesco, Giradi
okike nke onye nka: nwoke
Obodo onye nka: Italian
Ọrụ onye na-ese ihe: onye na-ese ihe
Obodo onye nka: Italy
nhazi ọkwa: nna ukwu ochie
styles: Baroque
Ndụ: 81 afọ
Afọ ọmụmụ: 1712
Ebe omuma: Venice, mpaghara Venezia, Veneto, Italy
Afọ nwụrụ: 1793
Nwụrụ na (ebe): Venice, mpaghara Venezia, Veneto, Italy

Ederede a bụ ikike ọgụgụ isi ma chekwaa ya site na nwebisiinka ©, Artprinta.com (Artprinta)

Nkọwa ihe osise izizi sitere na ụlọ ngosi nka (© Nwebiisinka - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

This imaginary landscape, with two others, comes from the castle of Colloredo di Monte Albano, near Udine. The sizes and shapes of the canvases seem to have been adjusted by Guardi in the course of painting or immediately thereafter. The compositions center around rocky outcroppings, slanting tree trunks, and classical ruins. Small figures toiling and fishing are set against the vast expanse of delicately tinted water and sky.

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