Frans Jansz Post, 1659 - Odida obodo Brazil nwere obodo Igaraçú. N'iji akwụkwọ nka mara mma

29,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

Ozi nka site na webụsaịtị ihe ngosi nka (© - site na Rijksmuseum - Rijksmuseum)

Brazilian landscape of the village Igaraçú. Cosmas and Damianuskerk the left and behind the monastery of the Franciscans. In the foreground a group of natives.

Tebụl ihe osise

Aha nke ọrụ nka: "Brazilian landscape with the village of Igaraçú. To the"
Nhazi: sere
Nhazi nka: nka ochie
oge: 17th narị afọ
Emepụtara n'afọ: 1659
Afọ nka: ihe karịrị afọ 360
Egosiputara na: Rijksmuseum
Ebe ngosi nka: Amsterdam, Netherlands
Ụlọ ihe ngosi nka webụsaịtị: www.rijksmuseum.nl
Licensedị ikike: ngalaba ọha
Site n'aka: Rijksmuseum

metadata omenka ahaziri ahazi

Aha onye nka: Frans Jansz Post
Gender: nwoke
Obodo onye nka: Dutch
Ọrụ: onye na-ese ihe
Obodo onye nka: mba netherland
Nkewa onye nka: nna ukwu ochie

Nkọwa ihe ahaziri ahazi

Bipụta ụdị ngwaahịa: nka nka
Usoro mmeputakwa: dijitalụ mmeputakwa
Produzọ mmepụta: Mbipụta UV ozugbo (mbipụta dijitalụ)
Mmalite nke ngwaahịa a: arụpụtara na Germany
Stockdị ngwaahịa: mmepụta ihe na-achọ
A na-atụ aro iji ngwaahịa eme ihe: ihe ndozi mgbidi, mma mgbidi
Nhazi nka nka: usoro odida obodo
Ụdị anya: (ogologo: obosara) 3: 2
Oke onyonyo pụtara: ogologo bụ 50% ogologo karịa obosara
Materials: Mbipụta kwaaji, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji)
Canvas dị n'elu ihe nrịbama (mbipụta kanvas) nha dị iche iche: 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39"
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
Nhọrọ nha nke akwụkwọ mmado (akwụkwọ kwaaji): 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
Mpempe aluminom (aluminium dibond ihe) nha: 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
Nhazi mmeputa nka nka: biko buru n'uche na mmeputakwa a enweghi okpokolo agba

Nye iwu ihe ị ga-achọ inwe

Maka mbipụta nka ọ bụla dị mma anyị na-enye ihe dị iche iche na nha dị iche iche. Ya mere, anyị na-enye gị ohere ịhọrọ n'ime nhọrọ ndị a:

  • Kwaaji: A canvas print, not to be mistaken with a real painting on a canvas, is a digital image printed on a UV direct printing machine. The printed canvas produces a charming and pleasing atmosphere. Hanging your canvas print: Canvas Prints have the advantage of being relatively low in weight, which implies that it is quite simple to hang the Canvas print without the support of any wall-mounts. Because of thata canvas print is suited for any kind of wall.
  • Glass acrylic e biri ebi (nwere ezigbo mkpuchi iko): The acrylic glass print, often referenced as a UV print on plexiglass, makes the artwork into brilliant décor. Your own replica of the artwork will be manufactured thanks to modern UV direct print machines. The great benefit of an acrylic glass art print is that sharp contrasts and also minor details will be recognizeable due to the very fine tonal gradation of the picture. The real glass coating protects your chosen fine art print against light and external influences for up to six decades.
  • Aluminom dibond mbipụta (ọla): Aluminium Dibond prints are metal prints with an impressive effect of depth. A non-reflective surface creates a fashionable impression. The Aluminium Dibond Print is your best start to fine art prints on aluminum. For your Direct Aluminium Dibond print, we print the work of art right on the aluminium composite surface. The bright and white parts of the original artpiece shine with a silk gloss, however without the glow. The colors of the print are bright and luminous, fine details appear crisp and clear, and the print has a a matte look that you can literally feel.
  • Mpempe akwụkwọ mmado ebipụtara na akwa akwa: Our poster is a UV printed canvas paper with a slight surface structure, which reminds the original masterpiece. Please note, that depending on the absolute size of the poster we add a white margin 2-6 cm round about the painting, which facilitates the framing with a custom frame.

Ozi ndabere na ihe osise a na-ese Frans Jansz Post

Brazilian landscape with the village of Igaraçú. To the bụ mpempe nka kere nke Dutch artist Frans Jansz Post in 1659. N'oge a, mpempe nka a bụ nke nchịkọta dijitalụ nke Rijksmuseum. a nka ochie artwork, nke bụ nke ngalaba ọha a na-agụnye na nkwanye ùgwù nke Rijksmuseum.The creditline of the artpiece is: . The alignment of the digital reproduction is landscape and has a ratio of 3: 2, nke pụtara na ogologo bụ 50% ogologo karịa obosara.

Legal disclaimer: We try the best we can to depict our art products with as many details as possible and to exhibit them visually on the various product detail pages. Although, the tone of the print materials and the print result may vary somehwat from the representation on the screen. Depending on your settings of your screen and the quality of the surface, not all colors will be printed one hundret percent realistically. Considering that our fine art prints are printed and processed manually, there may also be slight deviations in the size and exact position of the motif.

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