Francesco Guardi - Caprice, nke nwere nnukwu ọgba aghara mebiri emebi yana mpaghara ọdọ mmiri - mbipụta nka mara mma.
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
General specifications from Musée Cognacq-Jay Paris website (© Copyright - by Musée Cognacq-Jay Paris - www.museecognacqjay.paris.fr)
It is possible to bring this painting of several compositions of Francesco Guardi (see Burollet, Therese, 2004 p.156). The quality of the work and the brush vivacity incite to think that this is an autograph painting by the artist. If she is out of his studio, there is no doubt that he, at least, retouched her hand for details of houses and figures.
Product nkọwa
nwoke Italian artist Francesco Guardi painted this work of art. The version of the piece of art was made with the size: Ogologo: 34 cm, obosara: 29 cm. What is more, the artpiece is in the the Musée Cognacq-Jay Paris's collection, which is a museum in the Hôtel Donon in the 3rd arrondissement. The masterpiece, which belongs to the public domain is being supplied with courtesy of Musée Cognacq-Jay - le goût du XVIIIe Paris.Ebe E Si Nweta nke ihe osise:. E wezụga nke ahụ, nhazi nke mmepụta dijitalụ dị na eserese format na nwere akụkụ ruru nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. Francesco Guardi was a painter, whose art style can mainly be classified as Baroque. The artist lived for 81 years - born in 1712 na Venice, mpaghara Venezia, Veneto, Italy ma nwụọ n'afọ 1793.
Ngwa ngwaahịa a na-ahọpụta
Anyị na-enye ụdị dị iche iche nha na ihe maka ngwaahịa ọ bụla. Ka ị kwekọọ n'ihe ị chọrọ nke ọma, ị nwere ike họrọ n'ime nhọrọ nhazi ngwaahịa ndị a:
- Mbipụta nke aluminom: This is a metal print manufactured on aluminium dibond material with a true depth effect, which creates a fashionable impression throuch a non-reflective surface structure. The Aluminium Dibond Print is the perfect start to art prints on aluminum. The bright and white components of the original artpiece shimmer with a silky gloss, however without any glare. The colors of the print are luminous, the details are crisp and clear, and there’s a matte appearance you can literally feel.
- Mbipụta kwaaji: A printed canvas, not to be confused with an artwork painted on a canvas, is a digital image applied onto cotton canvas material. It produces a extra effect of three-dimensionality. Your printed canvas of your favorite work of art will provide you with the unique chance of turning your into a large artwork. The advantage of canvas prints is that they are relatively low in weight. That means, it is easy to hang the Canvas print without extra wall-mounts. Canvas prints are suitable for all types of walls.
- Akwụkwọ mmado na ihe kwaaji: The Artprinta poster print is a printed sheet of canvas with a granular texture on the surface. It is particularly qualified for putting the art replica with the help of a custom-made frame. Please keep in mind, that depending on the size of the poster we add a white margin 2-6cm round about the artwork, which facilitates the framing.
- Mbipụta enyo acrylic: An acrylic glass print, often referenced as a an art print on plexiglass, will turn your favorite original into beautiful décor. Above all, the acrylic art print forms a viable alternative to canvas and dibond fine art replicas. The acrylic glass protects your custom art replica against light and heat for up to 60 years.
Nkọwa onye nka
Aha onye nka: | Francesco Guardi |
Aha nka ndị ọzọ: | Francisco Wardi élève de Canaletti, Gaurdy, Giradi, Guardet, guardi fr., guardi francesco, Guardie, guardi f., גוארדי פרנצ'סקו, Guardi, Gauda Francesco, Guada Francesco, guardi francesco de, guardi f., Guada, Guardi Francesco, Gouardi, Fr: Guardi, guarde f., Guardo, Francesco Guarde, Francisco Guardi, Gardis, Gardi Francesco, Guarde, Gvardi Franchesko, Garde Francesco, Gardi, Guardet Francesco, Gauda, Francesco Guardi, guardi franc., franzesco guardi, francesco de guardi, Franc. Guardi, Fran. Guardi, François Guardi, Gardis Francesco, Garde, francesco quardi, Gaurdi, f. guardi, Guarde Francesco, Fr. Guardi |
okike onye nka: | nwoke |
Obodo onye nka: | Italian |
Ọrụ nke onye na-ese ihe: | onye na-ese ihe |
Country: | Italy |
styles: | Baroque |
Ndụ: | 81 afọ |
Afọ ọmụmụ: | 1712 |
Obodo: | Venice, mpaghara Venezia, Veneto, Italy |
Afọ nwụrụ: | 1793 |
Nwuru na (ebe): | Venice, mpaghara Venezia, Veneto, Italy |
Ozi ndabere ọrụ nka
Aha nka nka: | "Caprice, with triumphal arch ruined and the lagoon edge landscape" |
Nhazi nka: | sere |
Nha izizi: | Ogologo: 34 cm, obosara: 29 cm |
Egosiputara na: | Ụlọ ihe nkiri Cognacq-Jay Paris |
Ebe ngosi nka: | Paris, France |
website: | Ụlọ ihe nkiri Cognacq-Jay Paris |
Ụdị nka nka: | ngalaba ọha |
Site n'aka: | Musée Cognacq-Jay - le goût du XVIIIe Paris |
Ihe omuma
Bipụta ngwaahịa: | ọmarịcha nka |
Usoro mmeghari: | mmeputakwa n'ụdị dijitalụ |
Produzọ mmepụta: | UV kpọmkwem obibi |
Ihe ngosi: | German mmepụta |
Ụdị ngwaahịa: | a na-achọ |
Eji ngwaahịa emebere: | ime ụlọ, gallery mgbidi |
Nhazi: | usoro eserese |
Oke akụkụ: | 1: 1.2 |
Ntụgharị nkọwa akụkụ onyonyo: | ogologo bụ 20% mkpụmkpụ karịa obosara |
Nhọrọ akụrụngwa: | mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kanvas, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibbond) |
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị) dị iche iche: | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: | 50x60cm - 20x24", 100x120cm - 39x47" |
Nhọrọ nha nke akwụkwọ mmado (akwụkwọ kwaaji): | 50x60cm - 20x24", 100x120cm - 39x47" |
Aluminom dibond ọdịdị nha ebipụta: | 50x60cm - 20x24", 100x120cm - 39x47" |
Nhazi mbipụta nka: | na-enweghị etiti |
Important information: We try our best to describe the products as precisely as possible and to exhibit them visually on the different product detail pages. At the same time, the tone of the print products and the printing might vary somehwat from the presentation on the screen. Depending on your settings of your screen and the quality of the surface, not all color pigments will be printed 100% realistically. Considering that all the are printed and processed manually, there may also be slight differences in the motif's exact position and the size.
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