Jules Dupré, 1837 - Okirikiri ala na ehi na Limousin - ọmarịcha nka.

Ozi ndabere na ihe nka akpọrọ aha Landscape with Cattle at Limousin

This artpiece was painted by Jules Dupré. The version of the artpiece was painted with the size: 31 x 51 1/2 na (78,7 x 130,8 cm) e tekwara ya na ọkara mmanụ na kwaaji. Ọ bụ nke Ụlọ ihe ngosi nka nke Metropolitan nchịkọta, nke bụ otu n'ime ụlọ ngosi ihe ngosi nka kachasị ukwuu na nke kachasị mma n'ụwa, nke gụnyere ihe karịrị nde abụọ ọrụ nka na-agbatị puku afọ ise nke omenala ụwa, site na prehistory ruo ugbu a na site n'akụkụ ọ bụla nke ụwa. nkà nke oge a masterpiece, nke bụ nke ọha na eze ka a na-enye site n'ikike nke Ụlọ ihe ngosi nka nke Metropolitan, New York, mkpokọta Robert Lehman, 1975. Ebe kredit nke ọrụ nka: Nchịkọta Robert Lehman, 1975. The alignment of the digital reproduction is in landscape format and has a ratio of 3 : 2, which means that the length is 50% longer than the width. Jules Dupré was a male painter from France, whose style can be classified as Realism. The painter lived for 78 afọ, amuru na afo 1811 ma nwụọ na 1889.

Ozi nka ndị ọzọ sitere na museum (© - Ụlọ ihe ngosi nka nke obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

Unlike many of the Barbizon painters who traveled to Italy or throughout France for practical training, Dupre traveled to England in 1834 for a short but critical period of study. It was there that he encountered Constable, a renowned British landscape artist, and started to emulate the sense of movement and energy present in Constable’s landscapes. Painted several years after his trip to England, this landscape is dynamic: movement stirs among the grazing cattle and through the leaves of the trees. The bright white clouds give way to dark, ominous ones that encroach upon the scene. Dupre’s chromatic structuring, as he contrasts light and shadow for a highly dramatic effect, sets him apart from other Barbizon painters.

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