Frans Post, 1660 - Okirikiri ala Brazil nwere ụlọ a na-arụ n'okpuru arụrụ - mbipụta nka mara mma

Ozi mgbakwunye nke Mauritshuis (© - Maurithuis - Maurithuis)

Probably private collection, Amsterdam, until 1891; Eduardo Prado (1860-1901), São Paulo; by inheritance to Paul Plinio Prado, São Paulo, 1962; Raphael Parisi, São Paulo; Brod Gallery, London; H.J. (Hans) de Koster (1914-1992), Wassenaar; Robert Noortman Gallery, Maastricht, 1998; gift of Willem, Baron van Dedem to the Friends of the Mauritshuis Foundation, 2002; on loan to Willem, Baron van Dedem, and his widow, London, 2002-2016

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For every fine art print we offer a range of different sizes & materials. You can pick your preferred size and material between the following alternatives:

• Akwụkwọ mmado ebipụtara (akwa akwa akwa): Our poster print is a printed canvas with a slightly roughened surface finish, which resembles the original artwork. Please note, that depending on the size of the canvas poster print we add a white margin between 2-6 cm round about the artwork, which facilitates the framing.
• Aluminom dibond (ọkpụkpụ ọla): This is a metal print made on aluminium dibond material with an outstanding depth. For the Direct Aluminium Dibond print, we print the selected artpiece on the surface of the white-primed aluminum material. The white & bright parts of the artpiece shimmer with a silk gloss, however without glow.
• Bipụta na iko acrylic na-egbuke egbuke: The print on acrylic glass, which is often referred to as a an art print on plexiglass, transforms an original artwork into beautiful décor. The plexiglass protects your chosen art replica against light and heat for many more years to come.
• Mbipụta kwaaji: The canvas print, not to be mistaken with a painting on a canvas, is a digital copy printed from a UV direct printing machine. A canvas print has the advantage of being low in weight. That means, it is easy to hang the Canvas print without any wall-mounts. Because of thata canvas print is suited for any type of wall.

Nkọwa ngwaahịa nka dị omimi

Nke a gafee 360 esere ihe nka afọ afọ Baroque onye na-ese ihe Frans Post n’afọ 1660. Ihe gafere 360 afọ mbụ tụrụ nha: elu: 46 cm obosara: 70 cm | elu: 18,1 n'obosara: 27,6 inch. Mmanụ na panel was used by the European painter as the technique for the piece of art. It is inscribed with the information: signed: F. Post. Ọzọkwa, a pụrụ ịhụ ihe osise ahụ n'ime Ndị Maurithuis nchịkọta. Site n'ikike nke - Maurithuis, Hague (ọha na eze). Ihe kredit nke artpiece bụ nke a: Probably private collection, Amsterdam, until 1891; Eduardo Prado (1860-1901), São Paulo; by inheritance to Paul Plinio Prado, São Paulo, 1962; Raphael Parisi, São Paulo; Brod Gallery, London; H.J. (Hans) de Koster (1914-1992), Wassenaar; Robert Noortman Gallery, Maastricht, 1998; gift of Willem, Baron van Dedem to the Friends of the Mauritshuis Foundation, 2002; on loan to Willem, Baron van Dedem, and his widow, London, 2002-2016. Ọzọkwa, itinye n'ọnọdụ nke mmepụta dijitalụ bụ odida obodo ya na oke nke 3: 2, nke pụtara na ogologo bụ 50% ogologo karịa obosara. The painter, traveller Frans Post was a European artist, whose style can mainly be classified as Baroque. The artist was born in the year 1612 in Haarlem, North Holland, Netherlands and deceased at the age of 68 in 1680 in Haarlem, North Holland, Netherlands.

Ozi dị mkpa: We try everything to depict the art products as accurately as it is possible and to showcase them visually. Please keep in mind that the tone of the printing material and the printing may diverge somehwat from the image on your device's screen. Depending on the screen settings and the quality of the surface, not all color pigments can be printed 100% realistically. Considering that all the art reproductions are processed and printed by hand, there might also be minor discrepancies in the exact position and the size of the motif.

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